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Entries in Oscars (15) (391)

Tuesday
Nov032015

YES, NO, MAYBE SO: Anomalisa

Coco here, ready to talk about the trailer for Charlie Kaufman's Anomalisa

YES

- Being John Malkovich, Adaptation, Eternal Sunshine... Even if you don't love Synecdoche New York, a Charlie Kaufman project deserves enthusiasm.
- We don't get enough stop-motion animation in our screens, and even fewer animated movies aimed at adult audiences.
- In a sea of computer generated mediocrity, it's always nice to see a strong voice be inspired by the medium of animation, which seems to be a good way for auteurs to find revitalizing force. Think, for example, of Wes Anderson's wave of success after Fantastic Mr. Fox. 

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Monday
Nov022015

Why Isn't 'Cinderella' an Oscar Contender?

Glenn here.

You will no doubt have read – or least seen the headlines – that people are saying that Ridley Scott’s The Martian should be taken very, very seriously as a Best Picture contender. I’ve even seen people claiming it could win, which seems awfully bullish given its hastily rising status in Oscar circles is due almost entirely to the film’s overwhelming success at the box office in the face of a glut of underperforming Oscar players like Steve Jobs. But amid this new wind of blockbuster excitement and the snickers at (contractually obligated) Oscar campaigns for other big-budget, uber-successful movies, there’s one film that has so far gone under the radar in the conversation and ought to be taken far more seriously than it likely will be.

Yes, I mean Cinderella... more after the jump

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Monday
Nov022015

"Suffragette" Shoulders into the Oscar Fray

Is “Suffragette” faltering under the weight of overly high expectations?  With its impressive pedigree and unimpeachable subject matter, Sarah Gavron’s historical drama about the militant wing of the British suffragist movement seemed poised to be a strong Oscar contender for this fall.  Now, as we move towards the holidays, its status is looking uncertain: reviews have been mixed, and it’s drawn criticism for everything from its limited narrative focus to the limited screen time of Meryl Streep, who receives top of the line billing for a role that’s essentially no more than a cameo.  

If there’s a common trend to the criticism, it’s that the critics seem mostly preoccupied with what the movie doesn't do rather than what it does.  “Suffragette” is less a historical chronicle of the suffragettes than a snapshot view through the eyes of one (fictional) working class woman who’s accidentally and at first reluctantly drafted into their ranks.  It’s a study of what circumstances would drive such a woman to join a movement that would seem to hold no immediate benefit or attraction for someone in her position.  [more...]

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Sunday
Nov012015

The Martian has sturdy legs. Other Oscar contenders are wobbling.

It was a rough box office weekend for any movie that wasn't The Martian or Bridge of Spies, both of which are obviously holding audiences enthralled given their minuscule drops from last weekend (that always equals: word of mouth). In fact, The Martian even got a nifty new poster for its week long run in IMAX theaters. Why it's only getting a week and only now is confusing but it is apparently so? The Martian will be the 8th top grosser of 2015 any second now and then will set its sights on toppling Mission: Impossible - Rogue Nation and Cinderella though the top five of the year will remain well out of reach. The lowest grosser among the curren top five is Minions with over $334 milllion in its US coffers and with Star Wars and The Hunger Games still to come in 2015 this is going to be a very high grossing box office year...  for the top films at least.

More...

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Saturday
Oct312015

In Praise of Carey Mulligan in Suffragette

Murtada here, with a lot of love and respect for Carey Mulligan.

There's a scene late in Suffragette when Maud Watts (Carey Mulligan) realizes the devastating enormity of the separation from her son. Mulligan’s face, in a second, flickers many emotions, all so overwhelming that you feel this woman’s pain in your gut. Yet she doesn’t overplay or milk the moment for maximum effect. She remains understated.

This is just one of many moments in the film in which Mulligan transcends her movie and reaches her audience with clarity and without exaggeration. Set in London in 1912, Suffragette tells the story of Watts, her education and indoctrination into the suffrage movement. When the film starts, she is working in a laundry, trying to survive a hard existence alongside her husband and young son. A chance encounter introduces her to the suffragettes and she becomes a member of their embattled movement. 

It is through Mulligan that we enter this world. Her character is a composite of many working women who were part of the movement and is built to be the audience surrogate. Her performance is so strong that the plight of these women is not only depicted effectively, but comes alive. I could not control my emotions or my tears. Mulligan’s performance is an emotional marvel and delivered with technical mastery. Her working class English accent is impeccable, her weariness and defeat is visible in her hunched back and heavy walk, her defiance rises to crescendo and is delivered with skillful control of her voice. This is why there are awards for acting.

The film is dividing critics and its reception is unfortunately lukewarm. Some accuse it of being well intentioned but conventional. "Earnest", "formulaic" and "schematic" are words used to describe Suffragette.

But the film derives most of its power from the performance at its center. Mulligan is riding on a wave of acclaim, with co-star Meryl Streep recently praising her:

"I’m in awe of your talent . . . I really am. I’m also in awe of your voice, which is like warm caramel poured over the English language. I applaud your taste in material and how you hold out for stuff. Even when you were young and didn’t have any money, you just did things that mattered. I can’t wait to see what Carey Mulligan will give us next, what new woman she’ll give birth to”.

In her earlier 2015 release Far From the Madding Crowd, Mulligan as Bathsheba Everdeen says "It's my intention to astonish you all". And you do Carey. Always.

Do you think Carey Mulligan in on her way to a second Oscar nomination?