Streaming Roulette April: The Dirt, Monster House, and Now Apocalypse

As is our practice we've selected a couple handful of titles and frozen the films at utterly random moments without cheating (whatever comes up comes up!) for this quick preview. At the bottom of the page, check out full listings for Netflix, Hulu, Amazon Prime, and HBO for April 2019. And please do let us know if you're dying to discuss any of the films. Maybe we'll select one to write up? Okay, let's go...

Holy shit. Barnabas!

Now Apocalypse, Season 1 (2019) on Hulu (with Starz add-on)
Pictured there are the four leads of Now Apocalypse all of them gorgeous / funny / frequently naked in the first TV series from Gregg Araki of 1990s new queer cinema fame. Araki's preoccupations haven't changed much (or at all!)  since the 1990s. A twinkish lead with floppy dark hair? Check. Constant drug use? Sex. Filthy language and explicitly sexual humor? Check. A preoccupation with supernatural kinds of rape? Check. A dumb but impossibly sweet and sincere straight hunk? Check. Impossibly hip but somewhat chilly woman with black hair? Check. Sexual fluidity for every character even those with a pronounced label or gay or straight? Check. Slutty female best friend with most of the best lines? Check. End of the world fantasies and paranoia? Check. Older predatory queers in abundance? Check. Aliens or supernatural occurences? Of course! The show is way too repetitive in the early episodes (lots of flashbacks to previous episodes which is weird for streaming shows since you've literally usually just been watching what you're now flashing back to) but about halfway into the season the short episodes start  to come together in fun ways, including a hilarious and much smarter way of folding back in on itself with an in-series webseries, wherein the characters are reenacting the early episodes and playing themselves badly or being played unflatteringly by actors hired to play them. 

She never blinked during the interview.

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"London Fields" and Bad Movies as Palette Cleansers

Please welcome new contributor Tony Ruggio...

Have you ever wondered why Film Twitter is more fickle than critics? If you spend a reasonable amount of time there you’ll find deep pockets of hate among many non-professional critics for critical darlings as varied as Birdman, La La Land, even Black Panther. Critics, often dismissed as snobs or "the elite", actually appear to enjoy more films per year than other journos, pundits, and regular Joe or Jane cinephiles on social media. Critics are the only animals in our film bubble ecosystem who are forced to watch everything, even the bad ones. Others might skip the latest Adam Sandler romp or Netflix original dump, but critics (many of them anyway) see it all and I'm here to argue that it gives them perspective. Bad movies have a place, and can serve an under-discussed purpose, and that purpose is encouraging a greater appreciation for what the Inarritus and Andersons of the world are putting out there.

Art is subjective, yes, but most of the time we know a BAD movie when we see it. On the heels of SXSW, I was drowning in good cinema. Between Captain Marvel the week before, Jordan Peele’s near-masterpiece Us, and a few little gems I could find nowhere else, the festival had given so much yet deprived me of a proper palette cleanser. London Fields was it, a gonzo film noir so inept and ill-advised that I was left more than a little awestruck...

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Doc Corner: Orson Welles x2

By Glenn Dunks

It has been suggested that Mark Cousins is a very unique brand of filmmaker. In that regard, he makes a perfect filmmaker for a project about another very unique brand of filmmaker: Orson Welles. I have not seen Cousins’ much-loved The Story of Film: An Odyssey nor any of his other film-centric documentaries so I can’t speak to how his latest fits into his oeuvre, but I do know that I was pleasantly surprised to discover that The Eyes of Orson Welles was not a typical bio-doc about Welles.

Instead, it takes the novel approach of using his work in another medium, his love of drawing and painting, to approach his cinematic output and his character as a man more broadly...

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Watch at Home: Meet Me on Beale Street, Aquaman

by Nathaniel R

Links go to our reviews or interviews

New Blu-Ray / DVDs
• Aquaman Worth seeing for the insanity of the visuals plus an excellent villain in Patrick Wilson's Ocean Master.
• Capernaum One of last year's most visceral dramas.
• If Beale Street Could Talk See why Regina King took home the Best Supporting Actress Oscar.
• Second Act In which JLo fools everyone with an embellished resume...

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Streaming: "Tea with the Dames"

The Film Experience is thrilled to welcome back Anne-Marie of "A Year with Kate" and "Judy by the Numbers" fame!

by Anne-Marie

For those actressexuals who feel caught in the doldrums of a late March movie lull, I am pleased to report that Hulu has a brief cure for what ails you. Tea with the Dames (aka There Is Nothing Like A Dame), a delightful bit of fluff that got lost in the midst of last year’s awards season kerfuffle, is a short documentary uniting four of Britain’s living legends--Dame Maggie Smith, Dame Judi Dench, Dame Eileen Atkins, and Dame Joan Plowright--to do what they do best, and apparently do fairly frequently anyway: sit around Dame Plowright’s table, reminisce about their careers and trade bon mots over tea spiked with champagne.

The documentary plays out like a Hollywood Reporter roundtable for octogenarian OBE’s...

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