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Entries in Rupert Friend (3)

Wednesday
Nov132019

10th Anniversary: The Young Victoria

by Cláudio Alves

It's difficult to follow the Oscar race each year without developing a prejudice against prestige biopics. At times it seems its the genre where creativity goes to die, where formulas thrive and the appearance of respectability is more important than genuine artistic merit. These words are perchance, too harsh, because specific qualities do manage to shine through the baseline of expected mediocrity on numerous occassions. Take The Young Victoria, Jean-Marc Vallée's perfectly serviceable retelling of Queen Victoria's early years and marriage to Prince Albert. Rewatching it ten years after its initial release, the film isn't as despairingly dry as you may have remembered. The Young Victoria is one of Emily Blunt's lesser efforts, but she's luminous nonetheless, bringing a sense of modernity that rubs abrasively against the historical setting. She never convinces as a 19th-century ruler, but that manages to feel more like a feature than a fault. As for Rupert Friend's Albert, he remains a charming romantic ideal, establishing great chemistry with Blunt.

And then, of course, there are Sandy Powell's Oscar-winning costumes…

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Monday
Nov192018

Willem Dafoe is Monumental in "At Eternity's Gate"

by Eric Blume

Willem Dafoe plays Vincent van Gogh in At Eternity’s Gate, director Julian Schnabel’s film about the last year in the life of the great Dutch painter.  And Dafoe’s delivers a magnificent performance here: his face is the canvas of the film, in all its agony and ecstasy.

Schnabel, a painter himself who made the stunning films Before Night Falls and The Diving Bell and the Butterfly, gives us a deeply detailed movie of a painter by a painter.  The mechanics of landscape and portrait painting, the walks to the viewpoints, the tools, and the intimacy with the subject all become the fabric of this movie.  Schnabel’s attention to these subtleties establish his credibility and give the movie real texture...

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Monday
Apr282014

Tribeca: Locked Up with Daddy Issues

More Tribeca reporting from Abstew

Later this year, young British actor Jack O'Connell has the potential to breakout in a big way when he takes on the lead role as real-life hero Louis Zamperini in the Angelina Jolie directed Oscar-bait film, Unbroken. But before seeing him in the noble prestige film in December, O'Connell gets down and dirty in David Mackenzie's excellent prison drama Starred Up. Eric Love (O'Connell) is a 19-year-old inmate that despite his young age is such a violent threat that he has been 'starred up' to join older convicts in a high security adult penitentiary. O'Connell bites into the role, and quite literally - in an early tussle with the the guards he clamps down on one of their testicles. O'Connell makes his dangerous young prisoner unpredictable and unsettlingly charismatic.

Although we are never informed of what Eric has actually done to land him in prison, judging from the way he quickly acclimates himself in his new cell (fashioning a weapon out of the melted end of a toothbrush and the blade of his safety razor, knowing the perfect hiding place to store it when he needs it), it's not hard to imagine prison has already played a large part in shaping his young life. Perhaps his issues can be traced back to his own convict father? As fate would have it, Eric's new confines include none other than his fellow inmate, dear ol' dad, Neville (Aussie actor Ben Mendelsohn once again bringing nuance and complexity to the role of a volatile thug, as he did in both Animal Kingdom and The Place Beyond the Pines).

More...

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