Box Office: Amy and the Ant (Man)

It was a good week to be Amy Schumer. Thursday saw her among the Best Actress nominees at the Emmys from a very competitive field and the very next day her first star vehicle movie (which she also wrote) opened to great numbers, even slightly higher than those for the more established female comic headlining a summer movie, Melissa McCarthy in Spy (which has had solid staying power and recently topped $100 million)

It was also a decent week to be Marvel Studios executives, too. Despite low grosses (comparatively for Marvel) a $57 million opening for Ant-Man has to be considered a big success given a) the characters microscopic profile in pop culture, b) a non bankable star -- Paul Rudd is well-loved but he has never been a box office draw c) a troubled production history and d) a release date in the summer in which people are just starting to be critical of Marvel Studios after ten years of drooling all over anything they did. 

And of course it continued to be great summer to be Jurassic World which has amassed a simply spectacular fortune despite being merely an OK retread. Every other movie that's grossed over $500 million has had a lot more going for it in terms of newness or critical raves. I'm not trying to be mean -- it's hardly the worst movie in the top ten of all time (that honor belongs to Star Wars: Episode I The Phantom Menace or Shrek 2) -- but the distinct probability that it could threaten Titanic's (1997) domestic gross to become the second most popular movie of all time (if you don't adjust for inflation) is unthinkable and quite depressing. So let's not think about it and become depressed... 

Happy thoughts then: What was most wonderful about your weekend?

BOX OFFICE
Early Estimates. July 17th-19th Weekend
01 Ant-Man $57.5 NEW WIDE
02 Minions $47 (cum. $213.4) Tim on the Minions phenom
03 Trainwreck $30 NEW WIDE
04 Inside Out $11 (cum. $305) Inside Out Articles
05 Jurassic World $10.4 (cum. $610.1) Jurassic Articles 
06 Terminator Genisys $5 (cum. $80) Review 
07 Magic Mike XXL $4.4 (cum. $58.5) Review
08 The Gallows $3.8 (cum. $17.8) 
09 Ted 2 $2.3 (cum. $77)
10 Mr Holmes $2.2 NEW LIMITED

Yes No Maybe So: "Suicide Squad"

Angelica returning to see how DC Comics' cinematic universe is finally shaping up.

I may be the one of the few at The Film Experience who is completely sold on Batman vs Superman and extremely curious about their upcoming films. But I have been most interested to see how they would pull off Suicide Squad which brings to the screen an odd, wildly bonkers corner of DC's comic book history. If DC pulls off Suicide Squad we will be getting something unlike anything else on the very crowded superhero playing field we find ourselves in. The Comic-Con first look footage has now been released by Warner Brothers. 

Let's Yes/No and Maybe So it, and see if DC is upping their game, after the jump...

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YNMS: Holly Hunter vs. Superman: Dawn of Wonder Woman

It would be a lie to say that The Film Experience has been anxiously awaiting the latest trailer from Zach Snyder. But life can surprise you and the newly released Batman vs Superman: Dawn of Justice promo literally begins with this image of Oscar Winning Diva Holly Hunter!

Today is a day for truth."

And her line reading is so over-the-top IMPORTANT that I want it on a Vine loop. Like Jessica Lange screaming "Knotty Pine" or something. Is it too much to ask that Holly's Senator is like Cristal/Showgirls self aware of what kind of movie she is in?

For now we are free to imagine that this movie is actually an action drama about Senator Holly Hunter's vendetta against Superman wherein she cosplays Wonder Woman (briefly glimpsed though it's never clear who she is fighting in her cutaways) to lay waste to him. Featuring Oscar nominees Diane Lane and Amy Adams! (Those grim self-important steroid warriors are just there to sell tickets to fanboys and muscle-queens!)

So let's Yes No and Maybe So it this thing (okay the real thing - sigh) after the jump...

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Posterized: Ryan Reynolds

Contrary to what the P&A budget for Minions will have you believe, there are other movies opening this weekend. It's a big weekend in the top markets for LGBT releases. And nationwide a horror movie (The Gallows) and a new sci-fi body swap thriller Self/Less starring Ben Kingsley & Ryan Reynolds are also opening. I read a headline yesterday lamenting

WTF happened to Ryan Reynolds's career?" 

Ryan Reynolds in his first real year of stardom (2002) and now (2015). Images from Buying the Cow and Self/Less

And I thought: Well... nothing. It's always been this way!

He first won semi-stardom in 2002 frequently displaying his then amazing body (it wasn't the norm for male stars to look like cartoon superheroes OUT of costume just 12 years ago) in the popular college comedy Van Wilder and the lesser seen romantic comedy Buying the Cow. Since then it's been a constant annual barrage of mainstream comedies, mainstream action and franchise pics, and mainsteam horror. Some of his movies were barely screened or went straight to DVD but even those were populist ventures. Either Reynolds or his management just haven't had ambitions outside the multiplex. This has only very recently begun to change with experiments like Buried (good) and The Voices (terrible) which fit comfortably into populist genres but still were plainly too weird --even in screenplay stages -- for mass appeal. He's been perpetually "on the verge" but has never achieved anything beyond the B list. Okay, the B+ list.

So how many of his 24 pictures (excluding voice work and cameos) have you seen since his 2002 breakthrough? The posters are after the jump...

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Studio Rights Wars: The Internet Doesn't Care If Rumors Are True or False.

I've expressed dismay many times here at TFE that what the internet mostly wants is rumors and future film nonsense rather than discussion of actual films that exist and that people can see. (Bet you ANYTHING that the word count on Star Wars "stand-alone" films that don't exist and won't for years is higher than the word count on Ex Machina which does exist and is amazingly worth discussing.) The Daily Beast has a current piece about rumors that seem to have erupted from actual facts (Marvel cancelling some series, toys, and retconning some characters including The Scarlet Witch -- all things that have always happened before billion dollar movies were involved and also within series where no billion dollar movies are involved). The piece suggests that Marvel is sabotaging Fox's efforts on X-Men and Fantastic Four. It's frankly a bizarre claim, even though it is more than obviously true that Marvel would want the rights back to these properties.

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