Introducing... The Supporting Actress Nominees of 1964

You've met the panelists and this Monday (June 30th) the Smackdown arrives. So, let's meet the characters we'll be discussing.

As is our Smackdown tradition we begin by showing you how the performances begin. Do their introductions scream "shower me with gold statues!"? Do the filmmakers prepare us for what's ahead? Here's how the five nominees we'll be discussing are introduced (in the order of how quickly they arrive in their movies). Do any of these introductions make you want to see the movie?

THE INTRODUCTIONS

-Dr. Shannon
-Miss Fellowes 

7 minutes in. Meet "Judith Fellowes" (Grayson Hall in The Night of the Iguana)
After a prologue where Dr Shannon (Richard Burton) appears to have some sort of loss of faith mental breakdown in a church where he preaches, we see that he's now giving tours of Mexico. Enter Judith Fellowes with a gaggle of old women, immediately questioning his fees. Her gaze is direct (he doesn't return it) and they enter the bus where she leads her women in a sing-along. Dr Shannon doesn't appear to like her. At all. More friction is surely ahead on their travels.

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We Need To Talk About James Bond's **** in "Goldfinger"

[This article contains 50 year-old spoilers.]

Goldfinger (1964) Directed by Guy Hamilton.

If you're alive and semi-conscious about pop culture you know the James Bond template even if you've never seen one: Action Prologue, superfluous; Bond Girls, multiple not all of whom survive; Locations, multiple across the Globe; Talkative Villains; Impressive Gadgetry; Salty Quips; Fancy-Ass Title Sequence (with its own mandatory template items). Much of that was established or fine-tuned right here in the third Bond film Goldfinger (1964).

But we need to talk about James Bond's cock. By my count, imagination, and visual cross-checking [ahem] he is exceptionally virile, has an impressive rock-hard member, and beds three women in Goldfinger.

And yet...

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Throwback Thursday FYC: 1964 Oscar Ads

The only ones I could find. We'll start with three pre and post-nomination ads aiming for the actual gold. This first for Anne Bancroft in The Pumpkin Eater is possibly just a poster but those sometimes double as FYC's when they're focused enough and this one is.

Three more ads and Oscar trivia after the jump...

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Vintage 1964

'Year of the Month' will never have a ring to it. I know this but I love themes. Don't hate me because I'm thematical. This month we're having a 50th anniversary party for 1964... (next month it's 1989's 25th) which is a fancy way of counting down to Monday, June 30th's Supporting Actress Smackdown wherein we'll be looking at performances from Hush Hush Sweet Charlotte, The Chalk Garden, My Fair Lady, The Night of the Iquana and Zorba the Greek. 

So get to watching those movies so you can vote in the reader ballot!

But before we get to all that: 1964's vintage in list form (we did this once before for 1983 if you remember) since you always want lists, yes? Let's savor 1964's aged cinematic crop....

Best Movies According To...
Oscar: Becket, Dr Strangelove, Mary Poppins, My Fair Lady* and Zorba the Greek were the best picture nominees. They sucked up such a gigantic portion of the nominations (it must have been a record at the time) that it'd be virtually impossible to guess what the almost-rans were that year had we had the 5-10 rule in place.
Golden Globe: (drama) Becket*, The Chalk Garden, Dear Heart, Night of the Iguana, and Zorba the Greek (comedy/musical) Father Goose, Mary Poppins, My Fair Lady*, The Unsinkable Molly Brown and The World of Henry Orient
Cannes: Umbrellas of Cherbourg
Box Office: reports vary wildly on this but it's something like... 1) Mary Poppins 2) Goldfinger 3) My Fair Lady 4) The Carpetbaggers 5) Unsinkable Molly Brown with What a Way To Go!, The Pink Panther, Father Goose, Good Neighbor Sam and Viva Las Vegas all posting strong numbers (I mixed the sketchy numbers from both IMDb and "Box Office Champs" a book published in 1990 before the internet *gasp*.)

Half-Century Hotties & Top Ten Actresses Born in '64 after the jump...

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1964: Rod Steiger in The Pawnbroker

Tim here. Ordinarily, I take this space to talk about animation, but with it being 1964 Month at the Film Experience, I wanted to go someplace else – not least because the state of animation in 1964 was not terribly exciting, unless you’re one of those people for whom a semicentennial tribute to Hey There, It’s Yogi Bear sounds like the absolute best conversation we could be having.

Instead, I’d like to use this bully pulpit to call attention to one of my perpetual favorite picks for Hugely Underrated American Film Masterpiece You All Need to Have Seen, Like, Yesterday: The Pawnbroker, directed by Sidney Lumet and starring Rod Steiger, who received an Oscar nomination. It premiered 50 years ago this very month, in competition at the 14th Berlin International Film Festival (they festival’ed differently in those days), not premiering until the following year in the States due to its nudity and generally sour tone. A half of a century has, beyond question, blunted the impact of the movie’s most boundary-pushing elements (not least being the fact that naked women have become so blandly normalized in mainstream film, a development this very movie did a tremendous amount to encourage), and even its then-unprecedented engagement with the Holocaust, including the first scene in an American film set in a concentration camp, feels a little quaint today.

But the grime of humanity isn’t so easily wiped away, and Steiger’s devastatingly committed performance – it’s the best thing he ever did, I’d say, though I’m admittedly dubious about Steiger as often as not – is still a raging powerhouse of human torment. Lord knows The Pawnbroker isn’t any fun, but it’s moving and visceral like few films then or now would dare to be.

More...

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