Oscar History

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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What did you see this weekend?

"I saw Professor Marston... I thought it was fantastic. Also, Rebecca Hall needs to stop being so damn underrated!!!" -Matt

"Victoria & Abdul a tad overlong and the denouement did not quite do it for me. Though Judi Dench was compulsively watchable " -Owl

"I saw The Florida Project at a matinee. It was packed - and mainly with seniors. Who seemed to love it. I know I did. It's at least as good as the great "Tangerine". " -Ken

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Jodie Foster is Wrong. On the Mandatory Price of Fame.

Though I'm late to this discussion -- damn that day job! -- I'm curious how many of you read Jodie Foster's piece at The Daily Beast on the pressures of stardom and her feelings about the current Kristen Stewart media witch hunt? I am, by no stretch of anyone's definition, a fan of Kristen Stewart's but I agree that the treatment she's getting in the press is hideous. While it's not directly comparable the obvious sexism of the whole thing reminds me of the Janet Jackson / Justin Timberlake "wardrobe malfunction" fiasco. The woman is blamed and the man in the equation emerges unscathed -- in this case the Snow White and the Huntsman director keeping his sequel job while the actress loses hers. Men we are free to "tsk tsk" for a couple of seconds before they get back to work but Women? Women have to serve time as Human Dartboards of Shame before they are publicly allowed to yank the Scarlet "A" from their garments and go on living.

Deplorable really.

Foster has a right to defend her former co-star and I'm glad she did and with so much spirit, too. But does this mean we have to start reinterpreting Panic Room (2002) as a metaphor of the insatibale media mob vs the trapped movie star? Damnit, I hadn't thought of that...

Click to read more ...


Sharp Funny Obsessive Individual Voices Wanted

Look at this cute photo Glenn took, inspired by my "Ruby Sparks" note-taking post! It's his actual notes scribbled during Ruby Sparks (which he just reviewed)

"Funereal typewriter". "leggings". "Manic Pixie Dream Girl: The Movie" "5 enya candy"

5 Enya Candy??? hee

Which brings me to the next point. Do you like writing about the movies? As we move into the fall film season, The Film Experience is tidying up backstage and getting ready to put on its brand new show(s) i.e. the usual show with a few tweaks and new series, and thinking about Fresh Voices for special one-off articles, temporary short-term guest blogging or more regular contributions. Our Movie (and real life) Buddy Kurt has, as you probably know, been snatched up by Slant. And after two auteurist series ("Modern Maestros" and "Distant Relatives") Robert has retired from blogging. I already miss both of them!

The Film Experience could particularly use fine correspondents who are living in Major Metropolises outside of New York like Chicago, London, L.A., The Emerald City, Atlantis, Cloud City, Mt Olympus, Hong Kong ... you get the picture.

Would also welcome writers who are actual ladies since there are plenty of ladyboys in the house already. If you think your voice is a good match for The Film Experience, and your interested in doing something other than traditional reviews (that's the request I get most often but not a type of writing I need for the blog), send me an inquiry



Bachelorette Hits It Big on iTunes

Beau here again to congratulate writer/director Leslye Headland and crew... again. We'll know who wins this weekend's box office wars soon enough but Bachelorette which is still two weeks away from theaters has already struck gold. It recently became the first pre-theatrical release to hit number one on the iTunes Rental Store. It's fallen to #6 as of this writing but this is a remarkable achievement, not least of which is the fact that the rental price is a costly $10 (but, compared to a night out or a ticket price? hardly). Honestly, it couldn’t have happened to a better film.

Since my review of the film, I’ve watched the film again (twice!) and while some inconsistencies and editing snafus have arisen, I stand by my initial opinion that it is the best film to have been released in 2012 thus far. Its willingness to challenge is the key.

A film that tackles drug addiction, suicide attempts, abortion and vanity with such flagrant disregard for conventional standards is enough to make me stand up and cheer. And it doesn’t just skirt by these issues, like a tourist bus on safari pointing out the animals and then speeding away quickly. Bachelorette stops the bus, drags you off, and puts you in such close contact with these animals that your initial reservations about likeability (what a stupid fucking concept) dissolve, and you’re left with a surprisingly incisive look at a small niche that resembles a greater whole. Even my dad last night remarked, ‘I know all three of these women.’ 

For a 58-year-old dude in rural California to say that? Struck a chord. So congrats to Leslye and company. I can’t wait to see your success continue!

Have you ever paid for a rental of an unreleased film? Do you think these alternate distribution methods are the future?


Ezra Miller is Queer

Ezra Miller, the devil child that could put Damien in a headlock and kick Rosemary’s Baby off a bridge a la Jack Black in Anchorman, has come out as "queer".

I'm queer. I have a lot of really wonderful friends who are of very different sexes and genders. I am very much in love with no one in particular. I've been trying to figure out relationships, you know? I don't know if it's responsible for kids of my age to be so aggressively pursuing monogamous binds, because I don't think we're ready for them. The romanticism within our culture dictates that that's what you're supposed to be looking for. Then [when] we find what we think is love – even if it is love – we do not yet have the tools. I do feel that it's possible to be at this age unintentionally hurtful, just by being irresponsible – which is fine. I'm super down with being irresponsible. I'm just trying to make sure my lack of responsibility no longer hurts people. That's where I'm at in the boyfriend/girlfriend/zefriend type of question."
-Ezra Miller to Out 

I’m not one for semantics, personally, so if there is a brouhaha abrewin’ regarding the use of the word ‘queer’ rather than ‘gay’ or ‘homosexual’ or whatever label we’ve adopted/reclaimed recently, I’m not participating in it.

I will merely say that the young actor, so good in Lynne Ramsey’s We Need To Talk About Kevin (and one of the stars of the upcoming The Perks of Being a Wallflower) has appeared, in several interviews, to be kind, generous, self-possessed and remarkably aware of each action taken and word spoken on his behalf. I’m not going to say it’s brave (redundant/extraneous) or powerful (hyperbole); I’m simply going to say congratulations to a young, talented actor from my generation for taking a step into unknown waters. Beautiful abandon. 


Oscar Watch, Israeli Edition: The Ophir Nominees

[Editor's Note: I asked our sometime correspondent in Israel, Yonatan, to bring us up to date on Israel's Oscar submission possibilities. They've been scoring nominations frequently of late. Alas my single favorite Israeli movie of all time (Late Marriage) was rejected by Oscar voters in its year - Nathaniel]

Can "Filling The Void" fill one Oscar spot in Foreign Film this year? 

Ten Israeli movies have been nominated for an Oscar in the Best Foreign Language Film category, four of them in the last five years. That list includes one indisputable landmark: Waltz with Bashir (2008) which is the first and only animated film, despite frequent submissions from all around the world, to score a nomination in this category. 

Israel's Oscar History
With links to Netflix pages -- all but one of them are available for rental!
1964 Sallah
1971 The Policeman
1972 I Love You Rosa
1973 The House on Chelouche Street (instant watch!)
1977 Operation Thunderbolt
1986 Beyond The Walls
2007 Beaufort (instant watch!)
2008 Waltz With Bashir
2009 Ajami (instant watch!)
2011 Footnote 

Still, without an Oscar win, Israel is the Peter O' Toole / Deborah Kerr of the foreign film category with the most never-winning nominations (just ahead of Poland's 9/0 record and Mexico's 8/0). After so many loses, a win seems perpetually just around the corner...

Click to read more ...


MIFF 3: Ruby Sparks, Or Manic Pixie Dream Girl: The Movie!

Glenn of Stale Popcorn fame continues his Melbourne International Film Festival odyssey. He previously spoke enthusiastically on behalf of "Holy Motors" and clapped mildly for future Oscar backlash sufferer "The Sessions".

I wasn’t sure what I thought when I left my sold out session of Ruby Sparks. I think I was initially taken aback by the fact that it was both written by and stars Zoe Kazan (not to mention co-directed by a woman, Valerie Faris, alongside Jonathan Dayton who both made a big splash several years back with Little Miss Sunshine). What exactly was Kazan trying to say about women? Are they all subconsciously wanting to be manipulated by men? What exactly was Kazan trying to say about men? Do they really only want a woman that they can mould into the perfect being? What exactly was Kazan trying to say about herself? Does she really consider herself the most desirable woman in American, the perfect fantasy that any man would conjure up if forced?

 It took me a while to decide that Ruby Sparks – currently screening in America, out soon in other countries – is surely Kazan’s rebuke to the (one presumes) deluge of Manic Pixie Dream Girl characters she gets asked to audition for. She has essentially written herself in the most Deschanel-esque way possible, complete with cutesy mixy-matchy fashion ensembles and frenzied flamboyance. It would be all too diabolically la-di-da – especially given that Paul Dano’s novelist works on a retro typewriter (!!!) – if it weren't littered with moments of genuine sadness. Kazan clearly wrote the film’s second half as her own cathartic piece of performance art as she fluctuates wildly from one personality type to another, before screaming and crying about free will.

It should have come so much closer to intolerable, but somehow it comes together and works. Not as well as Little Miss Sunshine, mind you, but close enough to make its disappointing American box office all the more confusing.


Annette Bening and Antonio Banderas show up briefly and have mad fun in the process as a couple of zen hippies, while Chris Messina (filling his niche of Eternally Supportive Boyfriend) has some moments of wide-eyed wonder that really help ground the film’s fantasy plot. I will forgive the filmmakers some lapses in judgement – that ending is troublesome – as most of Ruby Sparks manages to pull off the tricky mechanics of its story with zesty aplomb. Kazan certainly has some harsh words for Hollywood, but the industry doesn’t take too well to women who object to staying in their ill-fitting assigned boxes so maybe we actressexuals should start paying some attention to her sooner rather than later. (B)

More in Melbourne

No matter what one makes of Kazan’s writer/actor effort in the above film, however, will probably be twofold when it comes to Marina Abramovic. The Serbian-born performance artist’s own manifest reads (at least in part) that an artist should never become an idol. The fact that she agreed to a documentary about herself, filmed during a Museum of Modern Art (MoMA) retrospective of her work, whilst her newest piece involves people looking directly at her makes this particularly personal rule stand out like a sore thumb in the thoroughly engaging Marina Abramovic: The Artist is Present. No matter what one things of Abramovic and/or her work, this documentary by Matthew Akers should hopefully prove enlightening even if it never quite reaches the cinematically adventurous heights of its subject. And, hey, nudie bits! (B+ - full review)

Marina will beat you in a staring match

If The Artist Is Present proved an insightful look at the world of performance art, then This Ain’t California does the same for East Germany in the 1980s. Sounds niche, but it’s oh so fun watching Marten Persiel sift through his friends’ early years as rebellious punks. Filled with wonderfully rich super 8 video footage, This Ain’t California shines a light on how the oppressed youth of the GDR discovered American hip-hop and skate culture despite living in the shadow of the Berlin Wall. A very literal east-meets-west deal that sees these new wave teens become intertwined with the corporate world, the Stasi police, the war in Afghanistan, and too many denim jean jackets and man-perms to count. Coupled with an incredible soundtrack plus the pure athleticism of its subjects, this is one unique spin on Americana with a German twist. (B+ - full review)

Lastly, there’s a reason why a film with as big a cast of Jayne Mansfield’s Car hasn’t amassed much in the way of buzz. It’s because it’s not particularly good. Did you know that war is hell and messes with soldier’s minds? Billy Bob Thornton sure thinks you don’t! (C­+)