Almost There: Let's vote again!

by Cláudio Alves

Last month, we asked you to choose what performances should be analyzed in the Almost There series which concerns itself with acting achievements that came close to the Oscar but failed to secure the nomination. You came through with more than 800 votes on each of our polls and the feedback seemed quite positive. Your choices were the against-type star turn of Cameron Diaz in Being John Malkovich and Joan Allen's incandescent fury in 2005's The Upside of Anger. Not only that, but the runners-up of the new to streaming poll, Jim Carrey in Eternal Sunshine of the Spotless Mind and Jake Gyllenhaal in Nightcrawler, were also written about.

Because of such good results, we're repeating that experiment. This time, we'll be focusing on movies that are newly available to stream in September as well as flicks from 1938, our sidebar theme thanks to the Supporting Actress Smackdown. 

First up, here are some possibilities from different streaming services:

survey tools

Secondly, here's a selection of 1938 performances. While it's difficult to discern who had awards buzz on those early Oscar races, we believe all of these folks were in the conversation: 

survey services

You can vote on each poll, once a day, until Saturday, September 5th. We can't wait to see who you choose!

Alan J. Pakula: The King of Paranoia

by Cláudio Alves

This summer, several of Warner Bros. classics have become available to stream on HBO Max. Among them are a good variety from the 1970s, including some of the best movies of New Hollywood's most underrated master of cinema. We're talking about Alan J. Pakula, a director whose pictures came to embody the mood of that decade, full of misanthropic discontentment and a sense that the world is diseased, people are out to get you and safety is unachievable. Alan J. Pakula was truly the king of cinematic paranoia…

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How Had I Never Seen... "Candyman"?

by Cláudio Alves

The Nia DaCosta-directed, Jordan Peele-produced, Candyman is scheduled to arrive in American theaters later this year. In the meantime, the original Candyman, a 1992 horror classic freely adapted from Clive Barker's The Forbidden, is newly streaming on Netflix. With all that in mind, this seemed like a great time to finally watch that acclaimed nightmare of 90s cinema, a picture I've long heard about and have considered one of my great blind spots as a fan of horror movies.

Despite astronomically high expectations, Candyman did not disappoint…

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Emmy Review: Lead Actress in a Comedy

By Abe Friedtanzer

I’m still sad that Elle Fanning isn’t here for The Great and I can’t understand how Better Things gets nothing but rave reviews and somehow Pamela Adlon isn’t nominated? That said, the list of actresses here is strong, And you'd think that previous winner Rachel Brosnahan would be the frontrunner with last year’s tough competition, victor Phoebe Waller-Bridge (Fleabag) and six-time consecutive champ Julia Louis-Dreyfus (Veep) out of the way. The Marvelous Mrs. Maisel may be the comedy nominations leader, but Brosnahan isn’t likely to eclipse Moira Rose. 

I’ll try to avoid major plot details in my analysis – but if you’d like more spoiler-filled descriptions, click on the episode titles. Let’s consider each nominee…

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Alain Delon on Criterion

by Cláudio Alves

For some people, the word handsome isn't enough. Such beauty defies description and almost seems to bend reality, becoming uncanny in its perfection. French star Alain Delon is one such person. It's no wonder that many a master filmmaker has lost themselves looking at the actor, making devotional songs to his besotting allure in the shape of cinema. Antonioni, Clément, Godard, Malle, Melville, Visconti were some of those masters of cinema and their works have immortalized Alain Delon in poems of celluloid that are some of the best films ever made… 

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