Podcast: Booksmart, Ma, Diamantino, and Rocketman

by Murtada Elfadl and Nathaniel R

 

Index (53 minutes)
00:01 Drama Desk Awards (plus Tony buzz)
10:00 Rocketman w/ Taron Egerton, Jamie Bell, Bryce Dallas Howard
25:40 Olivia Wilde's Booksmart w/ Kaitlyn Dever & Beanie Feldstein
34:00 The thoroughly bizarre Diamantino
39:10 Octavia Spencer in the horror flick Ma (plus Missi Pyle!)
48:00 Randomness: summer movies, Nathaniel's bday, upcoming Smackdowns

Mentioned (Extra Credit Reading!)
• Rocketman vs Bohemian Rhapsody Vulture Quiz
• New Yorker Ma Essay by Doreen St. Félix
• TFE Nathaniel's Review of Rocketman
• TFE Murtada's interview with the Diamantino directors 

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Rocketman, Ma, Booksmart

Disney Upcoming World Domination -- Now with Release Dates

by Nathaniel R

After Disney's acquisition of Fox, the Mouse House stands to control an ungodly percentage of the movie business (40%... what is the number exactly?) Today they released their schedule for the next few years, albeit a vague one since many of the movies are untitled. Several things become clear despite the lack of specifics: First, Disney hopes to maintain the luster of Star Wars by abandoning the overselling we've seen these past few years (which have taken a noticeable toll with diminishing box office) and releasing one only every other year, alternating them with Avatar pictures. Meanwhile Disney Animation, Pixar, and Marvel Studios will basically maintain their current clips of two to three titles each per year.  The more distressing thing that appears to be the case if you look at this schedule is that Disney seems to be burning off the Fox properties but must have abandoned anything in the pipeline that isn't finished already save for animated features since they take so long to make and Steven Spielberg's West Side Story which starts filming very soon. Apparently the only reason Disney wanted Fox was for the Avatar franchise? 

You can see the schedule after the jump...

Click to read more ...

Tweetweek

curated by Nathaniel R 

If you want to see the psychological impact of release dates and marketing campaigns on how critics perceive a film’s merits, these two movies boast a very similar premise, are pitched to the same audience, and are equally dismissive of the communities they claim to represent. pic.twitter.com/NA0fFSsgEe

— Robert S. Hamer (@robsolonhamer) February 22, 2019

 Aint that just the truth? I think tweet above is a very important thought that all critics and audience members and awards voters should keep in mind every damn year. And it works whether or not a movie is any good. A lot of people don't like these two movies mentioned above but it's even true of great great movies, perceived and received differently depending on the release dates. It's a real shame.

After the jump tweets on making movies "for the fans," ascendant gay icon must-haves, "Shallow" ear worm, Ruth E Carter's destiny, and a few leftover Oscar tweets...

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Podcast: On the Basis of Sex and Destroyer

Nathaniel R and Murtada Elfadl and Chris Feil talk new films

We recorded this one just before Christmas so apologize on the delay at delivering it to you! 

Index (57 minutes)
00:01 Felicity Jones underwhelming RBG in On the Basis of Sex
06:50 Mixed takes on Karyn Kusama's Destroyer with Nicole Kidman
12:52 "Festive" Christmas movies like Vice, Shoplifters, Destroyer, Capernaum, Beale Street... so many depressing films scheduled for the holidays
18:30 Oscar shortlists for Score, Visual Effects, and Makeup
28:00 The Documentary Finals and the short films
35:00 Will Yorgos Lanthimos (The Favourite) be nominated for Best Director? Will Green Book controversies derail its expected screenplay nomination?
46:22 Leave No Trace and A Quiet Place might be peaking at the right time for big nominations
56:00 The Wrap Up

Further Reading / References
• Oscar Chart: Screenplay Charts
• Oscar Chart: Visual FX & Makeup
• Oscar Chart: Original Score
• Documentary Finalists
• Nathaniel's Destroyer Review
• Shadow & Act's Green Book Article

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Destroyer, On the Basis of Sex, Oscar Discussions

Clint is "The Mule"

Please welcome guest contributor Abe Fried-Tanzer from Movies with Abe. Since we hadn't discussed Clint Eastwood's new movie, he's doing the honor...

This is not the first time that Clint Eastwood has released a film at the tail end of awards season. That strategy worked wonders in 2014 for American Sniper, which landed major Oscar nominations despite missing out on a number of precursors. A full decade earlier, Million Dollar Baby launched late and managed to overtake the Oscar frontrunner, The Aviator, to win Best Picture. Eastwood may have arrived too late to earn accolades for this effort, which marks his 37th film as director, but he’s sure to earn some fans for his performance.

The most comparable frame of reference for The Mule is the most recent film that saw Eastwood as an acting Oscar hopeful, 2008’s Gran Torino... 

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