Ranking Kate Winslet's Oscar-Nominated Performances

Kieran, here. With this week's wide release of the already heralded Steve Jobs and yesterday's Elizabeth "Lee" Miller biopic casting announcement, it could well be a entering a second era of peak Kate Winslet. Winslet was on a career high with six Oscar nominations, four before her thirtieth birthday. Then things slowed down considerably. Yes, she had that awards run for Mildred Pierce and she was Globe nominated for her turns in Carnage and Labor Day. However, the consensus these past few years is that Winslet has been in a bit of a slump. If her Steve Jobs work does indeed land Winslet a seventh nomination, it'll be thrilling to see her return to the ceremony.

It's been seven years since Winslet last nomination for The Reader (which she won). In honor of one of our favorite actresses/shampoo-bottle-Oscar-speech-rehearsers let's look through her list of nominated performances, and rank them. Heavenly Creatures and Holy Smoke!, two of her best, are missing, but that's another story.

6. Little Children 
(Best Actress, 2006--Lost to Helen Mirren in The Queen)

Her turn in Little Children is an excellent example of how Winslet is rarely uninteresting to watch on-screen, even when she happens to be miscast. Todd Field makes good use of her highly-charged eroticism and her gift for conveying inner turmoil. Unfortunately, the screenplay forces her to tell more than show.

Click to read more ...

Oscar's Foreign Race Pt 5: We do love our trivia!

"everything u ever wanted to know about the foreign film category
*...but were afraid to ask"
Pt 1 81 Trailers | Pt 2 Women Directors & Debuts | Pt 3 Zoology | Pt 4 I know that face! 

who will follow Pawel Pawlikowski (Poland's IDA) to an Oscar win for Foreign Language Film?OKAY OKAY. We promise to calm down now.

We hope you've enjoyed our week long attempt to get you really pumped up for an Oscar category that's sometimes hard to get invested: Best Foreign Language Film. The films can be hard to track down making this competition less accessible, so we try our statistics and anecdotes and lists to pique your curiosity!  

But from here on out we'll try to track down as many as we can and actually see them. Imagine it: seeing movies! Please do share this series on twitter and facebook and whatnot. It's so much work and so many websites just depressingly print text only lists of titles and call it a day! We've already reviewed or done interviews from 11 of the pictures: Argentina's The Clan, Austria's Goodnight Mommy (now in theaters), Colombia's Embrace of the Serpent, Dominican Republic's Sand Dollars, France's Mustang, Germany's Labyrinth of Lies (now in theaters!), Hungary's Son of Saul, Norway's The Wave, Portugal's Arabian Nights Volume 2, Sweden's A Pigeon Sat on a Branch, and Taiwan's The Assassin (opens Friday!). Off blog we've lined up screenings of 8 more in the next two weeks so we'll be sure to report. We'll never get to 81 but we can try.

ONE FINAL ROUND OF TRIVIA AFTER THE JUMP
Let's talk running times, previous Oscar nominees, and returning directors who've been submitted before.

Click to read more ...

8 Best Things About "Steve Jobs" (First Impressions)

True confession: When I read Jason's breathless rave for Steve Jobs from my sick bed last week I was like "calm down, man,  it can't be that good" Cut to one week later me sitting in the theater, as the end credits rolled: "I gotta read that rave again and nod my head vigorously this time!" While I suspect I don't love it quite as much as Jason, it is inarguably one of 2015's must-see picture and we shan't be annoyed at all when it racks up Oscar nominations in January.

The film goes wide on Friday and trust that you'll want to be there. Here are my 8 favorite things about it at first glance... 

Click to read more ...

Oscar's Foreign Race Pt 4: "Hey, I know that face!"

"everything u ever wanted to know about the foreign film category
*...but were afraid to ask"
Pt 1 All 81 Trailers | Pt 2 Women Directors & Debut Filmmakers | Pt 3 Zoology 

Actors You Know & Possibly Love
Successful actors really rack up the frequent flyer miles. The savvy ones cultivate relationships wherever they go. The very smartest of them pick up a second or third or fourth language and actually use those languages in their careers. Viggo Mortensen doesn't have quite the Hollywood career he deserves but notice that he doesn't settle - he's truly in love with his craft and uses his Spanish, English, Danish, and French in films all over the world. When the Danish Connie Nielsen was starting to look basic after lots of unsatisfying American films, she reminded everyone that she was actually gifted by going international with France's demonlover and returning home for Brothers. Actors who are bilingual and never use that onscreen are a mystery. It would be fun to see Sandra Bullock in a German movie or Hugh Jackman or Bradley Cooper in a French flick... even if it was only cameos since we know none of them are hurting for work. Why did Mira Sorvino not really capitalize on her Mandarin during her long dry spell? It's no accident that Charlotte Rampling and Carmen Maura never stopped working or that Kristin Scott Thomas only quit working when she wanted to; they speak multiple languages and make films outside their home countries often.

Let's look at the actors with a strong international presence that pop up in this year's Oscar submitted foreign-language films after the jump...

Click to read more ...

NYFF: The Oscar Contender "Son of Saul"

Manuel here reporting from the New York Film Festival on Hungary's Oscar submission, a powerful debut film...

The Holocaust film is, as historical subgenres go, perhaps the most well-worn. From John Ford and George Stevens’ documentary footage of the camps liberation all the way through Spielberg’s Schindler’s List and Benigni’s Life is Beautiful, cinema has been irrevocably tied to our cultural remembrance of that most barbaric killing machine. Cinema’s ability to record, to bear witness, has no doubt played a central role in this artistic canon. Of course, at the heart of the cinematic project of the Holocaust lie conflicting and controversial ethical questions. From Theodor Adorno’s “There is no poetry after Auschwitz” dictum to storied arguments about the validity and usefulness of recreating the images of Western civilization’s most gruesome chapter, directors, victims, and historians have asked plenty of hard to answer questions.

Does the depiction not merely replicate the dehumanization on which that enterprise depended? Is there a way to narrativize this barbaric act without simplifying history? Can cinema’s images ever do anything more than ring hollow when compared with the immensity of human life lost?

If all of this sounds heady as an intro to a review of László Nemes’s debut film Son of Saul, you should’ve heard leading man (and poet) Géza Röhrig and his director talk at length about these very issues while quoting Primo Levi at the press conference a few days ago...

Click to read more ...