Only one "woke" at a time

by Deborah Lipp

One of Oscar's best moments. Iranian-American engineer Anousheh Ansari accepting on behalf of protesting Asghar Farhadi

If I may use this year’s vernacular, Oscars are woke. Except, well, they can only be woke about one thing at a time. Last year after the Oscars, I wrote about the powerful “spotlight” (see what I did there?) the Oscars brought to the issue of rape and sexual violence. And I’m going to acknowledge, that yes, that was amazing. 

But rape is so last year.

This year was all about diversity and inclusion. Those are wonderful topics, those are topics that matter to me. The diversity was beautiful to see. The powerful immigrant voices—from Iran, Mexico, and Italy, among other nations—moved me. It was important that people of color were not merely supporting characters—even though the winners were in the Supporting categories, they supported other people of color...

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Asian Actors and the Academy: Triumphs and Snubs

Robert here. On Tuesday British actor Dev Patel became only the third actor of Indian descent to be nominated for an Academy Award. His nomination came amongst a renewed embrace of diversity (which is something to celebrate, but not rest on) after two years of completely white sets of nominees.

The Oscars – and, of course, the film industry at large – have long courted controversy for their issues with diversity, and Asian actors across the board have long been overlooked and undervalued. Often they are cast in flat, stereotyped roles, or as we've been made much more aware of lately, the roles of leading characters of Asian descent are given to white actors. Before Dev there have been several actors of Asian descent whose strong work has garnered them award attention, and even more who were snubbed despite memorable performances.

A brief retrospective is after the jump:

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The Furniture: Appropriating Chinese Design in "The Shanghai Gesture"

"The Furniture" is our weekly series on Production Design. This week Daniel Walber looks back at one of the Art Direction Oscar nominees of 1942 for its 75th anniversary.

While Josef von Sternberg’s The Shanghai Gesture was still in production, the studio received a letter from T.K. Chang, the Chinese Consul to Los Angeles. Having read the script, he objected to its vicious and absurd portrayal of Shanghai’s underbelly and cautioned the producers to take “consideration of Chinese sentiment.”

Producer Arnold Pressburger defended the film as merely a fantasy. “This imaginary world has no connection with the realistic aspects of today,” he replied. This argument even wound up in the final cut, in the form of an opening title card: “Our story has nothing to do with the present.”

Chang saw right through Pressburger’s nonsense. “Such imaginations always prove to be constructed from the raw material of realities,” he wrote back. He was right. The Shanghai Gesture attempts a menacingly ahistorical flare by appropriating specifically Chinese decor. This is, of course, impossible. But the Oscar-nominated failure of art director Boris Leven (West Side Story) is fascinating...

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Links: Rogue One, Hidden Figures, The OA

Gurus of Gold the latest Best Picture chart along with Globe predictions. I went out on a limb or two for fun because the Globes usually do at least one weird thing with winners.
Variety Guy Lodge on the foreign film finalist list 
Variety on the Peter Cushing visual fx in Rogue One and performers rights to their image after death (I suppose we should talk about this eventually but I am still really weirded out and uncomfortable about it)
Jezebel in case you missed the brouhaha about Tilda Swinton's conversation with Margaret Cho about whitewash casting in Doctor Strange 

Tracking Board Will Ferrell and Kristen Wiig to headline a new musical comedy Everything's Coming Up Profits: The Golden Age of Industrial Musicals
The Gothamist loves Netflix's mystery series The OA [SPOILERS] from the pair that brought us that eco-terrorist thriller The East (Brit Marling & Zal Batmanglij), remember that one? I have only watched two episodes. Not sure that I get it. Feels padded and expository to me. I'll give it one more episode
Guardian talks to Sigourney Weaver, still going strong 37+ years into her big screen stardom
Coming Soon Ewan McGregor behind the scenes on T2 Trainspotting
Variety profiles great new director Garth Davis (Lion, Top of the Lake)
In Contention tries to figure out what the Makeup Oscar people might like in next week's bakeoff
Playbill First look at Philippa Soo in Broadway's adaptation of Amélie
Awards Daily Hidden Figures plays the White House. Headed for a Best Picture nod? 
/Film Josh Boone's initial plans for the movie franchise version of The New Mutants 

List-Mania
THR 25 best performances of the year - usual Oscar buzzing people plus a few interesting off-consensus choices like Kathryn Hahn in Bad Moms
Guardian 50 best comedies of all time - as chosen by comedians. 
Pajiba best lines of the year on TV 
Film School Rejects 50 most beautiful shots in Star Wars universe 

Happy 50th to Jason Scott Lee

Jason Scott Lee in Rapa Nui (1994)A very happy 50th birthday to one of our favorite 90s stars Jason Scott Lee. The Chinese-Hawaiian actor burst onto the scene in May of 1993 with major leading man charisma playing Bruce Lee in the mainstream biopic Dragon: The Bruce Lee Story and co-starring in the arthouse romance Map of the Human Heart. He chased that double with another the following year with Disney's live-action Jungle Book and the Easter Island tribe movie Rapa Nui. Only the last of those films was a flop but then he vanished, only popping up occassionally in supporting roles in action films. The roles just weren't there despite three early consecutive successes...

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