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Entries in Oscars (80s) (308)

Friday
Sep202013

Best Actress "Character" ~ 50 Years 100 Greats

I was cleaning up a few folders on my desktop recently when I noticed this old poll and the accompanying visuals. It was too delicious not to revive. See back in 2011 when The Film Experience got its beautiful redesign as a site, I polled y'all about the most memorable best actress "characters" of the past 50 years (1961-2010) and in chronological order these were the women you voted for...

How many have you seen? I'm still pised that Sally Kirkland's "Anna" and Kathleen Turner's "Peggy Sue" didn't place... but I felt like posting it again right now since 3 Best Actress nominees from 1980, a year we're currently revisiting, placed (Goldie Hawn in Private Benjamin, Mary Tyler Moore in Ordinary People, and Sissy Spacek in Coal Miner's Daughter)

If we updated who do you think would make the list from 2011-2012? Who just sticks in your memory. Let's take a vote on it. You can only choose 2!

 

 

We don't know the 2013 nominees  just yet but I'm guessing Cate Blanchett's very blue "Jasmine" wouldn't have any trouble placing in any such future lists. Which is 90% of why she's still the frontrunner for the win in her category.

Thursday
Sep192013

Movie Teachers: "Fame" (1980)

Back to School Month + 1980 Retrospective- StinkyLulu doubles up for Fame (1980). A partial version of this article first appeared at StinkyLulu in 2007

 

When I was a wee lil Stinky, I watched the original Fame over and over and over again. 'Twas my movie. And possibly because I watched the film so many dang times, the starkly human performances by the actresses playing teachers in the film burrowed deep into my consciousness. I’m not just talking about Debbie Allen’s legendary cameo. Mostly, I’m thinking especially of Anne Meara as Mrs. Sherwood and Joanna Merlin as Miss Berg. 

The roles of Sherwood and Miss Berg are quintessential “actressing at the edges” sorts of parts. Each is relevant to the film’s dramatic arc only insofar as she amplifies the narrative of one of Fame’s principal characters. As the language arts teacher, Meara’s Sherwood is Leroy’s obstacle, while Merlin’s Miss Berg is the ballet teacher who makes Lisa’s life hell. In the student-centric emotional swirl of Fame, Meara’s Sherwood and Merlin’s Miss Berg are indeed the hard-ass battle-axes who appear to have nothing better to do than to torment their students. Merlin’s Miss Berg permits the languid Lisa no slack, and Meara’s Sherwood refuses to buckle, even when Leroy explodes in a kinetic blaze of profanity and violence. 

But Fame, to its credit, gives both Meara and Merlin just enough room to be human. For Merlin, the kicker comes when she calls Lisa to her office to cut the young dancer from the program. With measured, unflinching firmness (you can almost tell that Merlin paid the bills by being Harold Prince’s casting director for much of the 1970s), Merlin’s Miss Berg conveys in no uncertain terms that there has no future as a dancer in the department or, in all likelihood, beyond. Merlin’s Miss Berg is brutal in her honesty, deflecting Lisa’s promises and pleas as if she’s waving away flies. Yet, when she opens the door to dismiss Lisa, her eyes brim with a glint of emotion, until she wilts — just that little bit — against the door upon Lisa’s exit.

Merlin in "Fame"

Meara’s moment comes when Leroy (suddenly terrified that his grade in English might actually be important now that his invitation to join a major dance company is contingent on his successful graduation from high school) seeks Sherwood out at the hospital where her husband is undergoing some unnamed "serious" procedure. Meara's Sherwood is at first firm but dismissive when faced with this self-involved student come, to the hospital, for a little bit of friendly grade grubbing. Then when Leroy pushes, accusing her of having it in for him, Meara's Sherwood explodes with sheer, agonizing fury. Her rebuttal ("Don't you kids ever think of anyone but yourself!?) stops Leroy cold, allowing him to grow up a little and to show Sherwood a quiet gesture of empathy and consideration.

In most ways, Meara's Sherwood and Merlin’s Miss Berg are thanklessly supporting performances. Everything each does is in support of Leroy’s/Lisa’s character arc. But Meara and Merlin mine every moment for its depth, humanity and humor. (The looks Merlin gives Debbie Allen during Leroy’s audition. The flash of fear that ripples Meara’s stern facade when Leroy physically erupts. Merlin’s way of whispering her true feelings, both snarky and vulnerable, under her breath. Meara’s heart buckling devastation when Leroy tears into Sherwood with the oblique epithet "You people...”) Each line, gesture and sideways glance conveys the simple fact that this woman is really good at her job and that Leroy/Lisa is but one of her more difficult pupils. Neither is a saintly superteacher. Neither is an inhuman gorgon. They are both simply educators working in the NYC public school system, trying to get through another day.

Meara in FAME

Indeed, I will be ever grateful to Anne Meara and Joanna Merlin for crafting these teacher characters so intelligently, so generously, so humanely -- and, in so doing, for also teaching little StinkyLulu how much was to be learned from all the actresses not only at the edges of Fame but also all those other actresses at the edges of fame itself.

 

previously on back to school...
History Lessons from Half Nelson, The Breakfast Club when you're too young for it

Wednesday
Sep182013

Coming Soon... Supporting Actress 1980

It's just 12 days until the next Supporting Actress Smackdown! For the rest of the month we'll be nibbling on 1980 (Year of the Month) each day at noon as buildup to Monday September 30th's big event. In the meantime, get to screening those movies!

September 30th SUPPORTING ACTRESS SMACKDOWN (1980 EDITION)

This time we're talking 1980. So rent Melvin & Howard (winner of 2 Oscars: Screenplay & Supporting Actress), Raging Bull (winner of 2 Oscars: Editing & Actor)  Inside Moves and Private Benjamin for maximum engagement. Resurrection (which was nominated for two acting Oscars) doesn't seem to be available anywhere but for a bootleg on YouTube -- oh the humanity that an Oscar nomination doesn't grant a film preservation and studio-funded accessibility from then on! We now include reader voting in the outcome, as you saw last month, so send in your ballots by September 28th with 1980 as subject line ranking only those performances you've seen.

As per your earlier voting we'll also revisit a few other non-supporting actress titles for context

NEXT MONTH: On October 30th, StinkyLulu's Smackdown will head to 1968 for a discussion of the supporting actresses from Funny Girl, Rosemary's Baby, Faces, Rachel Rachel and The Heart is a Lonely Hunter which is a really exciting quintet of movies, as diverse as the 1952 smackdown. Since you have a headstart you have no excuse not to watch them all, you Actress/Oscar obsessives! 

Monday
Sep022013

Year of the Month: 1980?

1980. The year which brought you Sissy Spacek's Oscar winning roleThe Film Experience likes to keep one foot in the past and one in the now at all times... so as to be well-rounded like. People who never watch anything beyond the now or their own personal nostalgia hits, even if they profess to love movies or the Oscars, they're not really movie lovers just pop culture consumers. (Not that there's anything wrong with that! It's just not what we do here at TFE.)

For September I thought we'd do things a tiny bit differently and because I am easily distracted and scattered we'll probably have three running themes this month to augment the contemporary cinema coverage. We'll infrequently be checking out old Robert Redford classics as All is Lost approaches (we've already started with Butch Cassidy and The Natural), we'll be looking at high school / college movies in this Back to School Month and, finally, since y'all enjoyed the return of the smackdown, we'll be revisiting some key films from the 1980s as lead up to the Supporting Actress Smackdown "1980" Edition on September 30th. 

But imma let you choose which films (choose 3!) we revisit or see for the first time via this poll! 

 

I know I know. I overplan. But humor me by pretending that we'll have time for at least 3 of these!

Wednesday
Aug212013

Burning Questions: Does Last Temptation Still Have the Power to Outrage?

Michael C here to reflect on a cinematic milestone. This month marks twenty-five years since the release of Martin Scorsese’s The Last Temptation of Christ (1988)

Growing up Catholic I was taught that Jesus was both human and divine, yet the depictions of Jesus I was presented with invariably paid minimal lip service to his human side while emphasizing the holy. Flicks like King of Kings and The Greatest Story Ever Told presented a Christ with all the humanity of a figure on a stained glass window. The Jesus in these movies is forever staring off into the distance, beatific smile on his face, arms outstretched, making proclamations in the gentle tones of an easy listening DJ. Even his words seem to be walking on water.

It wasn’t until college when I saw Scorsese’s version that I finally grasped what it meant for Jesus to have the same frailties as the rest of us, rather than have a Jesus who appears human but who has none of the weaknesses of humanity. The troubled, doubting savior portrayed by Willem Dafoe in Last Temptaion bears little resemblance to the star of those comforting but shallow Biblical pageants. [more...]

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