Link It On

Lenny Amy Poehler interviews her teen fan, the Tony nominated Sydney Lucas who was so brilliant in Fun Home: The Musical (she just left the show *cries*)
AV Club in terrifying news: Disney is fast-tracking a Cruella de Vil picture from the 50 Shades screenwriter called simpley Cruella
The Guardian interviews Benicio del Toro on Sicario and music as part of his acting process

Playbill Broadway and music giants are uniting on December 3rd in NYC for a Centennial tribute to Frank Sinatra: slated to appear are Bernadette Peters, Sutton Foster, Sting, and Christina Aguilera. More names TBA
Comics Alliance & Superhero Hype celebrate the best Cosplay at New York Comic Con this weekend - that Marvel Girl is something else. Straight outta the X-Men pages I tell ya.
Boy Culture cuteness - Carol Channing with teddy bear
Pajiba yes, Natalie Dormer is aware that people think Kermit the Frog's new pig girlfriend Denise looks like her
Detroit News my hometown paper interview Tippi Hedren (The Birds, Marnie) for some reason so check that out
Awards Daily Sasha on Aaron Sorkin and the art of the symbol in Steve Jobs 
Variety MTV's adaptation of Terry Brooks "The Shannara Chronicles" is coming in January. I read a couple of those books a million years ago and none of this even sounds/looks vaguely familiar. But maybe I just don't remember it?
Variety ...and BBC is doing "The Last Kingdom" because YA fused with fantasy is hot right now after the cultural dominance of Hunger Games / Game of Thrones the past handful of years.  

ICYMI
The first 10 days of October were so crazy busy: final reports from NYFF, the opening of The Martian and a sneak of Carol, wild acclaim for Steve Jobs and the opposite for Pan on their shared opening weekend, that we're sure you've missed some choice goodies. Be sure to check out the Hail Caesar! teaser, our interview with Victoria star Laia Costa, Photograph 51 with Nicole Kidman hitting the stage, and a list of Ridley Scott's favorite actors.

The biggest news for us here at The Film Experience was the announcement of the 81 movies in competition for Best Foreign Film. We've already interviewed directors from or reviewed 11 of them: Argentina's The Clan, Austria's Goodnight Mommy (now in theaters), Colombia's Embrace of the Serpent, Dominican Republic's Sand Dollars, France's Mustang, Germany's Labyrinth of Lies (now in theaters!), Hungary's Son of Saul, Norway's The Wave, Portugal's Arabian Nights Volume 2, Sweden's A Pigeon Sat on a Branch, and Taiwan's The Assassin with more to come. 

Reboot the World. Bring it On
Remember when Bring It On (2000) made our top ten list of Best High School Movies Ever Made? Don't you wish that they hadn't made all those terrible straight-to-dvd sequels for Bring It On so that the world could demand an actual Bring It On sequel? EW reunited the principle cast for their latest issue.

Eliza Dushku, Gabrielle Union, and Kiki are still sexy. And cute. and popular to boot. Okay maybe less popular (sigh) but still awesome. And to quote our friend Joe Reid:

Congratulations to Jesse Bradford, Nobel Prize winner in the field of Could Get It 

Video Du Jour
I'm sorry but Meryl Streep and Nicole Kidman on the same couch being embarrassed about their childhood names? The Graham Norton Show is always a delight for actressexuals. Please someone gif the part w/ Meryl's glasses askew or any of Nicole's dorky grimaces.

And, because, a bonus video: Julianne Moore cracking us up doing Taylor Swift lyrics on "the Late Late Show"

Always the years.
Always the love.
Always The Hours Ladies.

What's Next for Nolan

Kieran here. It was announced yesterday that Christopher Nolan's next feature film will be released on July 21, 2017.  Very specific release date for a project whose title/plot/cast have yet to be revealed, but this is Christopher Nolan after all. I can't think of too many directors who could announce a new project with very few details well over a year in advance and generate this kind of excitement. He's the "arthouse" director of choice for moviegoers who generally scorn the arthouse and yet he's often the fulcrum of the problematic "the Academy doesn't respect populist fare" argument. Quite an odd space to occupy in the consciousness of the cinematically minded.

With this new project, speculation about plot details and recitations of an ideal roster of actors are sure to follow. Questions of genre definitely loom in the back of the mind when you consider Nolan. He tends to work within some combination of sci-fi, mystery and thriller, though it's certainly not on every director to stretch, genre-wise. 

We're much more interested to see if Nolan's characterizations of women (or lack thereof in some cases) changes at all. Regardless of one's opinion about Nolan's overall output, it's hard to refute with any sincerity the argument that female characters in his films often get short shrift. Will this new project be any different? Interstellar, his most recent effort, is the closest he's come to handing the reins of a movie over to a female character. He does ultimately opt for following Matthew McConnaughey drifting solo through space, but you do still get what appear to be the first glimpses (with Jessica Chastain and Anne Hathaway) of Nolan attempting to imagine female characters from the inside out. Sure, you  could argue that these two women were motivated by their relationships to men, be it paternal or romantic. And yet there was an interest, however marginal, in women that's just not present in his other films.

I instantly thought of Viola Davis, who fit so well into the cold, eerie aesthetic of Steven Soderbergh's Solaris and how rarely she's given front-and-center focus in her non-televised projects. I would be fascinated to see what Davis could do at the center of a Nolan-helmed sci-fi outing. At any rate, aren't you curious to see if Nolan continues to improve his female characters after Interstellar or do you suppose we're in for more spectral wives and asexual audience surrogates?

Will Nolan ever give us a female protagonist?

What would you like to see from Nolan? Which actress could ignite his curiosities in an interesting way? Discuss in the comments.

On "Mr Robot" and "Humans"

Welcome readers to a new series, currently without a name (help?), in which various members of Team Experience will be discussing a television show or shows each Tuesday. It's our way of expanding our horizons a bit but without drowning the site in TV or limiting us to only one show as has previously been our habit with "Mad Men" or "American Horror Story". To begin, please glance furtively around, turn up your paranoia sensors, and slip into something uncomfortable with us as Lynn and Nathaniel discuss the somewhat menacing pair of "Mr Robot" (USA) and "Humans" (AMC). 

NATHANIEL R: Hi Lynn. If you want to know why I'm pairing these two shows it's because I fear we've reached the tipping point of contemporary film and television's obsession with autism or any one on the spectrum thereof (i.e. everyone in our age of staring at our phones instead of each other). Lately I've been thinking a lot about E.M. Forster's Howards End and its edict "only connect"  It seems so transgressive now, to demand as much. 

This preference for disconnection paired with the still raging epidemic of antiheroes has made the television landscape rather chilly. The danger is that everything starts feeling the same or at least like variations on the same. How radical would a really warm and friendly prestige cable series feel now?  I bring this up mainly because, though, "Mr Robot" is confidently acted/written/directed and does feel like its own show... I couldn't stop thinking of "CSI: Cyber"(my deepest apologies) as its sort of brain-damaged country bumpkin cousin because of the cyber crimes that feel like sci-fi and "Dexter" as its more sociopathic father because of the confessional 'i am deeply crazy but I'll attempt to explain myself' narration. 

Mostly I bring up "only connect" because I find both shows almost painful to watch; everyone needs a hug. Do you want to hug them?  [More...]

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Oscars vs. Blockbusters? No, It Isn't That Simple.

Jurassic World just beat The Avengers box office tally to become the third highest grosser of all time (when you don't adjust for inflation) which has Awards Daily wringing its hands over what the Academy should do to better honor the types of films people pay to see. As you may have guessed The Film Experience has strong feelings about this topic (including suggested new Oscar categories) all of which we will share with you right now...

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Say What? Charlize & Emily

Amuse us. Add a caption or dialogue to this image of Emily Blunt and Charlize Theron on the set of The Huntsman. (No Snow White this time. It opens in April 2016)