Farhadi Isn't Coming to the Oscars. Go See "The Salesman" in Solidarity

As we've previously noted briefly, the leading actress of The Salesman was not coming to the Oscars in protest of  T****'s unconstitutional and immoral ban on Muslims entering the US. Now the great Iranian director Asghar Farhadi (A Separation) will not be attending the Oscars either. The ban has created chaos around the world and the awards show plans of filmmakers is, of course, low on the totem pole of injustices. But still, this sucks. When I spoke with Farhadi about The Salesman in December, he spoke fondly of the Oscar experience and how international it felt, sharing the experience with the other nominees.

Farhadi released a beautifully articulate damning statement which reads in part:

Hardliners, despite their nationalities, political arguments and wars, regard and understand the world in very much the same way. In order to understand the world, they have no choice but to regard it via an “us and them” mentality, which they use to create a fearful image of “them” and inflict fear in the people of their own countries.

This is not just limited to the United States; in my country hardliners are the same. For years on both sides of the ocean, groups of hardliners have tried to present to their people unrealistic and fearful images of various nations and cultures in order to turn their differences into disagreements, their disagreements into enmities and their enmities into fears. Instilling fear in the people is an important tool used to justify extremist and fanatic behavior by narrow-minded individuals.

Speaking truth to power. Every word of that is exactly right. 

10 Takeaways from the SAG Awards

Two handfuls of moments from last night's SAG Awards have stuck with me. How about you?

All Politics Are Personal
Julia Louis-Dreyfus early win and a speech that got political, her father being an immigrant, set the tone and politics never went away. It was there in every speech, sometimes awkwardly, sometimes poignantly. People who scream "no more politics" are always forgetting that all politics are personal. The laws that are made, the character of the country we live in, the rights we enjoy or can't, the laws that goven our workplaces, the type of healthcare we get, the size of the paycheck. All of these things affect every single person personally whether they see that it connects to D.C. or not. If there was any doubt that Mahershala Ali was going to win the Oscar next month for his terrific work in Moonlight (and also, yes, as a symbolic win for the film itself which often happens in the supporting categories) it surely vanished last night. Ali was deeply touched at the prize, humble, but also upset given T***'s unconstitutional Muslim ban. He brought up his own conversion to Islam and the initial conflict it raised with his mother. Touchingly he revealed that they're both long since over the conflict since. A bonus of Ali winning is we got to see shots of the Moonlight table and they unfortunately didn't get another chance to shine. 

Lily Tomlin, Denzel Washington, Winona Ryder and more after the jump...

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Producers Guild and ACE Eddie Awards Crown "La La Land"

La La Land may officially be unbeatable, 28 days from now when the envelopes are opened on Hollywood's High Holy Night. It's currently the top grossing Best Picture nominee this year (though Hidden Figures is right on its tail) and last night it took the Producers Guild prize for feature film. That award doesn't always correlate to the Best Picture prize but it does more often than not. The musical also won the ACE Eddie Award. The momentum is there for La La Land to at least do a mini-sweep of the Oscars. The question is "how many trophies can it win?"

Full list of prizes from the Editors and Producers Guild as well as pretty gowns from the attending actresses after the jump...

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Tweet Story: Huppert, Gibson, Barbarella

One great thing to watch right now: PERSEPOLIS. It's vital that we make the stories of immigrants feel specific and real and human to us. pic.twitter.com/92ySv37Emp

— BrightWall/DarkRoom (@BWDR) January 28, 2017

Thought about what would happen if Isabelle Huppert had to reveal a hidden talent for a mag's video content, laughed, and then shuddered.

— Jackson McHenry (@McHenryJD) January 27, 2017

After the jump a gorgeous mini-review of 20th Century Women, a valid question about Barbarella, a fantasy about female auteurs, and more amusements... 

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America's National Parks are Vital Film Treasures

The American motion picture industry owes as much to its National Parks as the government who keeps them awe-inspiring, safe, and pristine; had President Lyndon B. Johnson never designated the Redwoods as federally protected land, who knows if there would even be an Endor for Return of the Jedi’s Ewoks to jam out on “Yub Nub." As our current presidential administration continues to show a combative inclination to incinerate their importance, it’s more important than ever to appreciate these wild lands as not just rugged pockets of natural splendor but a playground of our imaginations captured through film.

After all, a visual medium demands a compelling backdrop and it’s not just our science fiction stories – your E.T.s, your Planet of the Apes adventures – that respectfully depend on our country’s organic back lots. America the Beautiful has historically doubled as a treasured resoure and favorite filming locale for its national (and international) film industries. Thelma & Louise shot its climactic send-off in Canyonlands National Park, countless westerns called the Monument Valley of the Colorado Plateau (which is chocked full of federally reserved land) home, and even comedies like ¡Three Amigos! have used Arizona’s Coronado National Forest as milieu for its many jokes.

I keep returning to Jean-Marc Vallée’s Wild as an exhibition of all that the diverse West Coast wildnerness has to offer along the Pacific Coast Trail. Without the National Parks and Forests there wouldn’t even be an Oregon mountaintop for Reese Witherspoon to thrust her malfunctioning hiking boot off. This is where the stakes get personal when we don’t support our National Parks: less empassioned actressing. 

What are some of your favorite movies - domestic or international - that hike upon America’s purple mountain majesty or weave through its amber waves of grain?