Oscar Horrors: "The Tell Tale Heart"

BOO! In this 17 episode miniseries, suggested by Robert Gannon, Team Film Experience will be exploring Oscar nominated or Oscar winning contributions from or related to the Horror Film genre. Happy Halloween Season! 

HERE LIES... The Tell Tale Heart. Its insistent beating was drowned to death by the cacophony of musical noise coming from the instruments of Walt Disney's Toot Whistle Plunk and Bloom which won the Best Animated Short Film Oscar for 1953.

What is more horrifying than a madman who thinks himself sane, like the narrator of Edgar Allan Poe's legendary horror story The Tell Tale Heart? I can actually name four.

1. That an Oscar nomination by no means makes your film easy to find for future generations. This is especially true of any nominations outside of Picture, and Acting. Have you ever tried to find all the nominated short films to watch from any given calender year? SHUDDER. (YouTube has reanimated some of their corpses but otherwise, they're tough to dig up!)

2. That animation is still synonomous with children's entertainment despite all the disparate moods the medium is capable of. This short proves that animation is just as suitable for the macabre as it is the goofy slapstick. Note how the animator's makes creepy visual associations between a harmless old man's blind eye and mundane objects... and that director Ted Parmalee and his animators know as much about shadows as good noir filmmakers.

3. That the great James Mason never won an Oscar. CHILLING!, right? Not even for The Verdict or A Star is Born! He can do more with a few line readings than some actors can do in whole films. 

See how calmy and precisely I can tell this story to you? Listen.

The eye was always closed. For seven days I waited -- You think me mad? What madman could wait so patiently, so long -- in the old house, with the Old Man, and the eye that... 

4. That this short was rated X (X!) by the British censors in 1953... ...and now you can see things 100,000 times as grotesque and violent every night on television without parental guidance and with 100,000 times less humanizing guilt. 

Had you ever seen this short before?
What do you make of the new fictional Edgar Allen Poe themed thriller "The Raven" starring John Cusack?

8 Short Docs & 63 Foreign Films Advance Toward Oscar

Ethan McCord's request to see a mental health professional after a terrible scene of carnage from which he rescued two children, was ridiculed by his superior officer. "Incident in New Baghdad"AMPAS has announced the documentary short finalists, eight of them to be precise which will then be whittled down to five, four or three lucky nominees, so as to make either three, four, or five of these finalists feel like absolute shite on Tuesday January 24th.

THE FINALISTS (links go to official sites if we could find)

• The Barber of Birmingham: Foot Soldier of the Civil Rights Movement 
  (civil rights doc about a barber and barbershop which was a civil rights hub)
• God Is the Bigger Elvis
  (37 minutes)
• In Tahrir Square: 18 Days of Egypt’s Unfinished Revolution
  (38 minutes)
• Incident in New Baghdad
  (Iraq War and Post Traumatic Stress Disorder)
• Pipe Dreams
  (Environmental doc about a tar pipeline set to cross the largest fresh water resource) 
• Saving Face
  (About a plastic surgeon helping acid attack victims in Pakistan. Strangely the company's site has not been updated since March despite this big Oscar news!?!) 
• The Tsunami and the Cherry Blossom
  (Described as "a stunning visual poem about the ephemeral nature of life and the healing power of Japan's most beloved flower") 
• Witness

It is my humble opinion that "finalist" lists should always be at least double the amount of actual nominees, so that misery can love its company and not feel like the only girl in the room not invited to the dance.

Who can convince the Academy of Motion Picture Arts and Sciences to change their unstable cruel ways? Categories should be set in stone: five nominees or three. Finalist lists, when necessary, ought to be double that. Five or Three should be the only Two options for shortlists for the great good of spreadsheets, statistical percentages, charts and the mental health of pundits everywhere or at least this pundit right here.

Nevertheless AMPAS continues with their "we might do this / we might do that" keep-you-on-your-toes ways. 

In much bigger news Oscar has also finally released the Official List of Best Foreign Language Film contenders. It's sixty-three wide this year. If you or anyone you know cares about this category, you'll want to check out The Film Experience's Beautiful Foreign Film Oscar Charts and please do share them with your friends. You can peruse the entire category visually instead of just reading this boring list of as-yet-meaningless names.

But we'll include the list here as well for SEO purposes. If the titles are in bold they're rather high profile as these things go, but keep in mind that high profile doesn't always equate with "future nominee" status.

Click to read more ...

Persona Non Linka

Thank you to Glenn for drawing our attention to this Melancholia poster starring Lars von Trier (one of a series). When was the last time you saw a director on his own movie poster?

I mean apart from Hitchcock's Psycho -- the one where he warns you about not entering the theater late -- I can't think of one (unless the director is also the lead actor of course). It's impish fun to use von Trier this way in marketing since anyone buying a ticket to Melancholia is going to know who he is. But the "persona non grata" Cannes seal in the upper left corner is the real design coup here. Well done, whoever thought of it.

Links!
My New Plaid Pants chooses five fav Gwyneth Paltrow performances. Where the hell is Flesh and Bone? That'd make mine.
Thelma Adams recruits female pundits and critics to talk Best Supporting Actress
EW is eager to meet all of your Avengers needs 
Flickr More Drive art. See also this week's Curio column
i09 selects the ten best sci-fi death scenes. Number 2 should be number 1, duh!
Shakesville offers up Princess Bride Monopoly (click image to view larger). Well done.  

Source

Awards Daily new pics of Michelle Williams as Marilyn Monroe 
Form is Void Have you ever seen Jim Henson's Time Piece (1966)? It gave him his first and only Oscar nomination (Best Live Action Short Film). It's "surprisingly spicy."

Finally, it seems that Bennett Miller will follow up Moneyball with Foxcatcher which is the story of crazy rich person / killer John DuPont, the heir to the DuPont fortune who killed an Olympic wrestler on the massive DuPont estate. His defense claimed paranoid schizophrenia but he was still found guilty. Steve Carell will play the challenging role. And, given what Carell has been able to do in Little Miss Sunshine and even Crazy, Stupid, Love. is there any reason to believe this couldn't be an Oscar nominated  next career step? This project is so fresh it doesn't even have an IMDb page yet (though I suspect that will change today given that this news is all over the 'net)

I guess Bennett Miller is only going to do true stories that are essentially tiny- window biopics of famous or somehow notorious men: Capote, Moneyball, Foxcatcher? It's a niche but at least everyone agrees that he's good at it. As for tiny-window biopics -- they're the best kind! The only good kind.

Norma's Jewels and Other Shiny Film Objects

FourFour on Andrew Haigh's Weekend, one of this year's must-sees. I'll have an interview about this one up tomorrow. It opens in extremely limited release (for now) on Friday.
Gold Derby wonders if Brad Pitt has two Oscar nominations in him this year.
Moving Image Archive Someone stole Norma Shearer's jewels! OMG there are a ton of 30s stars in this short film: Barbara Stanwyck, Joan Crawford, Gary Cooper, Irene Dunne, Loretta Young, Laurel and Hardy and the list goes on and on.... Fun! with terrible jokes !! 

The First Lady of MGM in "The Stolen Jools" (1931)

Nicks Flick Picks chooses his favorite Best Actors and Actresses thus far this year. Strong choices but even stronger twitter length writeups; I don't know how he does it.
The Self Styled Siren has some words on NYFF films and a few interesting one in extremely measured defense of I Don't Know How She Does It? but I love this prickly bit on the casting...

...offers nothing to much to look at except Christina Hendricks and Pierce Brosnan (who are wasted with prodigal carelessness)

Just Jared first pics from the set of Steven Soderbergh / Channing Tatum stripper drama Magic Mike. For some reason I never believed this movie would actually happen (just like I didn't believe The Avengers would happen) but they're both always snapped on set now so... what do I know?
Monkey See on why you should all be watching the sitcom Raising Hope 
L Magazine Dan Callahan (always worth a read) on the worlds of Vincente Minnelli, one of TFE's favorite directors!
Mission Hot Mama uses Michelle Pfeiffer to illustrate makeup tips to help you look younger. (Another thing that helps people look younger is using photos from a few years ago like that one. I kid. I kid. She's amazing at 53. Now, if only she'd get out more.) 
Awards Daily You may have been surprised as I was to learn last year that the majority of visual effects artists in Hollywood aren't unionized like so many other craftsmen. They don't have great working conditions and things have been getting worse. Even though most of the top grossing films are visual effects driven they aren't paid all that highly (relatively speaking) either. Here's the press release of a Bill of Rights from the Visual Effects Society. 

'Ladies' via John Cameron Mitchell, London & Moscow

Somewhere after the second 'Lady Dior' commercial starring Marion Cotillard (a project that's obviously a descendant of those hot "The Hire" commercials wherein A list directors used to create short films around Clive Owen's "Driver" and a BMW) I lost track of the commercials. John Cameron Mitchell even directed her but it premiered during Oscar season when my mind was most definitely elsewhere.

Dior must have liked what John Cameron Mitchell did for them because there's a brand new film (I saw it at IndieWire) wherein Ukranian "sand artist" Kseniya Simonova tells a story conceived by JCM in a live performance. The artist is only using what looks like a light box, a pile of sand and her fingers. That's it. AMAZING. You must also watch it with jaw agape (don't worry, no sand will enter your mouth) because I can't believe it and must share. 

And then there's Mitchell's entry in the Marion Cotillard series "Lady Grey London" if you haven't yet seen that one. That hourglass opening is such cheeky fun.

This sand motif, hmmmm. Does JCM think his time is running out? Nonsense. With three great movies on his resume already (Hedwig, Shortbus, Rabbit Hole) he's batting 1000.