Mad Men @ The Movies: Born Free, Feeling Trapped

In this series we explore the connections between Mad Men and the cinema. Season five has, thus far, not used the movies as much as they have in previous seasons. Though it's also possible that blogging concurrently with airings could result in missed references. Needless to say, I am behind so let's discuss the past couple of weeks of Mad Men.

Driving lessons for sad Pete Campbell

5.5 "Signal 30"
This episode focused on Pete, one of the show's least likeable characters who has, over the course of five years, grown more sympathetic and even more admirable while not really becoming more likeable per se. It's a nifty balancing act that actor Vincent Kartheiser performs tremendously well. Other than fame and fortune, this has been a thankless character for him as his fellow cast members have reaped abundant nominations (if strangely no wins) and increased big screen traction. If they have any sense this will be Kartheiser's Emmy submission episode for Season Five. A repeating motif in which Pete had to watch those old scare-tactic car crash documentaries they used to show in Drivers Ed courses was also stealthily employed. (Now that he's a suburban husband, he has to learn to drive.) Even though Pete was foolishly attempting to cheat on his wife Trudy (so charming even Don Draper is a fan!) with a teenager, and even though he got a well deserved beat down (literally) from Lane, the episode managed the miraculous feat of making you feel altogether bad for him as he struggles to grow up; Pete still looks like a little boy but he no longer feels like one.

Mrs Ken Cosgrove, Mrs Pete Campbell, Mrs Don DraperAging has been a theme of this season, from fatigue to illness to a widening gap between the younger and older characters mindsets. Great, great episode that even managed to thread in a B plot for the oft underused Ken Crosgrove (Aaron Staton) and also a key one for Janie Bryant's always thrilling costume design. (Fact: Janie Bryant never winning the Emmy for Mad Men should be a true embarassment to the entire television industry.) A 

 5.6 "Far Away Places"
Movie Theater Scene Alert! It's always a delight when Mad Men takes us inside a movie theater. Don Draper used to play hooky there in the early seasons and last year he and Lane got drunk and went to a monster movie together. Strangely the very next movie theater scene within the series also involves a character behaving badly. The cinema corrupts them!

The episode begins with Peggy fighting with her boyfriend who wants to see a movie that night. 

poll by twiigs.com

PUBLIC INDECENCY AFTER THE JUMP ... The Naked Prey indeed.

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Smash: "The Movie Star" & "Publicity"

So much to discuss to catch up. Smash is playing up the movie angles with Actors Studio & sequel jokes, Uma guest starring, Bollywood numbers, multiple Monroes, and the general lame practice of stunt casting when movie stars hit the stage. The show feels more than a little keyed up all of a sudden with the unstable presence of Rebecca Duvall (Uma Thurman) in the mix.

1.11 "The Movie Star" 
The episode begins as the dancers greet Karen (Katharine McPhee) who is uncharacteristically dressed up for a sweaty rehearsal to impress Rebecca (Uma Thurman)

Bobby: Oh you reallly bumped it up a notch, didn't you?
Jessica: Ah, she dressed up for the movie star."

This could also double as an introduction to a show that seems to be trying a little harder now that they've got some genuine starlight in the mix with Uma flouncing about being a pain in the ass. Of course the big problem with Smash is not that Uma's character can't sing (we know she'll eventually quit the show, don't we?) but that TV show itself still wants to convince us that Marilyn should be played by Karen within the show. But Katharine McPhee is such a poor excuse for a Marilyn when Megan Hilty is standing right there deserving the part. Argh. McPhee isn't even convincing as Marilyn when she's handed those full makeup fantasies because she feels and looks nothing like her in face, physique or temperament.

Her Day Will Come?Brando & Dean jokes,

Brando and Dean jokes and Bollywood strangeness after the jump... It's the biggest SMASH post ever.

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Overheard @ Box Office: "for my brother, I think...Three Stooges"

Exiting the laughter-filled theater after Whit Stilman's comic whatsit Damsels in Distress last night, I noticed a surprising amount of grumbling about the movie. Say, weren't you all laughing heartily just minutes ago? I know I heard you laughing. It's impossible to please those Upper West Siders!

Two men in front of me weren't impressed and one was clearly planning another movie outing soon with his brother. 

Guy Who Picks The Movie: For my brother, I think... Three Stooges.
Other Guy: And it might be better movie." 

The WTF comment haunted me the whole way home.  What kind of a crossover audience might Damsels in Distress and The Three Stooges have. Which is to say who would be torn between them if they only had money for one ticket? LOL. It has to be a previously undiscovered demographic. To quote Suzanne in Postcards from the Edge when momma Doris suggests she could have had Joan Crawford for a mother... "These are my choices?"

Here is my best, my only, guess at the overlap...

That's all I got!

TOP TEN (Estimates)
01 THINK LIKE A MAN  $33 new 
02 THE LUCKY ONE  $22.8 new
03 THE HUNGER GAMES  $14.5 (cum $356.9) Reviewed
04 CHIMPANZEE  $10.2 new
05 THE THREE STOOGES  $9.2 (cum. $29.3)
06 CABIN IN THE WOODS $7.7 (cum. $26.9)
07 AMERICAN REUNION $5.2  (cum. $48.3)
08 TITANIC (3D) $5 (cum. $52.8) Centennial
09 21 JUMP STREET  $4.6 (cum. $127)  Reviewed
10 MIRROR MIRROR $4.1 (cum. $55.2) Reviewed

Below the Top Ten...
Damsels in Distress doubled its screen count but is still a long way from indie hit status. Darling Companion, opened on only 4 screens despite a name cast. (Yes, they're all senior citizens but couldn't they market this more widely to older viewers? I mean it's only been 9 years since Diane Keaton carried a $100 million multi-quadrant hit.) Further down the list the Weinstein Co's Oscar horses of 2011 are all about to return to the stable ending their theatrical runs as they hit DVD. The Iron Lady is dragging herself to a $30 million finish, The Artist is ending with $44, and Coriolanus and W.E. are... well, better luck on DVD. 

What did you see this weekend? Do you love stunt casting? Which reality TV star would you gladly follow into the movie theater for some legit camera acting?

Rose McGowan Has No Interest in "Real". Do you?

I have no interest in 'real.' I find real people boring."

Those telling words were spoken by the actress Rose McGowan on the penultimate episode of the latest season of RuPaul's Drag Race. I suddenly appreciate Rose more. It's true that reality is not exactly her forte. She's best known as a television witch and when popular culture eventually forgets her, isn't it entirely likely that the single enduring image from her career will be that Grindhouse chick with a machine gun for a leg. It doesn't get more much unreal than that. 

The final four drag contestants were the acclaimed Cher-loving Chad Michaels, the large glamourous Latrice Royale, "busted show queen" Phi Phi O'Hara and funny spooky Sharon Needles. I knew that hateful Phi Phi would make the final three because someone despicable always makes it to reality tv finales. But never mind that. Let's talk movie references! (We'll get back to movies soon but we're clearly having a 24 hour television binge)

Sharon Needles won much movie-movie praise from Rose McGowan...

If somehow Liza Minnelli in Cabaret and Jean Harlow had a baby and threw it in white puffy boots with the perfect poodle, it would be you.❞
-Rose McGowan to Sharon Needles. 

I'm not sure how she gets Sally Bowles and Jean Harlow (other than the hair color) out of Sharon's severe chic poodle look but it's wonderful to hear actressy icons referenced in contemporary contexts. Which is part of the reason RuPaul's Drag Race is so great --  there are always a couple of actressexuals in the cast who can't help but reference the movie and music divas.

Meanwhile Chad Michaels went for a Cruella de Vil inspired look (and was shamed for it -- "too old") but when she took off the furry wrap, she looked like a superhero. A retired superhero maybe but still...

Do you find reality boring?

How do you like your Rose McGowan?

Who are you rooting for to win RuPaul's Drag Race? 

Mad Men @ the Movies: Charlton Heston Starkers and "A Star is Born"

In "Mad Men @ the Movies" we look at the best show on television through the lens of its movie-loving ways. Obviously there are spoilers.

5.3 "Tea Leaves"
In the third episode of the season Betty Draper Francis (January Jones) returns and there's more of her to love to hate! She's been packing on the pounds. At first there's a thyroid scare but it turns out Betty is just depressed and fat. The episode ends with Betty helping herself to a second ice cream sundae (to the tune of The Sound of Music's "I Am Sixteen"). Why not? 

One of the themes of the new season is aging and the rise of youth culture is evident. Betty is referred to as middle-aged by her doctor. Don, previously an icon of cool, is now 'so square he's got corners' to both his younger wife (she's 20, he's 40) and the young teenagers he meets at a Rolling Stones concert (he's there with Harry Crane on business). When the teens hear that the men are in advertising they instantly think of Bewitched. "You're Derwood and He's Mr. Cravitz."

Later after smoking a joint Harry is trying to impress the teens with celebrity stories. 

Charlton Heston and Esther Blodgett after the jump

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