Streaming Diaries: "1899", "Friend of the Family" and more

by Nathaniel R

I didn't see you there.

I had a short-lived second round with COVID over Thanksgiving week (all better now, "negative", and out and about). While sick the hot ginger tea was flowing and the streaming entertainment was constant. The great f***-over moment of the timing of all this (first world problem incoming!) was that the FYC screeners went to my old address and the new Apple TV that could download the studio FYC streaming apps didn't arrive until after the holiday. This means I did not have access to Guillermo del Toro's Pinocchio so naturally that's the movie I felt like watching at every moment. But you should know (if you don't already from social media) that Netflix is really pouring money into that Oscar campaign; they sent a massive box of stuff!

Okay, we'll do a few of these streaming diaries posts to catch up and they'll be very random as to what's discussed from Oscar bait to trashy TV...

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“Causeway” focuses on a (muted) road to recovery

by Eurocheese

Jennifer Lawrence has returned to the screen in Causeway, now streaming on Apple TV+. Lawrence plays a veteran recovering from an attack overseas. The film opens as she's working with a specialist (Tony winner Jayne Houdyshell, doing great work in a small role) to recover basic capabilities so she can return to “regular life.”  Once Lynsey (Lawrence) returns to her New Orleans home she has one clear goal in mind – return to active duty. Her mother (Tony nominee Linda Emond) spends her nights out drinking and forgets to pick Lynsey up when she arrives. There’s clearly a troubled history between them, but most of it is left unsaid – an ongoing tactic of the movie. Not wanting to be stuck at home, she gets a job cleaning pools. 

When Lynsey's truck has problems we meet the film's most interesting character, a shop owner named James (Brian Tyree Henry)...

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Dragula: Titans S1. E3 "Science Fiction (Horror) Double Feature"

by Nick Taylor

Alaska, Dracmorda, Swanthula, and David Dastmalchian on the judge's panel
Dragula: Titans gives us the first of the series’ traditional floorshows, allowing its creatures to strut their stuff on the main stage with smoke and strobe lights dancing in their ears as the horror-techno score plays on. Asking the queens for their interpretation of science fiction horror results is a wildly broad prompt, and the results range from cosmic horror to space aliens to robot monstrosities. There’s no lip syncing, no acting, no other requirement but owning that stage the way only they can. And boy, did they deliver...

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The Crown: A great cast saves a middling season 5

by Cláudio Alves

The Crown | © Netflix

I've long believed that The Crown is primarily valuable as an acting showcase. In previous years, the third and fourth seasons were examined by this prism here on The Film Experience, so it seems fitting to perpetuate the tradition. It's only appropriate for, if nothing else, the Netflix show is a staunch defender of doing the same over and over again, with as little change as possible - tradition upheld for eternity. And yet, to focus solely on the acting would be a false reading of what is a disappointing fifth chapter. As much as the cast succeeds, the series' foray into the 90s brings about a striking imbalance. Melodrama takes such precedence over History that the results cannot help but lack the grandeur of seasons past…

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Streaming Roulette (Nov 7-13) - 'My Policeman' and more...

by Nathaniel R

Time for streaming roulette, a hodgepodge of recommendations and points of interest from newly available titles around the various services. The images are chosen by randomly moving the scrollbar around. Whatever we land on we share. Let's start with a mini-review of Amazon's My Policeman...

There he was. I recognized him even from behind. That fine head. The unmistakable line of his shoulder.

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