Oldies but Linkies

• Indiewire Waiting for Chris Nolan's Tenet -  Hollywood hopes summer can be saved
• Rick's Real Reel remembering Doris Day and Cary Grant in That Touch of Mink
• Slate fun short piece on the absurd thrill (in a vacuum) of the Ben Affleck / Ana de Armas romance as witness by paparazzi

Today's roundup continues after the jump and is a mix of new and old (i.e. past couple of weeks) stuff since we haven't hit you with a link in a bit: Robert Pattinson profiled, a rift at the César awards, Dear Evan Hansen couplings, Drama League nominations, Peabody Awards, RIPs and more...

Click to read more ...

Review: The Hunt (2020)

by Tony Ruggio

Blumhouse’s much-ballyhooed American political satire has finally seen the light of day after postponement due to a mass shooting last August, only to meet an unprecedented global pandemic this spring. With multiplexes closed nationwide, it’s one of a few major motion pictures to release early on VOD. Eschewing anything resembling subtlety or a desire to make a cogent point, The Hunt is a glib quasi-horror romp designed to prod and provoke, but dips into irrelevance by trying too hard for that sweet spot of zeitgeist...

Click to read more ...

Review: Lords of Chaos

By guest contributor Samantha Craggs

Rory Culkin headlines the music bio "Lords of Chaos"

There's a scene in Lords of Chaos, now available on VOD, that sums up the film in a nutshell. Euronymous (Rory Culkin), the lead guitarist of the black metal band Mayhem, walks into the bedroom of his depressed lead singer, Pelle, who goes by the name Dead. The camera pans over the mostly barren bedroom and shows us a dead cat swinging from the ceiling, apparently with a hook through its face. Euronymous tells us in an arch voiceover that Dead hates cats, just in case we didn't get it the first time. Dead is lying on the bed, and Euronymous wants to rouse him. "Dead," he says, looking out the window, "Cat." Dead sits up, excited, and the two go out into the woods with a shotgun to stalk and kill.

You get the feeling this scene is supposed to be comic relief...

Click to read more ...

"Kiki" Whisks You Behind The Scenes of Harlem Drag Ball

If the words Paris Is Burning don’t automatically send your wrists flicking, legs swishing, or face twisting then please politely exit stage right to your nearest local library, pick up a copy of the seminal drag ball documentary, and then keep reading. For those of you already wrapped up in LaBeija, you’ll want to peep this trailer for the documentary Kiki – a compassionate check-in on the contemporary state of voguing that centers on a diverse community of queer performers in the Harlem ball scene. This trailer provides a glimpse of the hugely talented group practicing – nay slaying – on the Christopher Street Pier, creating a makeshift home to express their talents and personal experiences to audiences and to one another, as well as their commentary on society's discriminatory attitude towards the different identities that the citizens of the scene inhabit. Check it out below.

Having already seen this exceptional, energetic glimpse behind the velvet curtain (full disclosure: I work with an LGBT film festival which showcased the film last summer) I can attest to the inspirational dazzle and real life razzle on display. While much of the documentary focuses on the first-person perspectives within this tightknit scene, the film understands how integrally tied those expressions are to their identities; as the cast is near-exclusively populated with performers of color just getting their starts in New York City, their hot takes pronounce themselves as deeply distinct, exuberantly expressed reflections of day-to-day life for marginalized queer youth in a modern American city. Kiki hits Los Angeles and New York theaters this weekend, and can already be viewed on VOD - all easy avenues for supporting LGBT filmmakers, their stories, and their fundamental human rights.

Gay Indie VOD Round-Up with Franco, Quinto and Juliet Stevenson

By Glenn Dunks.

It's sometimes hard to keep up with all the films hitting VOD from the festival circuit, particularly those under the LGBTQ banner that can so easily get lost by audiences. More and more films including those with big stars and major filmmakers are now taking the direct route so competition is fierce. Let's take a look at some of the titles hitting the regular services over these first few months of the year. If your interests extend beyond the buzzier must-see titles like Carol and Moonlight, you should definitely keep an eye out for them and others like them.

DEPARTURE
I’m just going to say it – Juliet Stevenson should be next in line for a Rampling/Huppert style dalliance with Oscar. She is far and away the best thing in this pretty if frustrating drama about a mother and son in the south of France. She is exquisite as Beatrice, a permanently sad Woman Who Lies To Herself™ on the verge of divorce who has travelled to the family holiday house to pack up their possessions so the place can be sold. Never too far away from a glass of wine or an angry/tearful breakdown, Stevenson’s performance is the kind of body-shaking reminder of her talent that, should they watch it, ought to inspire somebody to give her another showcase.

[More on Departure and three more queer titles after the jump]

Click to read more ...