5 Days Until Oscar Noms!

nom nom nom

Whenever someone uses the abbreviation "Oscar noms" it sounds like they're referring to snacks at a party.

— Scott Renshaw (@scottrenshaw) January 5, 2013

Scott Renshaw is right!

I have received edible swag in the mail before, generally in the form of chocolate or popcorn (though not, regret to inform, chocolate-flavored popcorn) but this is the first time cold cereal has arrived. And it's even the first time for movie-appropriate edible swag since Silver Linings Playbook has some choice Raisin Bran product placement in a key "not a date!" scene.

Each time when a tiny piece of FYC mail arrives in a matryoshka-style series of boxes within ginormous boxes, I weep for the trees that have been cut down to provide me with it. The Waste. The Waste. 

So I did not waste the raisin bran. I owed it to the dead trees and to the landfills where all the unused detritus of swag the world over will eventually reside. I ate it.

nom-nom-nom

This should no way be construed as an endorsement of Silver Linings Playbook, but it tasted good. 

Lump of Coal, Anyone? Cinematic Shame (Pt 1)

YEAR IN REVIEW

I plan to get all joyously positive from Christmas Eve through January 9th as I share my take on the Best of the Film Year That Was. But I make no promise about my mood come January 10th...  That's the fateful morning when 6,000 Academy voters play puppet master and yank my fragile psyche about with abandon. But until then... And before the Year End Best of hits, we purge.

MOST "OVERRATED" ANYTHING

I know that people quibble with this word and wish it dead and buried. But that's only because they take it far too seriously. It's a silly adjective but silly is fun. One should always take things for what they're worth. No matter who is using the word "overrated" it only ever means:

Other people are under the mistaken impression that this thing I think is merely okay is really great! They are quite wrong."

Unsatisfying performances, miscasting, bad moves in good films and more after the jump...

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Cross Country Critics Champs

To some extent I've lost my taste for covering the critics awards -- at least in depth -- since there are more each year and more which do that coy "nominations first!" thing to try to drum up publicity (it works since the web always needs content... even if the content is the same as the day before as so many of these awards prove!). I'm not trying to be a killjoy -- I'm really not! -- but I guess I have anger issues with my fellow critics since they are all so willing to abandon anything they loved during the year once the year end Oscar movies hit. I challenge everyone to go back and read what critics wrote about Michael Fassbender when Prometheus premiered and then wonder why they can't be bothered with them now... even when they go so far as to announce nominations ?!? Oscar has a bias against genre performances but unfortunately many of the same media voices who complain about this share the same bias in their own year end honors! Someone will have to explain to me how Alan Arkin in Argo and Robert DeNiro in Silver Linings Playbook for example are more exemplary examples of Great Film Acting than Fassy in Prometheus. I'd wait but I fear the wait would be longer than the running time of 25 historical epics combined  since who in their right mind would try and justify this verbally even if they votes say differently?

But look at me flying way off track!

So grumpy, me, I apologize! All that said, this year has had a bit more variety in critical winners than some recent years and I do some love reading awards lists. So let's hit four cities and one multi-city stop after the jump and see what they liked most this week... The results are not uninteresting. MORE

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SAG Ensemble. Our Annual "Fix This Rule" Gripe

You may have noticed a few key names missing when the SAG nominatione for ensemble were announced this morning. No, I'm not talking about the casts of Moonrise Kingdom or Magic Mike or other fine ensembles. I'm talking about the performers from the five nominated pictures who won't get a SAG winner / nomination on their resume from this honor. That might seem like nothing but for working actors whose names aren't above the titles it can mean a lot. So today we honor these actors who deserved better from their guild!

I'll keep talking about this every year until SAG fixes their system. Behold the Five most "Outstanding Casts" according to the Screen Actors Guild and a sampling of people that aren't included in that honor.

Outstanding Performance by a Cast in a Motion Picture
ARGO (Warner Bros. Pictures)
BEN AFFLECK / Tony Mendez
ALAN ARKIN / Lester Siegel
KERRY BISHÉ / Kathy Stafford
KYLE CHANDLER / Hamilton Jordan
RORY COCHRANE / Lee Schatz
BRYAN CRANSTON / Jack O’Donnell
CHRISTOPHER DENHAM / Mark Lijek
TATE DONOVAN / Bob Anders
CLEA DUVALL / Cora Lijek
VICTOR GARBER / Ken Taylor
JOHN GOODMAN / John Chambers
SCOOT McNAIRY / Joe Stafford
CHRIS MESSINA / Malinov

WHERE IS...?

WHERE IS... SHEILA VAND who was captivating as the Canadian Ambassador's housekeeper Sahar?
No people of color from Argo's cast list were recognized despite several cast members of color with important scenes. 

More awkward snubs after the jump...

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It's ZDT for the NBR

And things were looking so super extra competitive this year! Just a few days ago Les Miz, Argo, Lincoln, and Zero Dark Thirty all seemed to be on somewhat equal footing and to a lesser extent Beasts of the Southern Wild, Silver Linings Playbook, and Life of Pi had all received enough warmish embraces from critics, audiences and  Oscared corners of the showbiz culture that we could look forward to a real competition once the Oscar nominations were announced on January 10th. But with the one-two-zero-dark punch of the New York Film Critics Circle and the National Board of Review, the Oscar race suddenly looks a bit less like a clusterfuck and a ltitle more like a done deal. Zero Dark Thirty, Kathryn Bigelow's engrossing account of the hunt for Osama Bin Laden, is suddenly apparently way out front.The NBR generally attempts to spread the wealth but not so this year since they gave ZDT three of their top prizes (Pic, Director, Actress)

Will enough critics groups and precursors disagree or is this just one of those years that seemed competitive and then suddenly wasn't... like, oh, so many years in the past!

Winners and discussion after the jump

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