Dlink. The D is Silent

Mandatory the 100 funniest tweets of the year. Some of the movie folk who get punchlined: Liam Neeson, Helena Bonham Carter, Johnny Depp.
Nicole's Magic Scans from Paris Match -- Nicole Kidman looks great as Grace of Monaco
E! Anjelica Huston is PETA's person of the year
i09 Futuristic predictions that came true this year
The Lost Boys farewell to Peter Knegt's long running blog.
Slate I've been talking a lot recently about people being hideous jerks when it comes to the topic of Les Misérables so here is a negative review from Dana Stevens which I think is completely fairly written and actually pretty clever in some of its digs. I've only ever asked that people be fair about it and state their biases if they have them (Stevens doesn't like the source material).

Unreality looks for gender flipping of Star Wars in the cosplay community. Sadly the gallery has no Prince Leia Lee. WTF?
Cinema Blend Quentin Tarantino wants to make a third revisionist history revenge flick called Killer Crow. This saddens me as Tarantino hasn't made a non-revenge themed film since Jackie Brown. That's a long time to be working one kind of narrative template, even if you do it extremely well.
Shadow & Act the actress who plays "Coco" in Django Unchained, a slave in a French maid's uniform, speaks about her experience on the film. And while we're on the topic ...

Spike & Quentin
I feel bad for Spike Lee. I really do. Even when people are trying to be fair to him, they end up dissing him. Press Play's Steven Boone wrote an excellent provocative piece on Django Unchained that has measured compliments for Spike Lee's work but it's still basically a slap.

Not to say that Django is an exceptionally subtle piece of work. Both Spike and Quentin have a Sam Fuller tendency to go all-caps, tabloid large when staging bits of provocation that would be juicy all on their own. But let's just lay it on the table: Tarantino is the better filmmaker, by many miles.

Meanwhile We Are Respectable Negroes reviews the movie (Quentin's) that does exist but still ends up critiquing an imaginary movie that doesn't (Spike's). And though the article is really interesting and makes strong points about the imaginary movie that's maybe still wildly unfair once you stop to think about it.

Meanwhile Quentin and others like Sarah Silverman are defending the controversial rampant use of the "N" word in the movie on the grounds that it's a period piece set during the time of Slavery. Which is a basically a solid defense. But I think the reason Quentin sounds like such an asshole spelling that out is because he's always used the word rampantly in his movies, even when that excuse was nowhere to be found.

ANYWAY... Spike really was in a lose-lose situation with Django Unchained. If he spoke against it without seeing it he'd be dissed. If he made anything like it he'd be crucified whereas Tarantino is celebrated (hi, double standards). If he hadn't said anything people would have surely kept asking him to. So he said that Slavery wasnt a Spaghetti Western but a Holocaust (which is true, duh) and now everyone is pissed at him. Would they still be pissed at him if he saw the movie and still said that? I think so. 

Today's Must Read
The Vote discusses the biggest problem with Oscar this year: the early voting deadline. Jon concludes with the message I'm always trying to send to the Academy which is basically this: Stop worrying and just be you. I'm glad others are starting to carry this message because my voice was lonely and choruses are louder. The Academy is Goliath. There is no David. And yet they're constantly changing to dodge the phantom slingshots. 

Interview: Kerry Washington on "Django" & Diversity

Kerry Washington and I were both blindfolded if not gagged when we spoke about Django Unchained. Metaphorically, you'll understand. Neither of us had yet seen Quentin Tarantino's latest revisionist revenge flick when we found a window in her schedule to talk but talk we did.

Kerry Washington as "Broomhilda" in Django Unchained

Amusingly we had quite different feelings about not having yet seen it. I was desperate to attend a screening. Kerry was, apparently, not. When I asked her if she enjoyed watching her films she laughed with a "No!" and a shudder...

It's a process I force myself to endure. Usually not more than once.

For the rest of us the prospect of seeing one of the screen's most stunning actresses is a lot more enticing than 'something to endure'. Since Kerry's big screen roles have rarely been as sizeable as her talent, a key role from an A list auteur is something to treasure while we have it.

In Django Unchained, Kerry found herself in the unusual position of playing a relatively non-verbal part considering the dialogue heavy nature of Tarantino pictures. She plays Broomhilda von Shaft, the wife of freed slave Django (Jamie Foxx) who aims to rescue her from the sadistic plantation of Calvin Candie (Leonardo DiCaprio) where she currently resides.

Our conversation about Django, her TV work, and the politics of her screen career is after the jump.

Click to read more ...

Les Linkábles

Auteuse Theory has co-written a book on Mamma Mia! of all things "Mamma Mia! The Movie: Exploring a Cultural Phenomenon"
Gawker Audrey Plaza has a nude painting of herself on full display in her home 
The Wrap the best and worst performances by the same actor this year. Interesting concept but SO annoying to pretend Anne Hathaway is anything less than stupendous in Les Misérables 
Badass Digest Here's something unexpected. A piece on the vineyards of France and drinking in the time of Les Miz.

My New Plaid Pants obsession with Amanda Seyfried's 'magical slutty powers' is one of my favorite things on the internet, month in and month out.  I know everyone was excited to read me interviewing my Nicole but I'd honestly pay good money to watch a sit down with JA & Amanda
ME Says is disappointed with Jessica Chastain in The Heiress. This seems to be going around! That won't hurt but can't possibly help her Best Actress bid in Zero...
Awards Daily Sasha crunches numbers on Best Director and predicts doom for Tom Hooper without the Globe nod. Which might well be the case. But the thing I don't quite get, from other pundits, is why everyone has such sudden enthusiasm for Quentin Tarantino's chances. Tarantino movies ALWAYS open with a flurry of people crying "masterpiece" but that's because critics and bloggers are big stans of Quentin (with good reason but I hope you here my point.) Is this "late surge" for Django Unchained real or just a product of Weinstein Co's goodwill with the Globes?

The Playlist The NRA is blaming the movies again for all these gun massacres. I'd LOL if it weren't so terrible. Way to hang on to your destructive agenda in the face of ever more damning proof that it's just that! They are seriously a hideous blight on America. Speaking of...
Penny Arcade has a fine comic about this

Click on the image for more of the comic...

List-Mania
Pop Matters I am embarrassed for all my film friends who love Cloud Atlas but I have to link to Matt Mazur's top ten anyway because otherwise it's interesting!
Critic Wire asks film critics to share the best pieces of film criticism they've read this year. Lots of articles name-checked worth checking out
AV Club best scenes of the year
Pajiba has a great list of enjoyable supporting performances that won't win any awards... let alone Oscars
Screen Crave on the most disappointing films of the year from Django Unchained to The Avengers
Slate ten best of 2012 from How To Survive a Plague through Zero Dark Thirty 

And here is Kevin B Lee's 12 Best of the Year Video Essay from Fandor. (I keep meaning to do more video work and never get around to it. Argh.)

Even most of my critic friends love Silver Linings Playbook. I just don't get the love! But at least it's not a hideous bloated blight on the good name of cinema like Cloud Atlas. 

National Link Registry

The Hollywood Reporter  A former sitcom writer "kvells and kvetches" about The Guilt Trip and Parental Guidance starring Babs and Bette
PopWatch Mark Harris on Hollywood's love of gun violence. I highly recommend reading this but I highly caution NOT reading the comments because as per usual the gun crazies come out. They'd have us all packing and I so don't want to live in their preferred world.
Cinema Blend Katey & Eric on 12 Unfairly Overlooked Movies of 2012 from Hello I Must Be Going (Yay, Melanie!) through Cosmopolis

Awards Daily Whoa. Ann Dowd is footing the bill for her own Oscar campaign.
The Hollywood Reporter talks to Emayatzy Corinealdi on her breakthrough in Middle of Nowhere. You know. I've been trying not to talk about this because I can't figure out a way to say it that doesn't sound indelicate but in some ways I really hate falling in love with new black actresses in the same way that falling hard for new theater actors can be nerve-wracking. Chances are (unforgivably) strong that no one will give these gifted performers another plum opportunity after their breakthrough and that truly sucks. So I'm crossing my fingers for Corinealdi but I'm still waiting for something real to happen for Pariah star Adepero Oduye, last year's breakthrough actress of color. And I'm still trying to wrap my head around the non-career of the brilliant Kimberly Elise so... 

The Carpetbagger on screenwriter Lucy Alibar's (Beasts of the Southern Wild) crash course in cinema
The Onion "Top Movies of 2012"
David Poland gives himself a new nickname. Or adopts one given.
Vanity Fair Barbra Streisand talks about her legendary duet with Judy Garland in the 60s. Really interesting comment from Babs I think.  
MNPP joins the Zero Dark Thirty fan club 

Oooh, look Quentin Tarantino pays tribute to Pedro Almodóvar saying that his filmography is "the one to beat" -damn straight! Nobody else in the modern era compares.

Finally, I want to extend my annual congratulations to the 25 films that are newly announced for preservation by the National Film Registry. They are:

• "3:10 to Yuma" (1957)
• "Anatomy of a Murder" (1959)
• "The Augustas" (1930s-1950s)
• "Born Yesterday" (1950)
• "Breakfast at Tiffany’s" (1961)
• "A Christmas Story" (1983)
• "The Corbett-Fitzsimmons Title Fight" (1897)
• "Dirty Harry" (1971)
• "Hours for Jerome: Parts 1 and 2" (1980-82)
• "The Kidnappers Foil" (1930s-1950s)
• "Kodachrome Color Motion Picture Tests" (1922)
• "A League of Their Own" (1992)
• "The Matrix" (1999)
• "The Middleton Family at the New York World’s Fair" (1939)
• "One Survivor Remembers" (1995)
• "Parable" (1964)
• "Samsara: Death and Rebirth in Cambodia" (1990)
• "Slacker" (1991)
• "Sons of the Desert" (1933)
• "The Spook Who Sat by the Door" (1973)
• "They Call It Pro Football" (1967)
• "The Times of Harvey Milk" (1984)
• "Two-Lane Blacktop" (1971)
• "Uncle Tom's Cabin" (1914)
• "The Wishing Ring; An Idyll of Old England" (1914)

As per usual that's a lot of titles that I know nothing about but I'm most thrilled by The Times of Harvey Milk which is one of the most moving and important documentaries ever made. And on a sillier note, can we talk about how ever-watchable the female baseball comedy A League of Their Own is? Sometimes I pine for the 1990s. It's tough to imagine that movie breaking $100 million now but the 90s were a good time for girlpower narratives.  

If you're a fan of A League of  Their Own (who isn't?) I want to know which scene just popped into your mind when you heard that it made the list!

Kerry Washington Covers Vibe

The one and only Kerry Washington is front and center on the cover of this month's Vibe, flanked by Django Unchained co-stars Leo & Jamie.

You can read the whole cover story @ Vibe. But I did want to throw this bit about politics and a cute video of the photo shoot out there for discussion...

Click to read more ...