The Furniture: Terrestrial Fun in "Star Trek Beyond"

"The Furniture" our weekly series on Production Design. Here's Daniel Walber

Early in Star Trek Beyond, screenwriters Simon Pegg and Doug Jung wedge a dumb joke into the voice over narration of Captain Kirk (Chris Pine). He has led the Enterprise and its crew across the galaxy to fulfill an endless series of missions, many of them quite similar. His life, he explains, has begun to feel a bit “episodic.” Very funny.

Yet Star Trek Beyond is, in its own way, a self-contained episode of an ongoing series. The bulk of the film takes place on a single planet. No time is spent on earth, nor is the home world at any significant risk. There is no massive cross-galaxy conflict. The story is given a satisfying conclusion, without participating in a grand trilogy or teasing a far-off sequel. This isn’t Star Wars or, for that matter, the Marvel Cinematic Universe.

This means that the production design team, not tasked with a universe of diverse locations, focused on on just a couple of planets...

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European Film Award Nominations. Good news for 8 Oscar contenders

The Precursors are coming! The Precursors are coming! Though the European Film Awards hardly have Oscar on their minds when they vote (bless them) it's all part of the grand circus of November-February honors to commemorate each film year. Several European films hoping to score Oscar nods in the Foreign Language Film race have reason to be hopeful given their warm embrace here.

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Review: Doctor Strange

A slightly abridged version of this review was originally published in Nathaniel's column at Towleroad

For a franchise sprung from the fantastic realm of comic books, Marvel movies have not been particularly exciting on a broad visual level.

Sure, they’ve consistently managed iconic little visual beats within setpieces and that's no small thing. But they’re never suffused their films with eye-popping aesthetics as a matter of atmosphere. (The two exceptions to this rule are Guardians of the Galaxy‘s garish cosmic cartooonishness and Thor‘s brassy mythological kitsch). The Marvel film is more likely to stage its action setpieces and earnest conversations in vast empty spaces like sterile corporate buildings, parking garages, airport tarmacs, or mountain ranges. Given this predilection, the second half of Doctor Strange is absolutely jarring in a welcome way, never failing to give you plenty to gawk at...

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Posterized: Jeff Nichols

With the romantic civil rights drama Loving opening in limited release today let's survey the short career (thus far) of writer/director Jeff Nichols. He turns 38 in a month but he's already made 5 pictures. With each subsequent effort pictures he seems to edge a wee bit closer to mainstream awareness and already has critics in his corner. The Oscar attention that will likely hit Loving, which focuses on Richard (Joel Edgerton) and Mildred Loving (Ruth Negga) and their battles with Virginia's anti-miscegenation laws, will be a major step in that direction. None of his films to date have received an Oscar nomination of any kind though they've been in the "best of year" conversations.

How many of his films have you seen?

Shotgun Stories (2007) - Spirit Award John Cassavettes Nominee
Take Shelter (2011) -5 Spirit Award nominations with 1 win, Gotham Nominations for Feature & Ensemble
Mud (2013) - Spirit Award Best Direction Nomination, Robert Altman Award Win
Midnight Special (2016) 
Loving (2016) - Gotham Nominations for Best Actor and Best Actress

Fun Trivia Note: Michael Shannon has appeared in every single one of the director's films. In Loving though he only has a bit role as a magazine photographer who takes famous photos of the couple at home which raises their profile nationally.

IDA Cites the usual suspects as "Best Documentary"...

Though yours truly (Nathaniel) owns and operates this site, I am not really part of its growing documentary beat (thanks Glenn!). But as a known stickler for rules (without rules, games and competitions and awards ceremonies are useless, truly) I plead to the cosmos "Won't anyone join me in being enormously troubled that documentary associations see no trouble in nominated O.J. Simpson: Made in America in both TV and Feature categories?" Shouldn't these organizations have rules on such things. Shouldn't they have executive committees for situations in which rules are challenged or unclear.

The IDA Feature Nominees -- all but "I Am Not Your Negro" are also nominated in the BFCA's feature category

And if there is truly no distinction between TV and Film anymore (something we're willing to entertain even if we don't like it) than shouldn't we have an abrupt end to their separation in category/awards forms? In the past week or two we've had three announcements that effect or reflect the oncoming Oscar race for Best Documentary Film. In all three (BFCA Doc nominees, AMPAS long list, and now IDA) O.J. Simpson: Made in America is included among the features but in two of the three -- the two with TV awards --its parent series is nominated for television prizes. O.J. Simpson Made in America is part of ESPN's 30 for 30 series, if we understand correctly (do we?). Can anyone explain or justify what is happening? The full list of IDA nominations is after the jump...

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