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Entries in Oscars (80s) (300)

Tuesday
Apr232013

Top Ten: Non-Nominated Best Supporting Actresses, 1980s Division

Whew. That title is a mouthful. I know you already know what I mean though, you golden fiends. This very impromptu post is brought to you by a recent Tribeca revival screening of Martin Scorsese's indelible King of Comedy (1983) and this Movie Line interview with Sandra Bernhard herself -- to whom I'm dedicating the list -- who couldn't make it but definitely helped make the movie what it is. My one and only back and forth conversation with Sandra -- over Twitter, the sometimes leveler -- involved how freaking robbed she was for an Oscar nomination for that movie. I couldn't believe I was talking to her but I was not the least bit in doubt that she'd agree with me.

10 Best Non-Nominated Supporting Actress Performances of the 1980s

Honorable Mentions: I think Rosanna Arquette's "Surrender Dorothy" bit in After Hours was quite memorable though the rest of the movie has long since faded; I cherish Martha Plimpton in just about anything but mostly Shy People (1987) and Running on Empty (1988) back in her vibrant teenage River Phoenix-adjacent days.

I Apologize To: Kathy Baker in Street Smart, Mona Washbourne in Stevie (1981), Vanessa Redgrave in Prick up Your Ears and Jamie Lee Curtis in Trading Places who all won devoted fans for those performances in their respective years (and some awards buzz though not enough for Oscar) but, believe it or not, I haven't seen any of those movies!

10 Bridget Fonda, Scandal (1989)
and nine more divas after the jump...

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Saturday
Mar162013

Vintage 1983

With nothing new in theaters worth getting excited about my head has been all over the (time) map of cinema. I picked this year somewhat arbitrarily to discuss.

Were you alive in 1983? Even if you weren't do you think of it fondly? To give you a little context for the year: Ronald Reagan was POTUS and Nancy had just contributed "Just Say No" to the vernacular; M*A*S*H ended its lengthy run on television; Michael Jackson's "Thriller" was all anybody listened to; Cheers and Hill Street Blues were the Emmy champs.

Let's savor 1983's cinematic crop for a moment. Are these movies (and people) and things aging well? Is there much left to savor? 

Best Movies According To...
Oscar: The Big Chill, The Dresser, Tender Mercies, Terms of Endearment, and The Right Stuff were the best pictures nominees but they also loved Cross Creek, Fanny & Alexander, Educating Rita, Silkwood and Zelig
Golden Globe: (drama) Reuben Reuben, The Right Stuff, Silkwood, Tender Mercies, and Terms of Endearment* (comedy/musical) The Big Chill, Flashdance, Trading Places, Yentl*, and Zelig
Cannes: The Ballad of Narayama
Box Office: 1) Return of the Jedi 2) Terms of Endearment 3) Flashdance 4) Trading Places 5) War Games 6) Octopussy 7) Sudden Impact 8) Staying Alive 9) Mr Mom 10) Risky Business
Nathaniel: The King of Comedy, Monty Python's The Meaning of Life, Pauline at the Beach, The Return of the Jedi, The Right Stuff, Silkwood, Terms of Endearment, The Year of Living Dangerously and Yentl. I'm holding a spot in my top ten open for Fanny & Alexander or Zelig which are weirdly movies I never get around to seeing even though I am likely to worship both given the time frame in their auteur's filmography in which they land...

Adorable '83 Babies after the jump...

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Saturday
Mar162013

Today's Pet Peeve: Why Doesn't Oscar Allow Embeddable Videos?

The title is all wrong. It's Everyday's Pet Peeve. I was as thrilled as any Oscar Fanatic when they established a YouTube channel and began to upload plentiful old acceptance speeches from ceremonies past. But why, pray tell, are they non-embeddable? I legitimately wonder what purpose this serves when what's shared on social networks is so determinative of what gets seen, discussed and becomes beloved.

Of course the dread "embedding disabled by request" message is most tiresome and even downright evil when a YouTube channel that uses it is just a fan channel which owns the rights to nothing but still insists that you can't steal what they stole. (This is especially icky when it's exactly the clip you need and want to share.)  I won't name account names but my guess is this refusal to share is an older generation problem dating back to mindsets that existed before the internet -- I also existed before the internet but some of us adapted --  when sharing was something your parents told you to do with your friends and siblings but would never have dreamed of telling you to do with complete strangers. This is my guess primarily because the accounts most likely to refuse embedding seem to be the ones that are most devoted to material that predates the internet be it old movies, music, tv or what have you. I think this is terrible for everyone and does a great injustice to the art. If things aren't shareable in the modern sense they're more likely to stay forgotten and relegated to the dustbins of history.

Morgan Fairchild and Robert Hays -- anyone remember them?

This came up today because the latest video the Oscar channel posted was the Costume Design presentation for 1981's "Chariots of Fire" and I wanted to discuss it for about 10 different reasons but then thought "why bother?" since I couldn't embed it with the discussion and didn't have time for screencaps. Pity that. It's not that it's 'must-see' interesting. I shouldn't oversell. 

Moving on...

Tuesday
Mar122013

Top Ten 1980s

for discussion fun

Tootsie, one of the inarguably great American comedies

"The Tuesday Top Ten will get more article-like soon," he said (again). "It really will." But it was so much fun to discuss the 1930s and the 1970s, which are arguably the two most respected decades (critically speaking) of American cinema. So how about a decade that gets no respect? The 1980s. The '80s are tough for me to feel discerning about because I lived through them and was a) young and b) just falling in love with the movies and c) just falling hard for the movies so how could the cinema possibly have been hitting its nadir? I still have inordinate fondness for movies that might more safely be called guilty pleasures like Yentl, Superman II, Splash, Return of the Jedi, Clue, and about half of the filmography of John Hughes... and so on. I even like revisiting really bad movies from that decade. 

Off the top of my head my ten favorites of the decades. 

A Sean Young polaroid from the set of Blade Runner

  1. The Purple Rose of Cairo (Woody Allen)
  2. Blade Runner (Ridley Scott)
  3. A Room With a View (James Ivory)
  4. Tootsie (Sydney Pollack)
  5. Dangerous Liaisons (Stephen Frears)
  6. Amadeus (Milos Forman)
  7. Hannah and Her Sisters (Woody Allen)
  8. Aliens (James Cameron)
  9. Law of Desire (Pedro Almodovar)
  10. Raiders of the Lost Ark (Steven Spielberg) 

 

With apologies too... Silkwood, Reds, Diva, The Empire Strikes Back, The Little Mermaid, The complete works of Michelle Pfeiffer, Moonstruck, Raging Bull, Jean de Florette, Manon of the Spring, The King of Comedy, Heathers, sex lies and videotape, The complete works of Kathleen Turner, The Shining, Victor/Victoria, The Right Stuff, Bull Durham, Little Shop of Horrors, The Terminator, Witness, Broadcast News, Running on Empty, Women on the Verge of a Nervous Breakdown, Who Framed Roger Rabbit, and Raising Arizona. I could go on and on and on but I'd better stop before I start singing Xanadu again.

 

I'd love to hear your lists, both guilty pleasures and critically lauded efforts you think deserve their reputations.

Sunday
Feb242013

Red Carpet Arrivals

I shan't be live-blogging the awards tonight -- I miss too much of the show when I do that but expect some tweets here and there and lots of post-mortem recapping tomorrow ALL DAY. But for now a few arrivals...

 

 

 

MORE GOWNS & GOODIES AFTER THE JUMP

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