Coco, CMBYN, and the Specificity of Feeling Seen at the Movies

by Jorge Molina

Award season means trying to watch as many movies as possible in the shortest amount of time to feel included in the zeitgeist (well, in our zeitgeist here, at least; movies from all across the board that, apart from wanting to be in the awards conversation, often have little in common.)

Recently I watched two movies that, at first glance, couldn’t be more different. On one hand there’s Coco, Pixar’s newest entry about a Mexican boy wandering into the Land of the Dead. And on the other, there’s Call Me by Your Name, the much-discussed festival favorite that follows the romance between a teenager and an older man in sun-drenched Italy. On the surface, these two films don’t share much yet they offered me a very similar cinematic experience.

Both made me feel seen (yes, in italics). They reflected parts of my identity that I rarely get to see reflected on screen. How did they do that? By being as specific as possible...

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Interview: Claes Bang on 'The Square,' the Monarchy and Being Starstruck at the Governors Awards

By Jose Solís.

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Like Christian, his character in The Square, Claes Bang speaks with impressive assertiveness. Even when he’s poking fun at himself, he sounds like a man who’s never had any doubts or gotten himself into something he couldn’t get out of. Perhaps it’s this quality that makes his performance in Ruben Östlund’s award winning film so magnetic, and has also raised comparisons to Jon Hamm and James Bond. At age 50, the Danish actor who has mostly worked on stage and television, finds himself in the unlikely position of movie star. Position which he’s filled extraordinarily, having become the sensation of the Cannes Film Festival, as well as a dark horse for the European Film Awards where he’s competing against Colin Farrell and Jean-Louis Trintignant for Best Actor.

Watching Bang (even his name’s cool!) in The Square one gets the sense of both knowing Christian, but also feeling like he could deceive you at any moment. He’s the kind of man who seems so secure of his position in the world, that he could drag you with him without you realizing it. When I spoke to director Östlund he explained that he saw Christian as a man who, despite appearances, isn’t as free as we’d think. Earlier this fall, Bang took a break from his publicity tour to do a play in Denmark, and he also makes New Wave-like electronica - think darker Depeche Mode - under the moniker This Is Not America, making him the ultimate renaissance man. If awards season wasn’t so partial to English speaking roles, Bang would be a serious contender for Best Actor, since he delivers the kind of performance that combines unique thespian talents, with pure star power. I spoke to him about taking on a character as complex as Christian, his thoughts on the monarchy, and his favorite part of awards season so far. Read the interview after the jump...

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NBR Goes Cuckoo for "The Post"

by Nathaniel R

The National Board of Review, which regularly has a recency bias in their awardage has gone full tilt boogie into stanning for The Post, with a couple of honors for Phantom Thread, too, which were both most definitely among the very last things to screen. Neither opens until the tail end of the year. They gave The Post their top prize and both lead acting awards for the film's iconic stars Tom Hanks and Meryl Streep. That's unusual for NBR. The complete list of winners and commentary after the jump...

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"Get Out" and "Call Me By Your Name" Divvy Up the Gotham Awards

by Nathaniel R

the oldest and youngest nominee flanking the big winner: Lois Smith, Jordan Peele, and Brooklynn Prince

Get Out (with 3 wins) and Call Me By Your Name (with 2 including Best Feature) dominated the Gotham Awards last night taking the bulk of the prizes. That didn't leave much for other contenders though A24 movies The Disaster Artist and Lady Bird scored both leading acting awards. Entirely shut out despite multiple nominations: The Florida Project, Good Time, and I Tonya. More after the jump...

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Which actresses are we underestimating in the nomination hunt?

by Nathaniel R

Are we underestimating them: Winslet, Bening, Chastain, Haddish, Vega, Dench, Williams, Stone, Chau, Blige, Scott Thomas, Gadot

If you look around the web you'd suspect we are closer to Oscar nominations than we actually are. Two months remain before we have our Oscar nominations (57 days to be exact) so there's a month of campaigning left before the Academy even starts filling out their nomination ballots! Despite the plentiful time remaining and few precursors yet announcing (NBR is first tomorrow), the internet seems convinced that we're narrowed down to about 6 or 7 players for 5 slots in virtually all the acting categories. But is it this cut and dry?

It's likely not.

We know the general field at this point but there's still a lot of wiggle room, some films/people are always underestimated and the reverse at this point. But even if none of the 12 women we've including in the image above end up with a difficult to snag Oscar nomination, I'm curious if any of them will be cited anywhere this season from precursors to the Globes to SAG to regional critics groups. What do you suspect?

RELATED: Updated charts for Best Actress and Supporting Actress. Thoughts?