The SAG Awards are receding in the review mirror, but the afterglow remains. How much power can emotional narratives have within our seasonal awards journey? Viola Davis has been a major actress for a long time within the showbiz community -- this very website first handed her two gold medals way back in early 2003 for her gobsmackingly great single scene in Antwone Fisher and her breakthrough year of smart character work in Far From Heaven and Solaris -- but it's only in the past few years that the mainstream has begun to learn her name and key in to her potent gift. There's nothing like a 'who's that?' Oscar nomination (Doubt), A List friendship (Streep) and a big fat juicy hit (The Help) to boost your profile.
So I wasn't surprised but was definitely delighted to see her receive a standing ovation when she walked up to accept Best Actress for The Help.
Perhaps the standing ovation is an annual occurence and I've merely forgotten.
In some ways our relationship with the awards circus is a long one with deep pockets of memories, held grudges and fond crushes. In other ways it's as if we're goldfish swimming round the bowl and we're surprised by that little plastic castle every time.
But I think the true indicator that Viola Davis is the likely winner of the Best Actress Oscar is not the win itself with SAG, which has a much wider more diverse voting body than Oscar, but the crowd response. Reducing co-stars to tears is probably no great achievement. They were in the trenches with you so naturally Jessica Chastain, Octavia Spencer and Cicely Tyson were crying their eyes out. But making Zoe Saldana and Angelina Jolie all misty? Boosting Dick Van Dyke's mood when he was already high on life?
What is going on here? (More after the jump)