Dead Man Walking @ 25: Susan Sarandon's long road to the Oscar

by Cláudio Alves

25 years ago, Tim Robbins' Dead Man Walking opened in theatres. The film dramatizes the true story of Sister Helen Prejean, the close relationship she forged, as a spiritual adviser, with convicted murderers on death row. Here, they are made into the composite fictional figure of Matthew Poncelet. Susan Sarandon and Sean Penn take on the lead roles, delivering two of the best performances of their respective careers. He received his first Oscar nomination out of it. She was honored with her fifth nod and, presently, her last. And she finally won the Best Actress trophy. 

The actress may be a controversial figure, but I'm not here to litigate her politics or the way she chooses to express them. Instead, I'd like to look at her achievements as a performer, specifically the five works that paved the way to that triumph on the night of the 67th Academy Awards. Join me – won't you? – as we explore Susan Sarandon's long road to the Oscar… 

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Restoration @ 25: Honoring the great James Acheson

by Cláudio Alves

In 1995, Michael Hoffman's Restoration adapted the best-selling novel of Rose Tremain into a sumptuous dramatization of 17th century England. Despite some dumbfounding feats of miscasting and a disjointed structure upended by the advent of the Black Plague, the picture's quite beautiful to look at and features some of the best Baroque designs in film history. The scenography leans into the theatricality of Charles II's court, creating an airless world gilded in gold. The costumes, in turn, indulge in the absurdities of 1660s fashion, conjuring a world of radical contrasts between royal splendor and the austere rigor of Puritan charity.

Both achievements won trophies at the 68th Academy Awards. As usual, I'm more interested in the work of Oscar-winning costume design by the great James Acheson. Let's explore the man's genius, his filmography, and the Baroque stylings of the 25-year-old Restoration…

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Showbiz History: Superman's premiere, Middle Earth's arrival, Bollywood's physique

Six random things that happened on this day, December 10th, in showbiz history

1966 "Good Vibrations" by The Beach Boys, considered on of the most influential and important compositions of the rock era, hits #1. Remember when Paul Dano did such amazing work playing Beach Boys genius Brian Wilson in the biopic Love & Mercy (2015) and then got such a shabby awards season response (though at least we nominated him here!)?

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Almost There: Joan Allen in "Pleasantville"

by Cláudio Alves

You guys really love Joan Allen. Once again, this three-time Academy Award nominee has won the readers' vote in the Almost There polls. When choosing from a selection of 10 non-Oscar-nominated performances in new to streaming movies, you picked Allen's turn in Gary Ross' Pleasantville. It's a 1998 fantasy about two modern teenagers who find themselves teleported inside a 1950s black-and-white sitcom. As their influence humanizes the neighborhood, sexual autonomy blossoms as do other desires, wills. Even color starts to appear in the monochrome universe. Odious prejudice is soon to follow.

Between metaphors about sexual liberation, racism, and midcentury conservativism, one cast member shines brighter than all the others, rises above the picture's relative shortcomings. As the kids' televisual mother, Joan Allen is a miracle of stilted cheeriness melting into delicate gradations of humanity…

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Gay Best Friend: Gareth & Matthew in "Four Weddings and a Funeral"

by Christopher James

Mike Newell’s Four Weddings and a Funeral is an odd delight. The Best Picture nominee (I know, right?!) takes place almost entirely at those five titular events. Every three months, at least half the ensemble gets engaged or married. Despite having chemistry, our lead couple Charles (Hugh Grant) and Carrie (Andie MacDowell) seem to only exist in hotel rooms. Similarly, we skip over a lot of development with the other members of the core friend group. That’s part of the fun of the film. With such large gaps between weddings and funerals, we get snippets of their lives, rather than full pictures. Thus, putting an out gay couple on equal screen time footing as the rest of the members of the ensemble was a major step forward. 

However, by only showing glimpses, we get a rather incomplete look at Gareth (Simon Callow) and Matthew (John Hannah). Still, they were a major step forward in the “gay best friend” trope because they got to be out and in a healthy, loving relationship... 

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