In defense of "The Artist"

by Cláudio Alves

For Oscar obsessives, it's no news that to win big at the Academy Awards can be a curse rather than a blessing. The reigning champions are more discussed and overtly scrutinized than the defeated, their triumph like sweet nectar, attracting the bees of discontentment, resentment, and retroactive bashing. The tides of time can also make an atypical choice seem like a perfunctory one. Notice how some of our strangest Oscar champions of recent vintage have gained the fame of being boring winners when they're anything but. You might not like The Shape of Water, for instance, but a love story between a mute woman and a fish-man is not your run of the mill Best Picture winner.

The same can be said about The Artist, a romantic tale with comedic overtones that, in 2012, became the first silent film to win the Oscars' top honor since 1928…

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A Rita Hayworth lovefest

by Cláudio Alves

Born Margarita Carmen Cansino, Rita Hayworth was one of Old Hollywood's brightest and most glamourous stars. As it often happens with such legends of the silver screen, her life was an unhappy one, full of tales of abuse and five failed marriages, crippling insecurity, alcoholism and Alzheimers. Perhaps more hauntingly, her biographers agree that Hayworth despised her existence as a movie star and as a pin-up icon, longing to escape the movie business in her heyday. In Hayworth's later years, she would even come to express disdain towards some of her more famous movies like the iconic Gilda. Still, those same pictures, as well as other classics, made her an immortal legend.

To explore the filmography of Rita Hayworth is to confront the cruel incongruences of her biography, how the movies sculpted her into something bigger than life and made her suffer for it too…

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Barbara Stanwyck: Comedy Goddess

by Cláudio Alves 

Despite being one of Old Hollywood's most electrifying actresses, Barbara Stanwyck feels somewhat forgotten (apart from cinephiles) when compared to her contemporaries like Bette Davis, Joan Crawford or Ingrid Bergman. The one role that arguable does keep her immortal with the mainstream is the devilish Phyllis Dietrichson in Billy Wilder's Double Indemnity, the noir to end all noirs starring the greatest femme fatale of them all. Still, to believe that Stanwick was essentially a noir vixen is unfair to her grand legacy. More than many actresses of her time, she rejoiced in hopping from genre to genre, unencumbered by exclusive contracts to studios that might want to pin her down to one type of role. 

Because of that, she was able to experiment with the extremes of Pre-Code libertinism (Baby Doll), weepy melodrama (Stella Dallas), historical epics (Titanic), tragic romances (There's Always Tomorrow) and even camp classics (Walk on the Wild Side). Her tonal flexibility was unparalleled as she was able to mold her trademark toughness and sexual confidence into almost any role conceivable. She was much more than just the venomous Mrs. Dietrichson, even though that is one of her greatest achievements. I'd go so far as to say that she was one of the great comediennes of her era, on par with Irene Dunne, Carole Lombard, and Jean Arthur. Just take look at her second Oscar nomination…

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Kirk Douglas (1916-2020)

by Nathaniel R

By now you've heard that one of the last* true superstars of Classic Hollywood has left the Earth. Three-time Oscar nominee Kirk Douglas, best known to modern audiences as "Spartacus" and the father of Oscar winner Michael Douglas has passed away at the age of...103 (!). We've written about his films before for his centennial (you know how we like centennials here at TFE) so if you're interested we have pieces on Spartacus, 20,000 Leagues Under the Sea, Lust for Life, and multiple pieces on The Bad and the Beautiful.

*This leaves only Sidney Poitier and several female stars -- De Havilland, Novak, Johns, Saint, Lansbury, Moreno --  standing from Hollywood's Golden Age which is roughly considered to be the very late 1920s through the early 1960s stretching from the chaotic advent of sound through the tumultous time frame when "New Hollywood" took over. "Oldest living screen actors" post here.

Jennifer Jones, the early years and 'years at the top'

HAPPY JENNIFER JONES CENTENNIAL!

 Paolo wasn't kidding when he said that the Centennial of Jennifer Jones (that's today!) would be a challenge. Though we usually have some buy-in for centennials literally no one else on Team TFE volunteered for this one so it'll be short. But I'll do one or two pictures. i'm annoyed that I can't do Duel in the Sun (1946), which I've never seen, but I can't find it to stream. Actually easy availability is how I came up with your choices. So vote and tell me which of these films you most want to discuss:

free polls

But before we get there, and overview of her career.

And the eternal question: How long can any given star can stay at 'the top' from Old Hollywood to the right now...

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