The Honoraries: Maureen O'Hara in "The Parent Trap" (1961)

Welcome to "The Honoraries". From now until November 8th when the Governor's Awards are held, we'll be celebrating the careers of the three Honorary Oscar recipients of 2014 (Maureen O'Hara, Hayao Miyazaki, Claude Carriere) and the Jean Hersholt winner (Harry Belafonte). Here's Abstew...

Maureen O'Hara's impressive body of work includes a Best Picture winner (1941's How Green Was My Valley), a perennial Holiday favorite (1947's Miracle on 34th Street), even an early film with Hitchcock (1939's Jamacia Inn). No offense to those classics but the greatest film the star ever appeared in has to be that Disney masterpiece about a pair of long-lost twins trying to reunite their parents in The Parent Trap.

It was my first encounter with The Queen of Technicolor and although the appeal of twice the juvenile star wattage of teenage Brit Hayley Mills was the main selling point as a child, there was always something special about O'Hara as their mother, Margaret McKendrick. Even before she finally appears a half an hour into the movie, the film has already built her up as a glamorous and intriguing figure. Susan (Hayley Mills as tomboy) talks about how she used to stare at her picture and how fabulous ("Absolutely fabulous") her mother was. And the word Sharon (proper, upper-crust Hayley Mills) uses to describe her is divine, both adjectives usually reserved to describe bedazzled drag queens lip-syncing for their lives. But once Sharon reveals the beauty shot of her mother, there was no doubt in my young mind that that was a movie star. [More...]

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Curio: My Fair Lady at 50

Alexa here to celebrate the 50th anniversary of My Fair Lady. Although not my favorite movie musical, unlike the Smackdowners this summer,  I always have a blast returning to it.  Despite the many charms of Audrey Hepburn's performance, I love re-writing history and imagining how different a film it would be had Julie Andrews returned to the role.  Even more intriguing is imagining if Elizabeth Taylor (who wanted the role) had played Eliza.  For better or for worse, its Pygmalion story continues to be reinvented, with the latest incarnation being the ABC comedy Selfie (worth a watch for John Cho).

Some curios, vintage and handmade, to celebrate 1964's Best Picture after the jump...

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A Year with Kate: The Lion in Winter (1968)

Episode 36 of 52: In which if there’s only one Katharine Hepburn film you see, make it this one.

When you take Screenwriting 101, your first lesson is the Three Act Story Structure. Act 1: Introduction. Act 2: Conflict. Act 3: Climax (and hopefully Resolution). If I were to so arrange the lives of Henry II of England and Eleanor of Aquitaine, it would roughly look as follows: Act 1: Eleanor and Henry II fall in love. Act 2: Eleanor and Henry fall out of love and into battle. Act 3: The Lion in Winter. 

James Goldman’s script starts in media res, with Eleanor of Aquitaine (our own Kate) and Henry II (Peter O’Toole) already at the end of two civil wars and any pretense of civility. Knives are out as everyone prepares to fight at the Christmas court at Chinon. Joining them are their three angry sons--Richard (Anthony Hopkins), Geoffrey (John Castle), and John (Nigel Terry)--and the newly minted King of France (Timothy Dalton). (That's right, Hannibal Lector shares a movie with James Bond.) What follows is the messy climax of decades of personal grievances fought on the international stage. In short, it’s a hell of a lot of fun.

Eleanor, Queen of England, former Queen of France, and Duchess of Aquitaine, is pure Katharine Hepburn: a perfect synthesis of part and persona. It’s Kate the Great at her greatest, channeling three decades of star power, 15 years of classical training, and one year of intense grief into a powerful performance that radiates rage and sex in a way the Hayes Code and her image had never allowed previously. Kate uses her beautifully mastered voice to chew on James Goldman’s dialogue and spit it out with focused intensity. But behind that perfect control seethes a barely contained fury, which bursts forth in beautiful surges of speech.

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Posterized: Famous Singer Biopics of the Past 50 Years

Oscar loves a lot of movie-things with predictable regularity though it should be noted that those things go in and out of style (when was the last time you saw a hooker with a heart of gold?). But one thing that never seems to go out of style with filmmakers: Biopics of musicians. Whether or not Amy Adams ever gets around to her Janis Joplin picture, or Hathaway goes through with the Judy Garland picture (I'd so prefer her to do Liza Minnelli who hasn't been done!) or Jane Krakowski ever gets the greenlight for Jackie Jormp-Jormp, there's plenty to choose from in the library already. And awards bodies, not just Oscar, often choose them. It's as good a way as any to be noticed.

How do you think Get On Up, from the director of The Help will fair with AMPAS? Reviews may be mixed but they don't seem to be for Chadwick Boseman's playful performance in the energetic title role. Hollywood is always searching for "the next Denzel Washington" and he's one of the candidates even though 'the next...' is always so problematic since true stars are always their own unrepeatable thing. Remember that uncomfortably weird forcing of so many actresses into 'the next Julia Roberts' tag? Even Julianne Moore (lol) was once in that lineup in a major magazine.

Let's look back at the past 50 years within this particular subgenre and see how many films we've gotten and how many of them won awards traction. I came up with about 27 pictures (excluding biopics of musicians who weren't singers or snapshots of the industry more than individual singers because you have to narrow it down somehow) though it's possible I missed a few.

27 FAMOUS SINGER BIOPICS (1964-2014)
How many have you seen?

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Podcast Pt 1: A Smackdown Conversation w/ Melanie Lynskey

Presenting... for the first time ever a Smackdown Companion Podcast

A couple of months ago Joe suggested that we add a podcast segment or more conversation somehow to the Smackdown which by necessity has brief capsules from each panelist. And why not? There is always so much more to discuss after you've watched five Oscar-favored films from any given year.

So for this special tryout episode of the podcast (let us know if we should do it again for 1973) Nathaniel welcomes back the actress Melanie Lynskey, the original creator of the Smackdowns Brian Herrera (aka StinkyLulu), and regular podcast voices Joe Reid and Nick Davis. Our conversation ran long so it's in two segments.

Smackdown 1964 - A Companion Conversation Pt. 1
00:01 Introductions
01:00 Melanie on talking acting with other actors and one director's "witchcraft"
05:00 Zorba the Greek and undiagnosed cognitive disorders
11:45 Nick and Nathaniel share personal memories of My Fair Lady
16:20 Demystifying the mystifying Gladys Cooper nomination
19:00 The Chalk Garden. Melanie on connecting with the other actor in a scene.
24:00 Divisive Deborah Kerr (who starred in two of the features we watched)
30:00 To Be Continued...  

You can listen at the bottom of the post or download the conversation on iTunes. Continue the conversation in the comments.

Smackdown 64 Companion. Part One