Kirk Douglas (1916-2020)

by Nathaniel R

By now you've heard that one of the last* true superstars of Classic Hollywood has left the Earth. Three-time Oscar nominee Kirk Douglas, best known to modern audiences as "Spartacus" and the father of Oscar winner Michael Douglas has passed away at the age of...103 (!). We've written about his films before for his centennial (you know how we like centennials here at TFE) so if you're interested we have pieces on Spartacus, 20,000 Leagues Under the Sea, Lust for Life, and multiple pieces on The Bad and the Beautiful.

*This leaves only Sidney Poitier and several female stars -- De Havilland, Novak, Johns, Saint, Lansbury, Moreno --  standing from Hollywood's Golden Age which is roughly considered to be the very late 1920s through the early 1960s stretching from the chaotic advent of sound through the tumultous time frame when "New Hollywood" took over. "Oldest living screen actors" post here.

Jennifer Jones, the early years and 'years at the top'

HAPPY JENNIFER JONES CENTENNIAL!

 Paolo wasn't kidding when he said that the Centennial of Jennifer Jones (that's today!) would be a challenge. Though we usually have some buy-in for centennials literally no one else on Team TFE volunteered for this one so it'll be short. But I'll do one or two pictures. i'm annoyed that I can't do Duel in the Sun (1946), which I've never seen, but I can't find it to stream. Actually easy availability is how I came up with your choices. So vote and tell me which of these films you most want to discuss:

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But before we get there, and overview of her career.

And the eternal question: How long can any given star can stay at 'the top' from Old Hollywood to the right now...

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Tab Hunter (1931-2018)

by Nathaniel R

Tab at the beach in the early '50sApologies that we didn't say our goodbyes to one of Hollywood's best hunks, Tab Hunter, in a timelier fashion.

Tab's real name was Arthur Kelm but back in the studio days almost everyone got a catchier name to boost their celebrity appeal... and you can't really beat Tab Hunter for a memorable name, can you? (Sometimes we wonder why actors don't do that now. Benedict Cumberbatch as a stage name and so many actors use their real names even if their real name is  long and hyphenated and hard to imagine on a marquee!).

Though born in New York his sun-kissed blonde beauty was a perfect fit for sunny California and Hollywood and he rose through the ranks quickly in films. Despite a few well regarded performances peppered throughout his career he was never considered a particularly strong actor and his fame diminished with time. Until recently but we'll get to that in a minute.

Tab Hunter and Dorothy Malone in "Battle Cry" from 1955, the year that made him a big star.

Yours truly first learned of him in the 1980s due to young me's obsession with Natalie Wood (my first actressexual fixation). The studio though they'd make a terrific onscreen couple and threw them together for back-to-back pictures in 1956 -- Burning Hills and The Girl He Left Behind -- because each had had big hits the year before. Teenage Natalie, already a star, was hot off of her first Oscar nomination for Rebel Without a Cause, ample proof that her child-star status would transfer well to adult stardom. Tab had had two huge hits in 1955 (Battle Cry and The Sea Chase). While his films didn't endure like Natalie's (with the arguable exception of Damn Yankees!), Warner Bros was passionate about his bankability...

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100 Oldest Living Oscar Nominees & Winners

This list is now updated and living here. 

"Monkey Business" Giggles

I caught a retro matinee of Howard Hawk's silly delight Monkey Business (1952) for my birthday last weekend. I'd never seen it before and was giggling throughout. Cary Grant, Marilyn Monroe, Hugh Marlowe, and Charles Coburn were in great form but Ginger Rogers completely steals the movie -- no small feat with that cast!

She plays the ridiculously patient and then suddenly immature wife of a chemist (Grant) who is trying to find a formula for de-aging that he's testing on monkeys. Hijinx ensue! My main takeaway this week has been that modern comedies try too hard to have a message, a character arc, and "heart" to go with the laughs. This spring's I Feel Pretty and Life of the Party had this problem and one assumes the newly opened Tag does, too, merely because almost all comedies now do. Heart and message and meaty arcs (if you have to have them) should just spring from silliness rather than be inorganically thrown on top of the comedy like a blanket. That blanket is wet and it dampens the fun.

Do you have this problem with modern comedies and what do you love most about Monkey Business if you've seen it?