Avengers Assemble... Your Loot!

As expected Marvel's latest evil plot for world domination was a significant success at the box office. The US opening took in an estimated $187.6 but that's just the beginning of its gross and in addition to what it's already earned overseas ($340 million). Even though its launch wasn't as successful as its predecessor, it should still end the year comfortably with crazy big grosses. How high can it fly? Expect a big drop-off domestically next weekend since audiences and critics seem grumpier this time. I personally don't think that's so much about the movie itself as it is about the increasing ubiquity of its genre. It will be harder and harder for these films to wow people as their ranks have grown so swiftly. The special becomes the standard and so forth. 

In 'it's about time' news, Furious 7 had a big percentage drop and lost 500 theaters. In far more curious news Cinderella one of the year's leggiest hits somehow rebounded (second run houses?) to return to the top ten despite losing more theaters. 

WIDE RELEASE
01 Avengers: Age of Ultron $187.6 NEW Review & Marathon
02 Age of Adaline $6.2 (cum. $23.4)  Trailer discussion
03 Furious 7 $6.1 (cum. $330.5) Review
04 Paul Blart: Mall Cop 2 $5.5 (cum. $51.1)
05 Home $3.3 (cum. $158.1) the rise and fall of Dreamworks
06 Cinderella $2.3 (cum. $193.6) Review
07 Ex-Machina $2.2 (cum. $10.8) Review
08 Unfriended $1.9 (cum. $28.5) 
09 The Longest Ride $1.7 (cum. $33.2)
10 Woman in Gold $1.6 (cum. $24.5) 

Limited releases were fairly quiet this week though Far From the Madding Crowd opened with $172,000 at 10 locations and Clouds of Sils Maria got a nice expansion and should soon cross the million dollar mark.

What did you see this weekend?

April Foolish Predictions: Sound, Score, Make Up & FX

April is almost over and we MUST finish our April Foolish tradition - the first wave of Oscar nomination predictions before anyone knows anything. The film year is still only a toddler but they grow up so fast. The first third of the year always features the least amount of Oscar content but from movies already released we'll hope for miracles that Cinderella and Ex Machina could be remembered in the places they deserve to be. But the bulk of the heavy hitters are yet to come. Even in the more popcorn categories like Visual Effects.

NEW CHARTS --> ORIGINAL SCORE, ORIGINAL SONG, SOUND MIXING, SOUND EDITING
Which movies will have original songs? Will the composer Thomas Newman ever win an Oscar? Will Skyfall, atypically embraced by the Academy, have any sort of afterglow with AMPAS to help Spectre win nominations as well? And who will the composers be on a whole slew of Oscar Bait movies that haven't revealed their composer yet (since the score is one of the last things to happen)? These are the questions we're already asking so please do suggest answers in the comments once you've looked at the charts. 

NEW CHARTS ---> VISUAL EFFECTS, MAKEUP AND HAIR
Is Ex Machina too subtle for Oscar? Will Mad Max Fury Road be too outre for them? Will the visual effects category just be a quintet of franchise favorites they've honored before like Jurassic World, Star Wars: The Force Awakens, Avengers: Age of Ultron and so on? Will the makeup category be dominated by old age latex, fantastical character creations or a trans woman's journey? 

Care to make any predictions yourself? 

The Internet Awakens

Not that it ever sleeps. But the arrival of a Star Wars: The Force Awakens teaser, a second one, shook things up. I mean Chris Hayes on MSNBC, the host of a political news hour, devoted a whole quarter hour to this trailer! At one point today all of my feeds were only Star Wars. I wasn't sure if it felt celebratory or oppressive and came to the conclusion that it was definitely both.

The heighth of my own personal Star Wars mania -- everyone seems to go through it though many never come out of it -- was 1983. One entire wall of my young bedroom was devoted to Return of the Jedi with posters, magazine pages, collectible film stills, you name it, stickied on. Princess Leia, Jabba the Hutt and (the shame the shame) ewoks took up the most space. Sorry Han & Chewie!

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Q&A Part 1: Avatar the Musical (Not Really) & Instant Classics

For this week's "Ask Nathaniel" party, I asked people to be inspired by the theater (Tony season is upon us) or by the science fiction genre. I promised 10 questions. 10 answers but that's too long. So here's part one of two: 4 questions today. 6 tomorrow. here we go...

I started drawing myself as a Na'vi but got bored when I realized my lack of hair meant I couldn't ride dragons. Unfinished.STEVE: Do have fear that the million Avatar sequels that will happen will ruin the magic of the original for you?

NATHANIEL: I love Avatar but it will ruin itself. Technological breakthroughs rarely age well because there's always another technological breakthrough around the corner to make the previous one look antique. The exception is something like Star Wars because its success wasn't really about how "new" it looked. In fact, it was successful because it was so good at being an old thing (adventure serial) and using old techniques in improved new ways like models and matte paintings and whatnot. I think it's quite funny that the upgrades when they "fixed" the Star Wars trilogy later on actually made them seem less timeless. Computerized Jabba the Hut for example totally places you in the exact moment of when CGI looked like that. Puppet Jabba is forever.

Plus will those three Avatar sequels actually happen despite the current plans? James Cameron has only made two films in the past 20 years and he's already 60 years old. I realize he's planning to shoot them simultaneously but if he weren't he'd be wrap up a full Avatar quadrilogy in 2044 or so and then retire and/or die at 90.

JAMES: What witches do you think Meryl Streep was offered when she turned 40?

OMG I LOVE THIS QUESTION. I have ignorantly never questioned this  despite the fact that Meryl Streep has been quoted about this a few times. [More...]

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Posterized: Fast & Furious

Furious 7 went from 0 to 4004 (theaters) today and is certain to collect huge box office bounty this weekend. The other films have been hits and then there's the morbid curiousity factor of saying goodbye to Paul Walker which may lure back moviegoers who haven't really been paying attention. That would include me. I only realized today, looking over this list, that the first film is the only one I've seen in theaters... though it seems like I've seen them all (is it cable showings, or their interchangeability as suggested by their very similar posters, minor variations in titles, and cast lists?)  

Cast List by numbers: Vin Diesel & Paul Walker (6 films); Jordana Brewster & Sung Kang (5 films); Michelle Rodriguez, Tyrese Gibson, Chris 'Ludacris' Bridges & Gal Gadot (4 films); Dwayne Johnson & Elsa Pataky (3 films); Lucas Black, Luke Evans, Eva Mendes, Laz Alonso, Don Omar, John Ortiz, Matt Schulze, Shea Wigham (2 films)

The Fast and The Furious (2001, Rob Cohen)
2 Fast 2 Furious (2003, John Singleton) - aka the only one without Vin Diesel. 
The Fast and the Furious: Tokyo Drift (2006, Justin Lin) - aka the only one without Paul Walker... but its the biggest detour as the cast list is mostly different. Only Vin Diesel shows up of the originals and one the fourth film hits, everyone seems to be back for good.
Fast & Furious (2009, Justin Lin) - the principle cast all returns
Fast Five (2011, Justin Lin) - aka the one where The Rock joins
Fast & Furious 6 (2013, Justin Lin)
Furious 7 (2015, James Wan) aka Paul Walker's swansong

So how many have you seen?  And are you hitting the seventh entry this weekend?