Elisa's Venice Diary #1: Almodovar, Campion. Here are lions.

by Elisa Giudici

What a start! There's a way of saying in Italian: il buon giorno si vede dal mattino. It means you can tell if something is remarkable from the very beginning, as you can judge how a day will be by the way it begins. Well, the first day of my fifth year as a press pass holder in Venice was so amazing I am not going to tell you if I liked what I saw, but how much I enjoyed every single title.

PARALLEL MOTHERS by Pedro Almodóvar
I was unsure about the opening movie of Venezia 78 due to Pain and Glory: how to follow up such an intimate, powerful, memorable movie (the kind of film a director puts his entire life in it, and that he or she can only make once or twice in a career). How can the follow up be anything but a disappointment? Happy to report Pedro Almodóvar is far from having finished the meaningful things he wants to say while endlessly rearranging his favorite themes and actresses...

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Almost There: Shirley MacLaine in "Madame Sousatzka"

by Cláudio Alves

The Venice Film Festival is upon us and, this year, The Film Experience has two writers attending – Nathaniel and Elisa. For those at home, though, it might help satiate some of the FOMO to look back at the festival's long history. Indeed, these next two Almost There write-ups will focus on actors who won the Volpi Cup, managed to capture some Oscar buzz, but still failed to catch the Academy's attention. Today's example is exciting, for it comes from a rare tie. In 1988, the jury presided by Sergio Leone decided to award two performers with the Best Actress prize, an ex-aequo honor. They were Isabelle Huppert for her breathtaking tour de force in Chabrol's Story of Women and, our present subject of analysis, Shirley MacLaine in John Schlesinger's Madame Sousatzka…

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"Power of the Dog" teases. Venice here we come

by Nathaniel R

Behold the first teaser for Power of the Dog which opens in the US in limited release on November 17th followed by Netflix streaming on December 1st. Director Jane Campion has long been a favourite and I've scheduled this for my first day at my first ever Venice Film Festival (!!!) That's right, I will be joining our new regular Italian festival reporter Elisa Giudici (who you heard from at Cannes and Locarno) for this edition of the Venice Film Festival which runs September 1st through September 11th.

What should Elisa and I see? The lineups are after the jump...

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Venice 2021: The Jury

by Nathaniel R

With Cannes wrapped we move on to the fall festival buzz. Next up is Venice (September 1st-11th) and we are thrilled to report that Elisa Giudici, our Italian correspondent who did such a fine job covering Cannes, will repeat that trick for Venice. The 78th Venice festival has just announced the complete jury for its competition films. Like Cannes, they've chosen a majority female jury this time around. Unlike Cannes they went big on very recent Oscar nominees and winners...

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"Parallel Mothers" to open Venice

by Nathaniel R

Reporting Pedro Almodóvar news twice over. First, his 22nd feature Parallel Mothers will open the 77th Venice Film Festival on September 1st, followed by a September rollout in Europe.  Sony Pictures Classics will distribute the film in the US though they haven't announced a specific date yet. Almodóvar has been an arthouse sensation in the international marketplace since the late 80s. Though he feels like an Oscar perennial the truth is that though he's often in 'the conversation', as it were, Oscar has been a bit stingy; Collectively his films have earned 7 Oscar nominations and 2 wins (Best Foreign-Language Film for All About My Mother and Best Screenplay for Talk To Her) but are often snubbed despite outclassing their competitors. Remember Volver not placing in Foreign-Language Film and The Human Voice not landing in the short film category just last season when in both cases they both ought to have won those particular categories given the finalists? 

The second bit of news is that we'll be launching a Thursday series here at TFE in which we'll (re)watch his whole filmography... which we've been meaning to do for awhile. His official debut Pepi, Luci, Bom and Other Girls Like Mom (1980) is surprisingly available on HBOMax at the moment!