Podcast: Moonlight, Sully, and Birth of a Nation

Impossible though it may be to believe, the podcast is back after an unintended hiatus. Joe, Nick, Nathaniel, Katey (and special guest Charlie) are all in house to discuss the arthouse hit Moonlight with a little on previous releases Sully and Birth of a Nation, too. Please continue the conversation in the comments if you've seen any of the films!

Index (42 minutes)
00:01 Welcome back everyone
01:48 Sully
09:08 Tom Hanks Best Actor nomination?
10:00 Moonlight
22:55 Moonlight's ensemble and Oscar prospects
30:25 Birth of a Nation's implosion and the Braveheart comparisons
38:20 Moonlight again for the wrap-up

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you?  

Articles referenced in this conversation
Thankless Marvel Roles | Nick's Moonlight Tweets |  TFE's Moonlight Review | VF's conversation with Barry Jenkins | Joe's Series "The Gay We Were" 

Moonlight and More

Oscar: 145 Documentaries to Compete

Glenn here. Despite writing about (at least) one documentary a week since March, it feels like we've barely made a dint in covering the mammoth list of 145 titles that will be competing for the five coveted nominations in Best Documentary Feature category at the upcoming Oscars. Collectively, The Film Experience has reviewed 30 of the list, and we hope to cover a bunch more as we get closer to nominations.

There are a lot of noteworthy titles on this list so even making it to the 15-strong shortlist will be tough. And it's worth remembering that big titles are left off and smaller little-known titles get elevated every year. I have never heard of quite a few of these - and many others only have/had qualifying runs with releases planned for 2017 so it's impossible to really gauge some of them. What big titles will be left off? Will the recent scandals help or hinder Weiner, the year's most zeitgeisty doc hit. Will too many films about race cancel out one of the bigger titles? Will Herzog and Alex Gibney give the race some behind-the-scenes star power?

If I had to take a complete stab in the dark guess of what those 15 titles would be based on what I have seen, what we know of this branch, and the buzz on certain titles, I would probably go with the following:

Audrey & Daisy - Fire at Sea - Gleason - Hooligan Sparrow
I Am Not Your Negro - Into the Inferno - The Ivory Game - Life Animated
Newtown - O.J. Made in America - 13th - Tower - Trapped - Weiner - Zero Days

The only real big names missing seem to be ones we already suspected wouldn't be on the list like Andrew Dominik's One More Time with Feeling, Sergei Loznitsa's found footage doc The Event, Chantal Akerman's swansong No Home Movie, Morgan Spurlock's Rats, the duelling queer festival hits Strike a Pose and Kiki and Albert Maysles' final project, In Transit. Although if someone can explain the absence of Gillian Armstrong's Women He's Undressed that would be nice. And I bemoan the loss of one of my absolutely favourite docs of the year, Here Come the Videofreex, a tiny analogue-doc about the early days of underground political news reporting. I do see, however, that O.J.: Made in America is indeed on the list, but whether the branch chooses to recognise an eight-hour made-for-television episodic documentary remains to be seen. My thoughts on this are known, but we'll wait and see if the branch take the bait before examining it much further.

For now you can read the full list after the break (with links to reviews).

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Two Teensy Reviews: The Dressmaker & Miss Peregrine

Presented to assuage Nathaniel's guilt from not having properly reviewed them when they arrived.

Miss Peregrine's Home for Peculiar Children (Tim Burton)
Story: A teenager (Asa Butterfield) who just mysteriously lost his beloved grandpa (Terence Stamp), seeks out the home and guardian (Eva Green) he grew up with overseas. The home is hidden in a time loop (!) and under seige by eyeball-eating supernatural forces (!!!)
Review: Intermittently engaging but ultimately generic even in its "peculiarities". Butterfield is dull in the lead but Eva Green delivers (as always) from the sidelines. The premise screams out for a fuller miniseries treatment to provide depth and pathos rather than what amounts to a rushed peek at an admittedly intriguing freakshow.
MVPs Beyond Eva: Props Department & Set Decorators (love those lead shoes, all the photos, and the weird details in the rooms)
Grade: C+ 
Oscar Chances: No. Too underwhelming overall and Colleen Atwood, a favorite of Oscar's costume branch, has other more high profile movies out this very year.

The Dressmaker (Jocelyn Moorhouse)
Story: A sophisticated hostile fashion designer returns to her home town for... what exactly?
Review: Those who miss Kate Winslet and/or those who long for the 1990s era of popular eccentric Australian imports must not miss this sassy throwback. Others may scratch their heads at the spectacularly uneven results. Kate Winslet has a welcome ball but many of the character arcs (and even the casting) make no sense whatsoever. Pity about the jarringly sad final act.
MVP's beyond Kate: Liam Hemsworth whilst stripping / Sarah Snook's makeover
Grade: First Half: B+; Second Half: C
Oscar Chances: Perhaps an outside shot at costume design since they're such a crucial part of the narrative? But then who to credit? -- Kate Winslet's costumes are by a different designer (Margot Wilson) than the rest of the costumes (Marion Boyce).

If you saw these pictures, what were you favorite and least favorite things about them?

Review: South Korea's Oscar Submission "The Age of Shadows"

Tim here. Age of Shadows is currently making its way around the U.S. art house circuit, giving Americans our change to catch up with one of the biggest hits at the Korean box office this year. It's a historical spy thriller, set during a period of time that I suspect most of us English-speakers haven't thought about much, or at all: the stretch of time from 1910 to the end of World War II when Korea was occupied by Japan.

The film, set in the 1920s, takes as its subject the Korean resistance to Japanese rule, and follows the career of a double agent named Lee Jung-chool (Korean superstar Song Kang-ho), a Korean-born police captain operating under strict Japanese control...

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A "Moana" Sneak Peek with Lin Manuel-Miranda

We're just 25 days from Moana hitting theaters and more fresh looks have been coming. This past week I had the opportunity to see a few scenes and hear Lin-Manuel Miranda speak about the film afterwards. Curiously the scenes they showed us weren't "song scenes" despite the pairing of those two things.

We mostly saw scenes involving Moana herself, voiced by the joyful Auli'i Cravalho, the teenage discovery Disney chose to voice their latest princess. Baby Moana, before Auli'i Cravalho takes over, is just about the cutest thing ever and there's a long scene of her discovering the ocean that is not unlike the adorability of Pixar's wonderful short from earlier this season, Piper, albeit with less fear because Moana is immediately in love with the ocean. 

They also showed us a complicated ocean action sequence that the exuberant Venezuelan animator who hosted the event revealed was inspired by Mad Max Fury Road. Later when Lin-Manuel Miranda spoke we learned that he got the job before Hamilton (!) and when he was composing for Maui the demi-god he used The Rock's wrestling videos, of all things, to get a sense of his vocal range.

I was reminded of that when this new clip emerged very recently featuring The Rock singing in character as the demi-god who accompanies Moana on her journey. (In one of the clips I saw last week we also got a sense of how fun his magical tatoos are, including "Mini-Maui"  who you can meet here for yourself.)

Are you counting down the days? Or are you still a Zootopia or Red Turtle fan for the Oscar?