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Entries in Toni Collette (68)

Wednesday
Jan162019

Soundtracking: Connie and Carla

by Chris Feil

These days, the act and art of fandom is self-reverentially chasing its own tail. But tell that to quietly minted cult classic Connie and Carla, one of our few musicals ABOUT musicals. Or at least about the love of the art form. In this jukebox musical repurposing other musicals, Broadway fandom shines because of its capacity for endless streams of references and ouroboros devotion.

It’s flop status ensured that the film got buried fast but it is primed for a revival to a new generation of musical lovers...

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Monday
Jan142019

Interview: Toni Colette on horror, grief, and her prismatic performances

by Nathaniel R

Toni Collette gives one of the year's great performances staring into the abyss of her own life in "Hereditary"Toni Collette doesn't like horror movies. We relate but there are exceptions: horror films starring Toni Collette are events. Her resistance to the genre,  she refers to both of her biggest horror hits as "classic dramas", may be the strange key to why she's so superb in them, grounding them in emotional truths while simultaneously having the kind of stylistic range as an actor that can lift right off with them into otherworldly places. 

We recently sat down after an encore screening and lively Q&A of Hereditary. Her sole Oscar nomination came early in her career as the grieving mother of little Haley Joel Osment in The Sixth Sense (1999) and in a way, twenty years later, she's bookended that great early success with another very different grieving mother. This one's much harder to love but the performance is even better. Even if you don't love horror movies, it's impossible to miss the fact that her Annie, a self-indulgent artist and resentful mother, is a tour de force performance from an actress at the top of her game. Annie's life is traumas stacking up on traumas but Toni's performance keeps stacking brilliance upon brilliance.

Though she's played her share of narcissists or flighty women, the actress herself comes across as generous and grounded, thrilled by the collaboration of filmmaking. She rolls her eyes about herself and other actors if anyone gets too precious or self-involved about the craft. Though she loves acting dearly, she hilariously refers to it as her "day job" as we're making small talk before the interview.

In a rare turnabout, as we sat down, Toni asked the first question. So we'll begin right there....

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Friday
Dec282018

Our Favorite Line Readings of 2018

Every day a new Year in Review round-up as we joyfully bid 2018 adieu...

For today's entry we asked Team Experience and a few of our friends to share their favorite line reading of the year. No one was assigned anything so these are direct from our faces to your faces. Yes, Toni Collette's towering work in Hereditary is on our minds lately. Remember that gem? 

And all I get back is that fucking face on your face."

Or these:

I am your MOTHER." 

I did everything they told me not to do, but it didn't work. I'm happy it didn't work.

So, that was my mom’s life.

God she's extraordinary in that new horror classic, isn't she?

Okay, ready for more actorly gems as actors elevating specific lines or sometimes whole films. Here we go...

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Sunday
Dec092018

Toni Collette, Ethan Hawke, and "Roma" Conquer Chicago

The Chicago Film Critics Association held their annual dinner Saturday evening and named Roma Best Film of the year and handed it four other prizes to underline the point.  The Favourite, First Reformed, and If Beale Street Could Talk each picked up two prizes. The complete list of winners is after the jump...

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Wednesday
Dec052018

Toni Collette is a high-wire artist. Also loves "Roma"

by Nathaniel R

The Film Experience had the pleasure of a lengthy one-on-one chat with the inimitable Toni Collette yesterday after a screening and reception for her new horror classic Hereditary. We'll publish the whole interview in a few days but we thought we'd share a tidbit she thoughtfully e-mailed afterwards. You see during our chat, we had mentioned that they (the proverbial they) always say that actors are an insecure lot but this couldn't possibly be true of her. Wouldn't you have to be supremely confident about your gifts to attack high-wire material like Hereditary or the new miniseries Wanderlust? If you stop to think about it both of those provocative projects, one about multi-generational family trauma and the other about long-term intimacy and sexuality, essentially live or die based on the complexity of the central performance. 

Our conversation took a detour after that so she sent us this note...

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