She's Finally Got It!
Congratulations to Angela Lansbury! Mrs Iselin is finally clutching her own deserved Oscar gold! You can see her acceptance speech if you haven't yet after the jump...
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Congratulations to Angela Lansbury! Mrs Iselin is finally clutching her own deserved Oscar gold! You can see her acceptance speech if you haven't yet after the jump...
If you want to know why I have had such a hard time sharing my adventures in Los Angeles in real time from the AFI festival which wrapped on Thursday, blame Emma Thompson. She killed me!
The truth is that I get far less starstruck these days than I did a handful of years ago when I first began interviewing celebrities regularly. But sometimes my inner child still spazzes out, and comes bouncing to the surface like a squealing fanboy. I know I'm supposed to be embarrassed by this but the truth is that it feels good.
Enthusiasm is a form of social courage"
-Gretchen Rubin, Happiness Guru
I never want to be one of those jaded film critics who has seen it all and doesn't enjoy anything. So... back to that Saving Mr Banks party. After chatting with Colin Farrell I was introduced to Emma Thompson who is holding up really well at 54. She looks, I apologize in advance, practically perfect in every way. And as one of my formative actresses, I was quite taken aback to be face to face with her, sipping cocktails.
Small talk: we both love the decor at the party, little drawings from the making of Mary Poppins on each table and I pretend to lift one and shove it under my jacket. Eventually -- because I am me -- the conversation drifts to Howard's End (1992). I don't remember quite how we got there but Emma, politely sidestepped the questions about the past and, like a consummate pro, pulla it back to a soundbite ready encapsulation of both my movie nostalgia AND the theme of her new film, in which the author P.L. Travers (Thompson) has a really difficult time parting with her fictional nanny Mary Poppins:
Sometimes you just have to let things go."
-Emma Thompson
And then Emma Freaking Thompson places her hand on my shoulder ...and I died. Using me for balance, she removes her shoes! As if on cue, her assistant materializes from nowhere to grab them. What should she do with them?
"Throw them away. They're garbage." Emma instructs.
"Speaking of letting things go!" I interject awkwardly, amused that the theme has been literalized. As it turns out Emma quite likes the shoes and it's not from lack of sentiment but practicality - she got cement on them across the street at her handprint ceremony. I help her find Colin Farrell for a smoke break and they're off, Emma weaving through the cocktail party in her stockings.
Half an hour later director John Lee Hancock introduces his cast at the front of the giant Chinese Theater. Emma, who apparently can't let a running motif go, removes her new pair of shoes while walking to take her bow, doing a little sideways hopping dance in the process. At this point, though, I'm happily back where I belong, munching on popcorn in my movie seat dreaming about movie stars. The movie begins in the clouds but I'm already there.
Previously at AFI: "Harbringer of Hope" Colin Farrell, Agnes Varda's Cleo From 5 to 7, Anne Marie's Fest Part 1 and Part 2,
Tweet-Bits: Nathaniel & Niecy Nash share an awkward moment, Overheard in Movie Theater Lines pt 1, pt 2, and pt 3
Having recently seen Nebraska a second time (full review coming), I'm more confident that Alexander Payne favorite June Squibb (who played Jack Nicholson's wife in About Schmidt) can ride her scene-stealing laughs in the new film to a nomination. The film opened yesterday in limited release and though the Oscar attention is all on Bruce Dern at the moment, that could well change since the film is endearing on more than just the Dern-level.
Trivia Alert #1 If June Squibb is nominated she will be the third oldest nominee ever in the Supporting Actress category after Gloria Stuart (Titanic) and Ruby Dee (American Gangster)
August Osage County and Jennifer Lawrence trivia after the jump
Glenn here. Rarely discussed by Oscar commentators for reasons unknown to me are the Asia Pacific Screen Awards. Held annually on the Gold Coast in Australia, these awards recognise, well, cinema from Asian and Pacific regions. This year's batch of contenders are from a typically diverse group of nations with several high profile Oscar contenders in the mix. Amongst this year's roster of nominees are the foreign language submissions from Palestine (Omar), Iran (The Past), Saudi Arabia (Wadjda), China (Back in 1942), Hong Kong (The Grandmaster), Singapore (Ilo Ilo), New Zealand (White Lies), South Korea (Juvenile Offender) and Kazakhstan (The Old Man) as well as films amongst the long lists for animation (The Wind Rises) and documentary (The Art of Killing). Just imagine if Japan had chosen Like Father Like Son and India had chosen The Lunchbox!
Even if this year's AFI Fest in Los Angeles proves to be entirely frontloaded -- I had such a ball on opening day with the Saving Mr Banks festivities -- the trip will have been worth it. My adventure began with an exclusive pre-screening cocktail party with the Saving Mr Banks team where I met Emma Th-- no, no, she gets her own post... I'm still processing that one! For now two quick tidbits about the men.
Director John Lee Hancock, no longer The Rookie on his fourth picture, was standing tall and proud while we chatted over drinks. I don't mean that metaphorically but literally since he towered over me - so tall! Thoughnot intimidating, I must add, what with his warm smile, and alarmingly good manners. We were interrupted while he was telling a story which is so common at cocktail parties that you think nothing of it as the celebrity is whisked off to meet another well-wisher or member of the press. You certainly never expect to hear the ending of the anecdote but he sought me out later to finish it.
I couldn't resist asking The Blind Side director what he thought of Gravity. "My girl, Sandy!" he blurts out, the grin even grinnier. "I haven't seen it yet!" he adds with a touch of surprise and apology. He'll rectify that as soon as his press schedule for Saving Mr Banks lightens up. Next week, he hopes.
A few minutes later I had a brief chat with Colin Farrell, also in very good spirits but that's probably easy when your movie has Best Picture buzz. He plays the alcoholic father of the author P.L. Travers (Emma Thompson) in flashback, but it's a substantial role since the flashbacks run parallel to the A story of the making of Mary Poppins, a way of illuminating the author's deep personal attachment to her Poppins creations ("they're family") and why she's so hesistant to sell them to Walt Disney. In the Best Supporting Actor Oscar race Farrell is most likely to be overshadowed by Tom Hanks who gets the plum Disney role (or, as Hancock put it an hour later as he introduced his cast at the screening "an icon playing an icon") but I'm personally confident that one day Farrell will get the right role for the Academy to notice his gift (and not just his celebrity). I told him he'd make my list of Hollywood's Most Underappreciated to which he jokingly replied "I'd make my own list of most underappreciated!"
We ended the conversation reminiscing about his surprise Golden Globe win for In Bruges (2008). I tell him that's one of those rare deserving moments in awards history that pundits and cinephiles like me point too with 'anything is possible!' optimism. "I'M A HARBINGER OF HOPE!" he volleys back.