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Entries in Oscar Snubs (30)

Thursday
Jan102013

10 Big Surprises of Nomination Morning: From Batman to Ben

Before you can ever delve deep into the nominated fields, you have do the requisite double takes to process the surprises. Herewith the most shocking turns of events this morning. If I haven't included something you found truly eyebrow-raising and faith-shaking ('how can I ever turst the pundits again?!') make sure to share it in the comments. 

 

 

10 The Supporting Actor List is All Previous Winners
In the entire history of the Oscars, I can't recall any acting category having been composed entirely of men or women who already had Oscars. At least one newbie always manages to join the celebrated. Other than that it's not a surprising list really given that all five of the men had precursor support (typical) and two are leads masquerading as supporting (typical) and all are veterans (typical). This is the kindest category to acting veterans and the most impervious to actual excitement. Year in and year out, it's the dullest major Oscar category even when the field to choose from is brimming with electricity. And to think we could have had a rising star playing an android, a rising star singing and crying his heart out, a rising star shaking what his mama gave him while stoned in Mexico, an A list reaching a career peak with nothing but a G string and a great great performance, and a baker turned actor among the dozens of possibly more thrilling choices.

The Legend Ends... and so do Batman Oscar Dreams09 The Dark Knight Rises with Zero Nominations
It's a beautiful symmetry. Batman f***ed Oscar over by sending them into a tizzy of low-confidence voting rule changes after the infamous 2008 snub (presumably to include more populist choices in Best Picture) and now Oscar has f***ed Batman over by ignoring The Dark Knight Rises altogether -- this despite the series being very popular with voters since long before Chris Nolan took over.  

Eight more increasingly startling morning alarms after the jump.

Click to read more ...

Thursday
Jan102013

Oscar Nominations Announcement

[DRUM ROLL PLEASE] 

8:03 The nomination announcement begins in half an hour. My synapses are firing wildly, the coffee is brewed, and in a failed attempt to feel like a sane normal person going about one's daily routine a load of laundry was started. This was perhaps a bad idea since I'm likely to forget said laundry exists in 1/2 an hour. Once again, to borrow Tiffany's sound advice from Silver Linings Playbook I warn myself "Calm down, crazy." 

8:05 If you're as touched as I am in the head by those 13 ½ inch gold men you're up watching this

COMPLETE LIST OF NOMINEES AND MORE EARLY MORNING FREAKOUT AFTER THE JUMP (BUT HERE'S A VISUAL CHART INDEX IF YOU'D PREFER... AND HOW I PERFORMED PREDICTIVE-WISE and the TEN BIGGEST SURPRISES )

Click to read more ...

Saturday
Dec152012

The "Makeup and Hairstyling" Seven

Another day, another Oscar decision. The Academy's Makeup branch has narrowed the field in their annual bakeoffs and selected the following seven films as the best of the best in the Oscar category of Makeup and Hairstyling. They'll be whittled down to three for Nomination Morning on January 10th.

Will it be Les Miz's abused poor or Lincoln's bewigged politicians for the Hair and Makeup Oscar?

They are:

  • Hitchcock
  • The Hobbit: An Unexpected Journey
  • Lincoln
  • Looper
  • Men in Black 3
  • Les Misérables
  • Snow White and the Huntsman 

HAPPINESS! I'm shocked ("Best" usually meaning "Most" with Oscar) but ever so relieved that I'll never have to look at those hideous faces from Cloud Atlas again; Tom Hanks' yellow buck teeth and various facial hairdonts will haunt me forever even without clip reels!

Among these potential nominees I think Les Misérables and Lincoln are obviously worthy choices for films with extensive and great spell-casting in this particular arena of movie magic. I'm also glad that my early pundit insistence that Snow White and the Huntsmen would be taken seriously by the guilds has come to pass despite some people feeling I was high at the time.

INDIFFERENCE! I don't really thrill to the makeup work in Hitchcock, but I realize that that might have more to do with my issues with Sir Anthony Hopkins who isn't particularly gifted at mimicry, than at the prosthetics aimed to create the illusion of the ressurection of The Master of Suspense. 

SADNESS! I had hoped against hope to see Holy Motors among the actual nominees on January 10th since so much of the film's narrative involves Denis Lavant's makeup applications. (I hoped for it in the way I hoped for The Devil Wears Prada to win a rare contemporary nomination for costume design but that time there was a happy ending.) And I even had a only-in-my-imagination debate about who would get the nomination if The Paperboy made it to the finals. After all those statements about Lee Daniels forcing Nicole Kidman to do her own hair and makeup, would Nicole Kidman be eligible for two Oscar nominations for her latest flirtation with her own bonafide genius?

Thursday
Dec062012

The Modern Bias in Best Cinematography.

Jose here. When the New York Film Critics began announcing their awards yesterday the biggest shock, for me, came early on as they decided to award Greig Fraser with Best Cinematography for Zero Dark Thirty. Don't get me wrong. I have absolutely nothing against Mr. Fraser and up to that moment I hadn't even seen the movie (I did later and ZOMG!). Anyway, what surprised me the most is that a contemporary movie had been recognized for an award that usually goes to period or fantasy movies. It's as if awards bodies don't feel that modern life is "pretty" enough to give it a photographic award. 

Yet the fact that people assume that "best" cinematography instantly means "prettiest" cinematography might be the greatest mistake in a category whose winners sometimes defy all logic...

Click to read more ...

Friday
Nov302012

Visual Effects Finalists: Superheroes Rule, Subtlety Drools

Yesterday the finalists for Oscar's Visual Effects prize were announced. In the end there will be five nominees but for the next month ten films can dream of winning the nomination before the great culling on January 10th, 2013. Once again we see a preference for computer generated imagery with only Skyfall and The Dark Knight Rises as obvious examples of films which tried mightily to rely on in-camera practical effects and stunt work. At a recent "Evening With Christopher Nolan" here in NYC (more soon) Nolan revealed his preference for in camera work with computers relegated to touch up work. 

Did you know that that infamous collapsing football field that led into the seige of Gotham was actually, in part, a collapsing football field (!) and not a figment of a computer artists imagination!? 

Snubs: Generally speaking you can expect the more subtle fx work to be shut out each and every year. This is why Skyfall probably won't be nominated in the end. But my eyes were instantly drawn to the absence of Looper which is a shame, since it's most effectsy sequences, like that finale in the cornfield, were weirdly hypnotic and even the tiny touches like the frequent telekinetics were unfussy and unshowy but totally served the film. Plus, it's a good film which is more than can often be said about nominees in this category. It's also strange, at least in a multi-year context, to see The Impossible miss the finals when Hereafter's less impressive tsunami (in a less impressive film at that) went on to actually be nominated. More traditionally nominatable CG heavy movies shown the door were Battleship, Men in Black III, and Dark Shadows.

Which 50% of the films still standing will prevail? 

still hanging. I hate this film more and more in retrospect.

  • The Amazing Spider-Man
  • The Avengers
  • Cloud Atlas
  • The Dark Knight Rises
  • The Hobbit: An Unexpected Journey
  • John Carter
  • Life of Pi
  • Prometheus
  • Skyfall
  • Snow White and the Huntsman

Your guess work in the comments, please.

Sunday
Nov112012

Interview: On 'Head Games' and Reshaping Oscar's Doc Branch with Steve James

Amir here. With an unusually large number of high profile contenders and a recent overhaul in the branch’s voting system, the documentary category is sure to be one of the exciting races at the Oscars this year. There are a few films firmly in the conversation already, but I recently caught up with a contender that has curiously slipped under the radar despite the talent involved.

Head Games, the newest from Steve James (Hoop Dreams, The Interrupters) is based on a book by former WWE wrestler Chris Nowinski and takes on the issue of concussion in contact sports, a topic that is increasingly discussed among Football and Hockey enthusiasts in particular. James goes back to a more traditional structure in setting up his film with many talking head interviews and archival footage, but the end result is unexpectedly moving. Given the prevalence of these injuries in athletes, from kids who play Football or Soccer on a regular basis at school to the professionals of NFL and NHL, it’s a film that will be emotionally involving for a lot of people. I choked up a few times.

James’s history with the Oscars is well-known: despite universal critical acclaim, both aforementioned titles were snubbed by the Academy, not to mention his other powerful films. He was nominated in the editing category for Hoop Dreams, but it will be a big moment whenever he finally scores his first nomination for best documentary. On the occasion of the film’s qualifying release, I had the opportunity to chat with him about the film, his passion for sports, the Oscars, and the documentary branch’s new voting system.

 Steve James, the director of Hoop Dreams, The Interrupters and now Head GamesINTERVIEW, OSCARS & EBERT AFTER THE JUMP

Click to read more ...