Battle of the Links

Today's Must Read
Vulture has an amazing profile on Jenny Slate which also gives personal insight into her career and life and, more surprisingly, her former relationship with Chris Evans. He comes off sounding so dreamy which is not what you expect in a breakup discussion!

Miscellania
Variety the tennis film Battle of the Sexes gets a Sept 22nd release date. Will Emma Stone be back in the Oscar race or will there be no need for a victory lap?
Coming Soon there's a project being pitched in Hollywood that unites classic fairy tale heroines in one story (like a superhero team but fairy tale princesses) 
Collider interviews the undervalued Michael Peña about CHIPs and he reveals that he still doesn't know if he's in the Ant-Man sequel (which seemed foolish of Marvel since he totally stole that movie)

lots more after the jump...

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Someone pitch a "Beulah" Miniseries. Hear me out.

Imitation of Life (1934) starred Claudette Colbert and Louise Beavers who went into the pancake business

On this day in 1902 Louise Beavers born in Cincinatti. Though she was never as famous as the similarly cast Hattie McDaniel she also had her own big film moments in the studio system including the original Imitation of Life in which Claudette Colbert got wildly rich off of her recipe while she Beavers struggled with her light-skinned daughter. FREE PITCH IDEA FOR WRITERS OF COLOR: Don't you think a prestige miniseries on Black Hollywood throughout the years would be fascinating?

More on Louise Beavers and other "on this day" items after the jump...

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Pfandom: "Falling in Love Again" and "...Dragon Queen"

Pfeiffer instantly sentimentalized, with a halo no less, in her first scene in "Falling in Love Again"P F A N D O M  
Michelle Pfeiffer Retrospective. Episode 7 
by Nathaniel R 

There are an infinite number of worse people to grow up to look like than British star Susannah York but somehow it's hard to buy that that's who Michelle Pfeiffer would become. Pfeiffer was still a pre-teen when Susannah York hit her career peak, most notably in a string of erotically charged and sometimes controversial 1960s movies like Tom Jones, The Killing of Sister George, X Y and Zee, and They Shoot Horses Don't They (the latter brought her her only, but well deserved, Oscar nomination). By the time Pfeiffer was hitting the movies and cast to play York as a young girl, York's star was fading. York had recently been reduced to a merely decorative alien maternal presence in Superman (1978) and now a young actress was playing the idealized version of her. Hollywood can be cruel that way.

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Only one "woke" at a time

by Deborah Lipp

One of Oscar's best moments. Iranian-American engineer Anousheh Ansari accepting on behalf of protesting Asghar Farhadi

If I may use this year’s vernacular, Oscars are woke. Except, well, they can only be woke about one thing at a time. Last year after the Oscars, I wrote about the powerful “spotlight” (see what I did there?) the Oscars brought to the issue of rape and sexual violence. And I’m going to acknowledge, that yes, that was amazing. 

But rape is so last year.

This year was all about diversity and inclusion. Those are wonderful topics, those are topics that matter to me. The diversity was beautiful to see. The powerful immigrant voices—from Iran, Mexico, and Italy, among other nations—moved me. It was important that people of color were not merely supporting characters—even though the winners were in the Supporting categories, they supported other people of color...

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Asian Actors and the Academy: Triumphs and Snubs

Robert here. On Tuesday British actor Dev Patel became only the third actor of Indian descent to be nominated for an Academy Award. His nomination came amongst a renewed embrace of diversity (which is something to celebrate, but not rest on) after two years of completely white sets of nominees.

The Oscars – and, of course, the film industry at large – have long courted controversy for their issues with diversity, and Asian actors across the board have long been overlooked and undervalued. Often they are cast in flat, stereotyped roles, or as we've been made much more aware of lately, the roles of leading characters of Asian descent are given to white actors. Before Dev there have been several actors of Asian descent whose strong work has garnered them award attention, and even more who were snubbed despite memorable performances.

A brief retrospective is after the jump:

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