The Supporting Actress Smackdown of '89 arrives on Sunday August 31st, two weeks from now. We'll be celebrating 1989 here and there until then as "the year of the month". You need to get your votes in, too, (instructions at the end of the post). If you've wandered in from elsewhere and are like, "What's a Smackdown?," here's how it started and here's last month's entry on 1973 with its companion podcast. The year in question this time is celebrating its 25th anniversary.
no, these ladies are not the panelists
The Smackdown Panel for August
Without further ado let's meet the voices who will be watching and discussing the '89 hits Steel Magnolias and Parenthood. They'll also be sounding off on the Oscar-winning bio My Left Foot and the underseen actressy curio Enemies: A Love Story. Stay tuned.
new panelists
KEVIN B LEE
Kevin B. Lee is a filmmaker, film critic and producer of nearly 200 video essays exploring film and media. He is Founding Editor and Chief Video Essayist at Fandor Keyframe and founding partner of dGenerate Films (a distribution company for independent Chinese cinema). His video "Transformers: The Premake" was featured in over 20 news outlets including the New York Times, Slate and Entertainment Weekly. [Follow him on Twitter | IMDb]
What does 1989 mean to you?
1989 was such a fascinating year for summer movies: could one imagine the likes of "Do the Right Thing" and "Born on the Fourth of July" slated among the current stack of superhero blockbusters? So many other great movies worth mentioning... but what comes to mind first is "Dead Poets Society" and Robin Williams as the high school English teacher we all wish we had..
TASHA ROBINSON
Tasha Robinson is a Senior Editor at The Dissolve, Pitchfork Media’s playground for movie lovers. Her writing and interviews have appeared in The Chicago Tribune, the Los Angeles Times, Orlando Weekly,Science Fiction Weekly, and at the NPR Books website, and she's been a recurring guest on Filmspotting, Slashfilm’s Filmcast, and The Sound Of Young America, now known as Bullseye. She is still trying to cope with Hayao Miyazaki’s kinda-for-real-th-s-time retirement. [Follow her on Twitter]
What does 1989 mean to you?:
It was such a crossroads year. The Little Mermaid brought American animation back from the abyss, and the Disney Renaissance enabled the animation boom that followed. We’re still feeling the impact of the revelation that America could produce animation that was not just art, and not just fun for adults as well as bored kids, but insanely profitable in a way that made studios sit up, take notice, and get involved. And James Cameron’s The Abyss was similarly a turning point for CGI effects. That entirely digital not-a-Russian-water-tentacle was like a signpost pointing to how innovative and creative special effects could get, when anything filmmakers could possibly imagine could be rendered inside of a computer. All that, plus Steven Soderbergh’s debut, Spike Lee’s breakthrough, and Bill & Ted’s Excellent Adventure, which gave us Keanu Reeves: Major Movie Star.
TODD VANDERWEFF
Todd VanDerWerff is the Culture Editor for Vox.com, where he writes a lot about TV and movies. Before that, he was the TV Editor at The A.V. Club. His work has also appeared in the Los Angeles Times, Grantland, Salon, Hitfix, and The House Next Door. [Follow him on Twitter]
What does 1989 mean to you?
"Honey I Shrunk the Kids". Which isn't even accurate, because I didn't see it until it came out on video the next year. But I remember feverishly waiting all summer, checking the movie listings every week, to see when it would hit one of the two (two!) screens in the nearby "big city" of Mitchell, S.D. Then I would go to the pool, and my friends and I would imagine what the movie might be like, based entirely off of the vague recollections of another friend who had seen it on a trip to Sioux Falls. By the time Honey made it to Mitchell, it was almost time for school. "Batman" had held it off that long. So I didn't see it until the next year, when it finally hit video. I liked it, but of course I would like it. I was 9, and 9-year-olds don't yet know how to be disappointed. (It also received my father's highest praise: "Boy, I'll bet they had fun making this one!") But it might have been my first true movie obsession, and for that, I have to thank it for a lifelong love.
returning panelists
NICK DAVIS
Nick Davis tweets, blogs, and writes reviews and is a professor of film, literature, and gender studies at Northwestern University. His first book "The Desiring Image" was published last year. [Follow him on Twitter]
What does 1989 mean to you?
I experienced 1989 as the Berlin Wall falling to the tunes of "Back to Life" and "Buffalo Stance," with Blush and Bashful spotlights strobing all around us. My family moved to Germany a year later and I was disappointed to see the reunification going down somewhat differently. No one was dancing in a brown slip before a burning cross, which was how I then conceived of freedom in action. For the first time, I saw four of five Best Picture nominees in theaters (Oliver Stone excepted) and I walked a mile each way to see "Steel Magnolias" three times in the cinema, which is what all the 12-year-old boys on the Marine Corps base were doing. Ken(ny) Plume and I got in trouble in English class the next winter for talking while Mr. Petrashune was trying to teach us. We were simply agreeing that "Driving Miss Daisy" obviously didn't deserve to win if the director wasn't even nominated.
TIM ROBEY
Tim Robey has been reviewing films for the Daily Telegraph since 2000, alongside a few interviews and other bits and bobs. His writing is mostly here. His recommendations series is here. [Follow him on Twitter]
What does 1989 mean to you?
I'd love to pretend I was all across Hou Hsaio-hsiaen's "A City of Sadness" at age 11, but no. 1989 means scattered things to a bookish child swotting up for exams, not yet a movie buff, much more of a fantasy and computer game nerd. I remember three films at the cinema – "Batman," "Indiana Jones," "Back to the Future III," "Ghostbusters II," at a push. A cast and crew premiere for "License to Kill" (my dad was involved on the insurance side). Strange peer obsession with "Look Who's Talking". This was maybe a year before I was Oscar-aware, but it may mark the point where I started watching flicks on VHS I wasn't meant to see yet ("The Fly," "Aliens," "Robocop") and, via these illicit thrills, just beginning to get the bug.
And your host
NATHANIEL R
Nathaniel is the founder of The Film Experience, a reknowned Oscar pundit, and the web's actressexual ringleader. He fell in love with the movies for always at The Purple Rose of Cairo (1985) but mostly blames Oscar night (in general) and the 80s filmographies of Kathleen Turner and Michelle Pfeiffer. Though he holds a BFA in Illustration, he found his true calling when he started writing about the movies. He blames Boogie Nights for the career change. [Follow him on Twitter]
What does 1989 mean to you?
Three visual memories became so burned into my psyche it's like I'm still watching them on loop 25 years later: Pfeiffer slinking on a piano top, Madonna dancing in a field of burning crosses, and Ursula the seawitch's body language. All other '89 film memories are relatively wispy intangibles by comparison but there's two I should share. This was the year I learned what 'business' was in acting, watching Andie MacDowell fiddle with a glass during conversation in "sex, lies and videotape" and the year I first tasted the lurid addictive thrill of being an 'Opinion Maker' dragging a guy's guy high school friend of mine to "Steel Magnolias" and feeling way too proud when I talked him into loving it.
YOU'RE INVITED, TOO!
The readers are the final (collective) panelist. You have until Thursday August 28th to get your votes in on any of the performances you've seen grading them on a scale of 1 (poor) to 5 (perfect). We excerpt quotes from reader ballots and your votes count toward the outcome.
• Dianne Wiest Parenthood [
Amazon Instant -whod've thought that the biggest hit among them would be the hardest to find now? It's not available through either Netflix or iTunes!]
Say "HELLO" to our panel in the comments and tell them what you think of when you think of "89". And like the film experience on Facebook and follow Nathaniel on Twitter while you're at it.
Wednesday, September 3, 2014 at 11:55AM 
In the second half of our Smackdown 1989 companion conversation we discuss the 'regular family' subgenre in movies and television, and our histories with both Parenthood and Steel Magnolias. We also revisit Julia Roberts feud with her director Herbert Ross and debate how Parenthood has aged and where it sits in the raunchy comedy continuum.
