Daniel Gives Thanks, 2020

Somehow it’s November! Any retrospective look back at 2020 is surreal, particularly given that this feels like the 9th month of March and we're speeding into another lockdown here in New York City. But I suppose the year really is almost over! So here are some of the movie and TV-related things I’m thankful for this year.

• The opera-obsessed hotel clerk in The Whistlers

• Taco Chronicles on Netflix, which is addictive and charming, and which has turned me into a Lady Tacos de Canasta superfan

• This couch in Shirley:

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Lynn Gives Thanks, 2020

Team Experience is giving thanks. Here's Lynn Lee...

Between the scourge of COVID-19 and the utterly dysfunctional American response, 2020 is looking more and more like a lost year for public health, good governance, and the arts and entertainment industry in this country.  Still, as tantalizing hopes of a return to normalcy glimmer on the horizon (three potential vaccines! A responsible, expertise-driven presidential administration!), Thanksgiving provides a much-needed reminder to appreciate the things that helped get us through the past several months.  Here are some of the movie and TV-related moments and discoveries that brought me joy this year:

• Parasite making history as the first Korean movie to win the Oscars for Best Picture, Best Director, and Best Foreign Film.

• The huge, unblinking gimlet eyes of Anya Taylor-Joy (which bring to mind a cross between Emma Stone and Alita): sometimes challenging, sometimes disquieting, always riveting.

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Glenn gives thanks (even though he is Australian)

I’m not American, but that doesn’t matter.

Living in Melbourne, Australia, means I have spent a large amount of the year in a strict lockdown. But I am extremely thankful that we have a leader who did something about that and now we’re back out in the world and I have been able watch Mank and Ammonite in cinemas this last week. Here’s some other things I am personally thankful for in the world of movies and entertainment that kept me sane in 2020:

The Film Experience, “It’s fashion”; The Invisible Man; having a new Scream movie to obsess over; Bloody Nose, Empty Pockets; Kristen Johnson as director; Marisa Tomei in My Cousin Vinny; “Oh, the fracking?”; that tracking shot in The Vast of Night; the rest of The Vast of Night; randomly remembering that The Forbidden Dance and Lambada were made by rival producer brothers and released on the exact same day; Kylie Minogue’s Disco; Jessie Ware’s What’s Your Pleasure; “Nicole Kidman theme night”; film scores with saxophone on them; any scene in Mank with Amanda Seyfried; Paul Mescal (and his rugby shorts); my fave podcasts (The Record Doctor, This Had Oscar Buzz, Deep Cuts and Superficial Wounds, Little Gold Men); Parasite winning Best Picture.

Abe Gives Thanks 2020

A few volunteer members of Team Experience will be giving thanks this holiday week. Here's Abe Friedtanzer

This year has had its share of disappointments, but there’s plenty to celebrate personally and cinematically. I’m fortunate to have great weather in Los Angeles where I can spend time outdoors on a regular basis. It’s also been exciting to write much more frequently for The Film Experience and to interact with contributors and readers who were mostly willing to forgive my lukewarm attitude towards Schitt’s Creek. Here are ten movie/TV-related reasons I’d like to give thanks:

• Parasite winning Best Picture. I predicted 1917 but couldn’t have been more thrilled to see a stat-busting international triumph. It’s also the first time since The Departed that my #1 film of the year was also chosen by Oscar.

• The Sundance Film Festival happened completely as normal. For my seventh time in Park City, Utah, I got to see 41 films and enjoy sitting in the front row in crowded theaters for five movies in a row per day for a week straight. Little did I know that January would be my last visit to a movie theater...

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Murtada Gives Thanks

by Murtada Elfadl

This year I'm thankful for these 10 movies that made 2019 a great time at the movies.

Atlantics

For Mati Diop’s audacious jumping without a net storytelling.

Beanpole 

Because it has it all all. Murder, revenge, blackmail and most importantly twisted psychological warfare.

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