Oscar's Foreign Film Race Pt 1: All 81 Trailers

Pt 1 Everything You Wanted to Know About the Foreign Language Film Category... *But Were Afraid to Ask

Here are all the trailers in one place. We're helpful that way. Tis the season of wondering what the Academy's Foreign Language Film committees might take a shine to. We're sprucing up the Official Submission Charts right now to make them cleaner with the full list but until then here are all the trailers for your viewing pleasure.

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Oscar's Foreign Race Pt 2: Female Directors & Debut Filmmakers

Pt 1 - All 81 Movie Trailers
Pt 2 Everything You Wanted to Know About the Foreign Language Film Category...  *But Were Afraid to Ask

Mustang has a female director and female cast. Will this be a good year for women in Oscar's Foreign Film race?

The next time you see someone tweeting about the lack of female directors that get work in Hollywood, please point them to Oscar's Foreign Language Film category. This category reminds us, year after year, that Hollywood is not the entirety of Cinema. We'd do well to commit that to memory. And progressive thinking moviegoers would do well to seek out the alternate voices that already exist that they say they want... even if that requires reading subtitles.

You see, each year countries around the world are asked to submit one film to represent their entire country at the Oscars (it need no longer be in an indigenous language to that country, just not in English). Each year at least a handful of countries submit films directed by women. This year it's much more than that. Now, that might not be a direct correlative to "it's better for female directors in ____ than in the USA" but it's not nothing!

Consider the act in reverse. Can you imagine Hollywood, if they were forced to submit one film that represented them for a whole calendar year, choosing a female-directed film to speak for them? Given their lack of interest in films about women let alone films directed by them, this seems unthinkable. The sole exception is probably Kathryn Bigelow's military drama The Hurt Locker (2009). 

Where are the Women? Right Here!
This year the Oscar race for Best Foreign Language Film has 81 contenders. A total of 13 of those films are directed or co-directed by women. [More...]

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An Evening With The Duplass Brothers

Kieran, here. When I saw Sean Baker’s Tangerine (discussed here), I was taken aback to see Mark and Jay Duplass (pictured left, in that order) listed as executive producers. While they’re certainly known for micro-budget features (their first film, The Puffy Chair was made for only $15,000), an indie dramedy about transwomen of color in East Hollywood seemed a far cry from their typical oeuvre.  Listening to them talk last night at the Academy’s Samuel Goldwyn Theater, I quickly realized my perception of them was misguided. They themselves seem aware of how they are perceived. Mark joked at one point: 

I think people think we sleep in bunk beds together. We're actually married and we have children--with other people"

Once the conversation turned to Tangerine and why they signed on as executive producers, they were eager to discuss the Sundance breakout hit. [More...]

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Cheers, Frannie. And Other Links

Awards Daily pays tribute to Jane Fonda (Youth) and Lily Tomlin (Grandma) as we all should. Weekly. (Daily? Hourly?)
People introduces new princess 14 year old Auli'i Cravalho who voices Disney's Moana
Jezebel "Today we are all Frances McDormand drinking wine on a toilet" Amen!

Interview Magazine has really been really topping itself lately. Now they've got Jeff Bridges talking to the iconic cinematographer Roger Deakins (Sicario). Thus begins the hard push to get him his long overdue Oscar I suppose. We interviewed him for True Grit and he was a good chat!
The Bitter Script Reader thinks The Martian screenplay is a great example of how to write obstacles for characters that engage the viewer in the same "oh shit" living of them as plans fall apart
Film School Rejects tears up over Room and appreciates the Mother & Child thread running through many films this year
i09 is (rightly) horrified by what Frank Miller has done to Superman in a new comic book cover
Variety thinks its time Oscar voters caught up to Love and Mercy and Straight Outta Compton

Taylor (left) and Rodriguez (right) the stars of TANGERINEP.S. First Trans Actress Oscar Campaign
You may have heard (from everywhere) that Magnolia Pictures is launching the first ever Oscar campaign for transgender actresses - the spirited girls from the awesome Tangerine (a film which we've recommended often). TFE actually broke this news first (albeit in early "we might do this" planning stages) but we were asked to remove the reference to it, post publication, from our James Ransome interview since he wasn't supposed to talk about just yet. We get no respect I tell you -- even when we heartily support a film from its first screening!

Anyway, if you haven't seen the film yet do so the first chance you get. Kitana Kiki Rodriguez (who plays vengeful hot-tempered Sin-Dee) will be pushed for Best Actress and Mya Taylor (her much calmer best friend Alexandra) will be campaigned as a Supporting Actress but... you know how these same gender movies go, that's total Category Fraud bullshit since you can't have one without the other. They're like a trans Thelma & Louise only with less of a crime spree and no wheels of their own; these girls have to settle for the indignities of public transport (those bus scenes. LOL) and walking in L.A.

NYFF: Sing the Electric "Steve Jobs"

Reporting from the ongoing New York Film Festival here is Jason on Oscar hopeful "Steve Jobs".

It should surprise no one that a movie directed by Danny Boyle and written by Aaron Sorkin is all about rhythm. The rhythm is established at the start (and Steve Jobs runs zero to sixty so you'd best get a grip quick) and pulses outwards like the blink of a cursor, or a techno beat. You could probably set your watch to it... if you were a maniacal math genius who could work out the exact algorithm they're working off of. 

The new film is structured around three events in Jobs professional life: his first presentation of his Macintosh computer in 1984; the "perfect black cube" of the NeXT machine in 1988 after he was fired from Apple; and his triumphant return to the company a decade later with the crayola-tinted iMac every girl in my college dorm owned. Within each chapter, there are a series of sonnets of sorts, devoted to the folks in his life - his daughter, his work-wife, his boss, so on. The pieces shift once the rhythm is established, but structurally speaking the film is rigorous, in a (and I do not use these words lightly) soul-pleasing kind of way. Once you find your way in to Steve Jobs, there's this satisfaction in expectations, and the massaging thereof. [More...]

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