Podcast: Booksmart, Ma, Diamantino, and Rocketman

by Murtada Elfadl and Nathaniel R

 

Index (53 minutes)
00:01 Drama Desk Awards (plus Tony buzz)
10:00 Rocketman w/ Taron Egerton, Jamie Bell, Bryce Dallas Howard
25:40 Olivia Wilde's Booksmart w/ Kaitlyn Dever & Beanie Feldstein
34:00 The thoroughly bizarre Diamantino
39:10 Octavia Spencer in the horror flick Ma (plus Missi Pyle!)
48:00 Randomness: summer movies, Nathaniel's bday, upcoming Smackdowns

Mentioned (Extra Credit Reading!)
• Rocketman vs Bohemian Rhapsody Vulture Quiz
• New Yorker Ma Essay by Doreen St. Félix
• TFE Nathaniel's Review of Rocketman
• TFE Murtada's interview with the Diamantino directors 

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Rocketman, Ma, Booksmart

Review: "Rocketman" blasts off

This review was originally published in Nathaniel's column at Towleroad

Pop stardom is a notoriously fickle thing. For every “legacy” artist out there, there are thousands of one-hit wonders, and hundreds of sort-of famous B listers. One imagines that anyone in the center of the hurricane of New Fame imagines it will last forever. If you find yourself engineering your own biopic in your golden years, congratulations, it did. Which brings us to Reginald Dwight… better known as Elton John.

In the first frames of Rocketman, Elton John (Taron Egerton) strolls into focus, cheekily dressed as a horned devil to confront his own demons in a therapy session framing device...

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Cannes: Rocketman, Les Miserables, Bacarau, and Red Carpet Men.

Richard, Taron, and Elton at the premiere.

Women get all 98% of the attention on the red carpet but we'll get to the gowns a bit later. For whatever reason, order of programming or specific films, or what not, in the first weekend of the festival the male-centric stuff is what's popping from the French film Les Miserables (not an adaptation of the Victor Hugo novel or Broadway musical) to the polarizing Brazilian film Bacurau (from the director of Aquarius - yay!) to the Elton John bio Rocketman.

Rocketman had the glitziest premiere - give or take Jim Jarmusch's opening night screening for Dead Don't Die, so today we're gazing at the men in their finery from the first few days of the festival and at the reviews for a few of the early films screened, too. It's all after the jump...

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"(I'm Gonna) Love Me Again"

The race for Best Original Song nominations at the Oscars is just beginning. Here's Elton John and Taron Egerton singing what we assume is the end credits song for Rocketman. It was written specifically for the biopic. And a week before this film premieres we'll hear two new songs in Disney's live-action remake of Aladdin...

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April Foolish Predictions #8: Lead Actor

by Nathaniel R

It won't be hard (qualitatively) for Taron Egerton to outdo Rami Malek in the biopic rock star acting department. But will Oscar feel like "we just did that"?

We didn't forget about our April Foolish Predictions, but just got a wee bit sidetracked. Today's update is the marquee category of Best Actor. Our crystal ball shows us virtually nothing this year in regards to this category with everyone feeling both likely and unlikely for various reasons. One of the most confusing elements is that we know Oscar loves non-fictional characters best but half of those performances seem to be in Netflix movies and you never know which they'll give the big push to, or even release in theaters at all. In the absence of sure things, even on paper, we decided to take some wild swings. For example: Daniel Kaluuya for Queen and Slim which might prove way too divisive since it was introduced as "protest art" at CinemaCon; Ben Affleck, who never has been praised all that much for the acting side of his career, for his addiction drama Torrance. We almost went with Mark Ruffalo who reads like a safe bet in a potentially great role in Todd Haynes's untitled new film. On the other hand, Haynes is not a speedy filmmaker so the likelihood of 2020 for that feels strong.

The safest bet on paper is surely Tom Hanks as Fred Rogers in A Beautiful Day in the Neighborhood. But they passed right by Hanks for Captain Phillips, Saving Mr Banks, The Post, and Bridge of Spies, any of which might have netted him an easier nomination in the 1990s when they couldn't get enough of him. So you never know.  Check out the chart to see where all the big names and rising stars rank. Do you have any hunches this early? 

PREDICTION INDEX / BEST ACTOR PAGE