How Had I Never Seen..."Independence Day"?

by Cláudio Alves

Some of my recent choices for the "How Had I Never Seen" series may have leaned towards the esoteric. Probably most people don't wonder why or how they have never set eyes on Valley of the Dolls or Girlfriends. This time around, however, I've decided to fix a pretty deep lacuna in my movie-watching, one that's firmly in the mainstream rather than an arthouse curio. Today marks the 25th anniversary of Roland Emmerich's 1996 Oscar-winning mega-blockbuster Independence Day. To commemorate the date, I finally watched the flick that turned Will Smith into a star of the silver screen, redefined the effects-driven summer movie, and birthed a new era of Hollywood entertainment… 

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Almost There: Jodie Foster in "Contact"

by Cláudio Alves

This past weekend, Jodie Foster threw a wrench into the Best Supporting Actress race, surprising pundits when she won the Golden Globe for The Mauritanian. Maybe we shouldn't have been so shocked; The Academy hasn't acknowledged Foster since her 1994 nomination for Nell, but the HFPA never stopped loving her (8 nominations, 3 wins, 1 lifetime achievement). Three years after her last Oscar nomination, she was back on the hunt for a Golden Globe. The movie was Robert Zemeckis' Contact and the role was one of the most challenging in the actress' long career…

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Best International Feature: Slovenia, Sweden, Ukraine

by Cláudio Alves

The Academy will announce its 15 finalists for the Best International Feature Oscar next Tuesday. For the first time in years, the shortlist will not include any saves from the executive committee, meaning that some more challenging pieces might suffer for it. In any case, as that day approaches, our joint adventure through the submissions continues. However, since time is short, I've decided to focus these last few groups of capsule reviews on pictures that enchanted me, the kind of titles I'd be ecstatic to see on the shortlist. Without further ado, let's delve into Slovenia's meditation on memory, Sweden's tale of chaotic motherhood, and Ukraine's sci-fi dystopia… 

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Almost There: Amy Adams in "Arrival"

by Cláudio Alves

With Hillbilly Elegy upon us, two of Oscar's perennial bridesmaids are back on the hunt for gold. Most of the movie's buzz has centered on Glenn Close's latest attempt at enshrining her career in the glory of Hollywood's most coveted trophy. However, one shouldn't ignore Amy Adams, an Oscar-hungry actress who's only one winless nomination away from tying her costar's record of seven nods and no victory. She'd have already tied Close if not for her infamous snub in 2016.

Despite starring in a Best Picture contender with eight overall nominations, earning citations from the Globes, BAFTA, SAG, and the BFCA, Amy Adams failed to conquer a place in AMPAS' Best Actress lineup for her performance in Arrival…

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The Strange Pleasures of "Strange Days"

by Cláudio Alves

In a future that's now our past, Strange Days tells a beguiling and disturbing tale of addiction and police brutality. Kathryn Bigelow's most most ambitious project to date, at least at the level of form and theme, opened in movie theaters twenty-five years ago today. Mixing social commentary with action excitement, insane feats of camera choreography, and feverish performances, the movie's a testament to its director's skill even if it wasn't the title that won her the Oscar. It's also a heady thrill ride that's out to dazzle the spectator, to shock them and galvanize too. Pleasure and violence are forever intertwined in this dream of celluloid.

The setting is Los Angeles on New Year's Eve, 1999, and the air is suffused with the threat of revolt. Strange Days, which opened in movie theaters on this very day in '95, posits a near future where technological advancements have made it possible to record and share memories...

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