The 'Cancel the Oscars' thing is just plain bulls***t. Here's why

by Juan Carlos

I’ve been itching to discuss this for quite a while now. Ever since the pandemic, the way we watch films has dramatically shifted. Cinemas are now either closed down or maintained with stringent health safety measures. Drive-in cinemas have experienced a resurgence in popularity due to their safer conditions. Meanwhile, we have seen films dropping on streaming platforms, VOD, and virtual cinemas at such a rapid rate that it is quite hard to even keep track of what is being released. 

Meanwhile, AMPAS made several changes in its rules to adjust to the current world we are living in. So for the first time, the Academy allowed streaming-only films in as long as there was an intention to exhibit them theatrically (I still don’t know how they would prove intention, but that's another discussion). Also, they have extended the eligibility period: from January 1 to December 31, 2020, it will now extend until February 28, 2021, a move that seemed hastily done months ago and now makes even less sense since majority of the films that were supposed to screen in the last months of the year in cinemas have now moved to late 2021 anyway. 

And then this opinion piece from the Washington Post happened.

In an article that adds itself to the chorus of people saying that the Oscars should be cancelled in its entirety, the writer asserts that the Oscars should be cancelled because...

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Review: "A Rainy Day in New York"

By Abe Friedtanzer

It’s easy to forget just how formidable Woody Allen’s Oscar history is. Not only is he the most-nominated screenwriter, with sixteen bids, he’s also tied for fourth place in the directing category with seven. He won three prizes for Best Original Screenplay, for the three films that earned Best Picture nominations: Annie Hall, Hannah and Her Sisters, and Midnight in Paris. Annie Hall of course won the top prize for 1977.

Allen has made nearly fifty films, and by my count, I’ve seen a third of those. A good portion of them are from the last two decades, which is hardly considered his golden period. Of his contemporary pictures, I was most wowed by Match Point, which was a dramatic departure from his typical tone as well as a geographical departure from his beloved New York City. But his most recent, Wonder Wheel, was a dud as the closing night selection for the New York Film Festival back in 2017. Interestingly, Allen has two films premiering this month...

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New Oscars Rules for Representation / Inclusion

AMPAS has been busy these past ten years or so dealing with rapid cultural changes and political pressure as well as, let's be honest, fallout from their own various blindspots. Though I know I pissed off many people back in the day when I argued that the Academy was taking more of the blame for #OscarsSoWhite than they perhaps deserved (in that they can only vote on the movies that are made), people who pushed back had a solid point: the Academy is the face and reputation of the American film industry. So even though the Academy isn't an organization that makes movies, their success as the symbolic representation of THE MOVIE INDUSTRY means they are culpable. Starting with the smart diversity initiatives set in place by Cheryl Boone Isaacs's terms as AMPAS president, they've made significant strides at being more inclusive. Today the Academy took a much more specific step forward. They've set up rules of representation and inclusion in order to be Oscar eligible in the first place starting with the 96th Oscars (2023 film year / 2024 ceremony).

You can read the whole press release at their official site but it boils down to this...

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Poland's Oscar stats and the first 2020 news of the International Feature Race

If you've been reading TFE for any length of time, you already know we're obsessive about Oscar's Foreign Language Film race, last year retitled to Best International Feature Film. Normally we've long since begun talking about the submission list, but 2020 remains an unruly unusual beast. But we do have two pieces of news to share regarding our favourite non-actress based category.

First, we've neglected to mention that Oscar's longer-than-usual release eligibility period has also affected Best International Film...

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"Won and done." The curse of finally winning an Oscar

by Baby Clyde

I recently watched Susan Hayward all but demanding voters hand her the Best Actress Oscar in-movie during 1958's I Want To Live. It got me to thinking about her fellow Academy favourites, whose eventual triumphs were also their Oscar swan song.

If an actor who achieves multiple acting nominations is going to win it’s usually early on. It’s common to bag the statue and then spend the rest of your career chasing another. Bette Davis won on her first 2 attempts and then suffered 8 consecutive losses. Spencer Tracy won on attempts 2 and 3 and then spent the next 30 years and 6 nominations waiting for his name to be called again. Sometimes a veteran actor with multiple nods will finally get the prize and continue on in Oscar good books, like Paul Newman who won on nomination 7 and scored two more in following decades. But a surprisingly high amount of winners who have been made to wait find that their greatest triumph is also their last. 

If you win on your 5th nomination (or later) odds are high that you won't be invited back. Consider...

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