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Entries in Spike Lee (68)

Thursday
Nov192020

Links

THR Malcolm & Marie, that COVID-filmed two-hander with John David Washington and Zendaya, is now joining Netflix's stable of current Oscar contenders with a February release; as if they didn't have enough already!
Deadline Spike Lee keeps us guessing. He's doing a Viagra musical next. WTF?
The Verge Wonder Woman 1984 is now going direct to streaming on Christmas day (the same day it opens in theaters). It'll be on HBOMax at no additional cost for one month after which it will only be in theaters. We haven't believed the worst premonitions about the future of movie theaters up till now. But if the big studios are now willing to give up their surest billion dollar theatrical titles to streaming (where those same titles can't earn them any additional revenue other then arguably more subscribers -- but how many are required to make those regular $200 million budgets for superflicks affordable? --  then all bets are off.  *cries hysterically* 

Monday
Nov022020

Streaming Roulette, Nov: Paranorman, Thunderball, Time and "Psychiatry On-Screen" 

After the jump you'll find a listing of everything that's new to streaming this month (November 2020). But first we pick two handfuls of titles and randomly freeze them with the scroll bar. Whatever comes up is what we share. Do these images make you want to see (or rewatch) the movie? 

[on the radio]  It's christmas time in the city. Ring a ling. Hear them ring ♫ ♬

Carol (2015) on Netflix
Always forget this is a Christmas movie! But, really, 'tis always the season for the best movie of the decade. 

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Wednesday
Jun242020

Spike Lee's underrated gems

by Cláudio Alves

It seems like Spike Lee's on everybody's mind these days. First and foremost, we have the release of the director's latest feature, Da 5 Bloods, to thank for such cultural prominence. However, it would be irresponsible not to mention how current events are also bringing people to this filmmaker's oeuvre. In a time when racial injustice is being actively protested on the streets, the Black excellence and political vigor of Spike Lee's movies seem more relevant than ever…

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Tuesday
Jun162020

Curio: The Art of Kadir Nelson

Curated by Nathaniel R

Since we rebooted Alexa's old series Curio we've been focusing on specific movies or themes but this week we want to spotlight a famous artist who is getting another well-earned round of attention at the moment, with big magazine covers celebrating the Black Lives Matter movement for both The New Yorker and Rolling Stone. His name is Kadir Nelson. The 46 year old painter, who's won numerous awards in his career has done album covers, stamps, book covers, magazine illustration, and children's books. He sells limited edition lithographs, prints, and autographed books at his shop but you can also purchase his books at Amazon and other retailers at regular prices if you don't have a big budget for art.

His art focuses on African-American history but he doesn't do much movie-related art. That said he did work on two movies, Steven Spielberg's Amistad (1997) and the animated feature Spirit: Stallion of the Cimarron (2002) early in his career. We scoured his Instagram for a few movie/tv related pieces after the jump...

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Sunday
Jun142020

Review: Da 5 Bloods

by Lynn Lee

Perfectly timed.  The right voice for this precise moment.  Spike Lee’s never been more necessary than he is now. 

If you’ve read one variation of the “timeliness” reaction to Spike Lee’s latest joint by way of Netflix, Da 5 Bloods, you’ve read them all.  It’s a truth so self-evident it practically amounts to a truism.  Except the fact is that Spike Lee never went anywhere – he’s been here the last 30 plus years, educating us on the ugly persistence of systemic racism in the U.S.  His movies have always been timely; it’s our fault if we’ve failed to heed their underlying admonitions or give them the sustained attention they deserve.  It makes little sense, then, to accord his newest release any extra expectations that it will “speak to the moment.”  Still, given that it's Spike Lee, it does speak to the moment, if less directly – or less crisply – than some of his previous films...

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