SAG Award for Best Cast: Predictions & Wish List

Amir here, to write about one of my favourite awards of the season: the SAG award for "Outstanding Performance by a Cast in a Motion Picture". I say "favourite" because, in principle, I love the notion of awarding actors who work together as a group to make a film tick. In my ideal world, the best cast award is more about collective achievements than multiple individual ones but over the years, SAG’s top award has sadly become synonymous with Best Picture. Genuine ensemble pieces have often been ignored in favour of Oscar’s best picture frontrunners or films with the highest number of nominees in other SAG categories. Yet, despite my disappointment, I can’t stop obsessing over this award or detach myself.

Who will follow the cast of The Help to a SAG cast win?

This year is bound to be a similar affair, with the three frontrunning Oscar films all poised to win SAG nods in this category. Nonetheless, let’s look at what will get nominated and what should. 

Les Misérables
I have yet to see Les Misérables, but the rapturous response from this week’s screenings (Nathaniel was at the first one) suggests that we will collectively forgive Hooper for stealing The Social Network’s thunder once we finally lay eyes on his newest film. (Though, I'll still begrudge The King’s Speech for winning the SAG "cast" award two years ago. Two great performances and one default “supporting wife” nominee don't merit a best cast prize, especially in the presence of The Kids Are Alright and The Fighter.)

More hopefuls after the jump...

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"Silver Linings" & "Moonrise" Lead Spirit Nominations

Continuing with the trend of star-laden "indies" of reasonable means dominating the once far more independent Spirit Awards, expectant future Best Picture nominee Silver Linings Playbook and Wes Anderson's adorable Oscar longshot Moonrise Kingdom led the pack of nominees with five citations each. In the shoe-stringier side of the equation films like Beasts of the Southern Wild, Middle of Nowhere, and Keep the Lights On also made strong showings. Since three mainstream / big studio efforts are expected to dominate the Oscars (that's Les Miz, Argo, & Lincoln if you've been sleeping for a month) this year, no film need worry about the Spirit curse ...wherein you score big here the day before the Oscars only to collapse at the big Hollywood event that you had hopes of also ruling.

Can "Beasts" win the Spirit Award?

Full list of nominees and commentary on each category after the jump

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The Bipolar Silver Linings Playbook

Hey lovelies. Beau here with a recent trip to the David O. Russell multiverse, which has gotten tamer than I once remembered it.

I understood Pat Solitano, Jr. and Sr., their individual and collective struggles in life. Which isn’t to imply that both are readily and consistently sympathetic characters, far from it. But as I made a pitstop at the Landmark Cinemas in Los Angeles on Saturday, on my way home from a quick rendezvous with old friends, I made it a point to sneak in while I could to catch this film. All things considered, the talent involved was what intrigued me. Who better to direct a film about one individual’s struggle with his anger than David O. Russell, who experienced a nice bout of controversy years ago when videos of him and Lily Tomlin getting into it on the set of I ❤ Huckabees rose from the ashes? Who better to take on the role of a young man suffering an identity crisis and highs and lows than Cooper; he's been stuffed and compartmentalized into so many boxes in the industry that by this point the dude should be dead from paper cuts alone? 

It’s only too ironic then, that Silver Linings Playbook is a bipolar affair...

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TIFF: Oscar Talking Points and Personal Favourites

Amir here, wrapping up my coverage of the Toronto International Film Festival.

I have to apologize for my absence yesterday on TIFF's closing weekend. A broken laptop charger prevented me any access to the internet. As you already know, David O. Russell's Silver Linings Playbook snatched the coveted People's Choice Award. In keeping with my tradition of not watching films with set public release dates at the festival, I passed on the film in my original planning. And yesterday, when people lined up for the film’s honorary additional screening, I was in a different theatre watching my favourite actress Julianne Moore playing a rock star in What Maisie Knew. 

More including Oscar buzz and a Festival jury of one after the jump...

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"Silver Linings" Wins TIFF. Here's What It Means Statistically For Oscar.

The Toronto International Film Festival wraps up today (movies are still being projected, though, even as I type) and the awards are out. Silver Linings Playbook took the Audience Prize, which is usually a good sign for Oscar. 10 of the 34 past winners have gone on to Best Picture nominations with 4 eventually winning the top prize (The King's Speech, Slumdog Millionaire, American Beauty and Chariots of Fire). That group of 34 films also includes 1 Best Documentary Oscar winner and 9 Best Foreign Language Film nominees (5 of them eventual winners.)  It's not fail safe of course. Last year's winner Where Do We Go Now? looked strong for Oscar foreign play but wasn't nominated and the previous winner's list includes various sixth-slotters like Amélie and Hotel Rwanda which didn't quite make their respective Best Picture lineups. But to make this long story much shorter this is the silver lining for Silver Linings come December; expect big golden things.

Other Winners...

Canadian Feature: Xavier Dolan's transsexual drama Laurence Anyways starring Melvil Poupad.
Canadian Directorial Debut: [TIE] Brandon Cronenberg's (Son Of David!) body horror drama Antiviral and Jason Buxton's teen violence drama Blackbird two chillers from up north.
Canadian Short: Keep a Modest Head by Deco Dawson

Brandon Cronenberg's debut features Sarah Gadon, his dad's current muse (A Dangerous Method / Cosmopolis).

FIPRESCI Prize Special Presentation: François Ozon's In the House which stars Kristin Scott Thomas as the wife of a French teacher (Fabrice Luchini) whose gifted teenage student is writing too intimately about the people in his life.
FIPRESCI Prize Discovery: Mikael Marsiman's Call Girl is based on the true story of a 1970s prostitution ring in Sweden.
Audience Award Documentary: Artifact finds Jared Leto's band "30 Seconds To Mars" battling their record label. More on this one soon.
Audience Award Midnight Madness: Seven Psychopaths from the singular comic talent Martin McDonagh
Asian Film: Sion Sono's Japanese tsunami survival drama The Land of Hope 

THE LAND OF HOPE (The Impossible isn't the only tsunami drama out there)

TIFF hits that lost out included Sarah Polley's reportedly bewitching Stories We Tell and the two runners up to the big People's Choice prize: Ben Affleck's Argo (of which you're already as familiar as you can be without seeing the damn thing) and Eran Riklis' Zaytoun which is a war drama about an Israel fighter pilot (Stephen Dorff) shot down over Lebanon.

TIFF devotee we appreciate most: Amir. 

TIFF virgin we're crazy jealous of: Nick. 

TIFF fringe dweller who never even made it to Canada: Nathaniel... [sniffle]

For what it's worth expect much more festival coverage for NYFF (coming very soon). Michael Cusumano and I will both hit the fest and share our reactions right here.