Movies gobbled up tickets on Thanksgiving Weekend

by Nathaniel R

What did you see over the long holiday weekend? Some of the movies got a two day headstart opening on Wednesday, others on Friday but awards season is most definitely upon us; almost everything has now screened for someone and there's only one month of the year left to get through.  We've expanded the two charts to include all 14 films in wide release (over 800 screens) and the corresponding top players in limited release. There's a glut of titles out there at the moment.

Here's how the box office went down for the holidays. There is a lot to ponder after the jump...

Weekend Box Office (ACTUALS) (Nov 23rd-25th)
W I D E 800+ screens	PLATFORM / LIMITED excluding prev. wide
1 🔺 Ralph Breaks the Internet $56.2 on 4017 screens (cum. $84.7) *NEW*	1 🔺 Boy Erased $1.5 on 672 screens (cum. $4.5) Podcast

2 🔺 Creed 2 $35.5 on 3441 screens (cum. $56) *NEW* Michael B Jordan,  Podcast	2 Can You Ever Forgive Me $598k on 426 screens (cum. $6) Review, Podcast ❤️

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Would you rather? (Thanksgiving Weekend Edition)

Time for our silly aspirational Instagram fantasy game. Would you rather...

• prepare a turkey with Diane Kruger?
• snuggle with Gus Kenworthy and Matt Wilkas in the morning?
• live the high life with Constance Wu & Awkwafina?
• reflect in the dressing room with Laura Benanti?
• reminisce about Goodfellas with Debi Mazar?
• bet on a football game with Sam Trammell?
• visit Stonehenge with Susan Sarandon?
• relaxing with Kate Bosworth?
• fly first class with Jeff Goldblum?
• eat leftovers with Buffy?

Pictures are after the jump to help you decide...

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Salim Gives Thanks

Team Experience members were invited to give thanks this week so you'll be hearing from a few of us. Here's Salim Garami...

What's good?

2018 has proven to be a very busy year for yours truly, hence my radio silence here in The Film Experience (I didn't have much time to write on my own personal blog Motorbreath). But it has also proven to be a surprisingly rewarding year for me, both in my personal life after much hassle earlier in the year and run-around later in the year (I have been going back-and-forth between not two but THREE U.S. cities for professional reasons) and in cinema

I think 2018 has been one of the best moviegoing years I've experienced in my whole life. So many surprises and experiments, so many crowdpleasers where I am proudly on that bandwagon, a couple of Oscar contenders that I actually enjoyed. And there's no shortage of music, television, or literature from this year amusing me in some way or another as well so let's dig in...

• Comedic songwriter/teleplay writer/critical writer extraordinaire Demi Adeyugibe has blessed us with not one but TWO funny "fake" credit songs for the nerdiest tentpoles of the summer: Future imitation "Snap" for Avengers: Infinity War and the compulsively catchy Childish Gambino imitation in "L-A-N-D-O" for Solo: A Star Wars Story.

• Tom Cruise trying to figure out where the "payload" is at and finding a giant switch saying "payload" in the helicopter chase climax of Mission: Impossible - Fallout...

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Nathaniel Gives Thanks

Team Experience members were invited to give thanks this week so you'll be hearing from a few of us. Here's your host Nathaniel R... 

2018 was an unusually hard year for your host, given that he was starting over in his offline life after a painful breakup so first things first. I'm so goddamn grateful for The Film Experience. Thank YOU all for reading (especially those who donate to keep us on life support- see sidebar) and for being such a faithful community. This labor of love site is a continual source of pleasure and stability for me personally and I always aim to make it so for you, too. Before I get to the individual entertainment gratitude I also want to thank the Team Experience regulars: Murtada, Chris, Jason, Glenn, Jorge, Lynn, Eric, Dancin' Dan, Spencer, John & Matthew, and those we don't hear from much at the moment (life is so rude like that) but who we're always happy to work with like Nick, Ilich, Salim, Tim, Deborah, Séan, Daniel, Ben, Katey, and Joe. And both warm hugs to those who've moved on and nervous waving at those yet to come; they're out there somewhere and must make themselves known soon!

I will now attempt to give entertainment thanks without completely repeating my esteemed colleagues in their fun posts even though I love several of the movies they already spoke of. Okay in 2018 I was ever so grateful for:

• The continual shapeshifting of A Simple Favor from comedy to noir to mystery to camp spectacle to romcom to satire. It was such a great film to take friends to since it was so funny and surprising and memorable with it genre juggling. And Blake Lively's ultra modern wardrobe paired with Old Hollywood star charisma was something else... 

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Chris Gives Thanks!!

Team Experience members were invited to give thanks this week so you'll be hearing from a few of us. Here's Chris Feil...

Thank you love, thank you life, thank you faithful Film Experience readers!

2018 has been a busy year for yours truly! Between being TFE's resident soundtrack obsessive, starting a podcast, and having another go at TIFF, it's nice to indulge in a little bit of reflection on what this year has meant to me cinematically. As always, I'm grateful to our benevolent host Nathaniel for allowing me to share my voice with you all and my fellow genius cowriters here at TFE. In a terrifying world, our little corner of the internet is a salve. But as for the movies, I am most thankful for...

• "[staccato piano keys] ... I'm alone in my HOUSE!"

• Nicholas Britell's majestic If Beale Street Could Talk score. The rare beast that feels inextricable from its images, forever tied together in my brain.

• Janelle Monáe's Dirty Computer in general, but specifically "Pynk" in particular. Listen, if folks are allowed to put Twin Peaks on their best films of the century lists, I can put a music video in mine...

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