TCA and Dorian Awards go all in for the Emmy frontrunners

by Nathaniel R

The Television Academy has already begun their week long awards handout. The Creative Arts Emmys will run until the 17th and the Primetime Emmys wrap things up on the 20th.  With the Emmys upon us, the precursors have also come out to play. The TCA (Television Critics Association) and The Society for LGBTQ Entertainment Journalists, which hold the "Dorian Awards", have both recently announced their winners for the year and both loved on the Emmy frontrunners Watchmen and Schitt's Creek. Both organizations are stingy with acting honors, though, offering only two (in TCA's case) and four (at the Dorians), as opposed to Emmys 16 regular acting categories (barring voice and narration which would bring the number even higher). Couldn't there be a happy medium between 2-4 and 16+

The prizes are listed after the jump...

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Emmy Review: Contemporary Costumes

by Cláudio Alves

The Creative Arts Emmys are upon us but, before their double ceremony, there's still time to look at the last Costume category for narrative programs. This particular awards race is focused on contemporary-set narratives, a sort of design challenge seldomly celebrated by other organizations like the Oscars. Due to some new rules, this lineup of seven contenders is also the biggest one in any costume category throughout Emmy history. Let's see who wins out of this supersized selection…

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Emmy Review: Drama Series

By Abe Friedtanzer

Will HBO or Netflix reign on Emmy night?

This year’s Best Drama slate includes seven past nominees and one freshman series. There are heavy hitters but also major omissions like Big Little Lies, The Morning Show, and This Is Us in favor of shows that didn’t consistently show up across categories. To me, Succession, which I’m predicting will win lead actor, supporting actress, guest actress, and writing, seems like the safe frontrunner, like Game of Thrones was last year. But are we missing another show that could win it instead? 

I’ll try to avoid major plot details in my analysis – but if you’d like more spoiler-filled descriptions, click on the episode titles. Let’s consider each nominee…

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Almost There: John Cazale in "Dog Day Afternoon"

by Cláudio Alves

On March 13th, 1978, John Cazale died of lung cancer at the age of 42. Before his untimely end, the Massachusetts-born actor had amassed an impressive list of credits, both on stage and onscreen. His filmography, as far as features are concerned, is of particular interest and amazement. He appeared in five films, six if you count The Godfather Part III, all of which were nominated for the Best Picture Oscar (a record!). Not only that, but his quintet from the 70s (The Godfather, The Conversation, The Godfather Part II, Dog Day Afternoon, and The Deer Hunter) represents a list of era-defining classics.

Of them, 1975's Dog Day Afternoon was surely the closest the actor ever came to a much-deserved Oscar nomination…

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Review: "Away" on Netflix

by new contributor Christopher James

What role does space play in our current world? Today, getting on a plane during COVID almost feels as risky as embarking on a mission to Mars. 

Netflix’s new bright, shiny and expensive looking drama, Away, tries to contextualize space travel in its pilot episode. At a press conference, a reporter asks the Atlas crew, “Why should we care more about Mars than our own planet.” Hilary Swank’s commanding officer, Emma Green, delivers an impassioned speech on how much the US spends on the military and war. Wouldn’t it be better if we repurpose these tools for “discovery, not destruction.” This sets the stage for an exciting space mission where traveling to Mars could possibly save us from ourselves. Unfortunately, Away dodges this interesting, if thornier, premise as if it were a meteor heading straight for its shift. Rather than take a risk, it heads into safer territory, being a digestible family drama...

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