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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Tuesday
Jul242018

Doc Corner: 'Scotty and the Secret History of Hollywood'

Amy Winehouse died seven years ago today and several years removed from its Oscar win and box office success, Asif Kapadia’s Amy lingers in the public consciousness. A popular work of non-fiction due to its remarkable access to the story of a spiralling genius. For me, however, Amy remains a personal bug bear; an unethical and cruel work of documentary filmmaking that uses the words of its dead subject against her.

It was purely coincidental then that I thought about Amy while watching Matt Tyrnauer’s Scotty and the Secret History of Hollywood. The two films definitely do not share the same world, but this revealing piece of Inside Hollywood muckraking does raise questions about ethics all its own. I admit I got a bit of a salacious thrill out of it, but that doesn’t stop me questioning whether I ought to have.

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Tuesday
Jul242018

TIFF Galas & Special Presentations Announced

by Nathaniel R

TIFF is around the corner y'all. Excited we are since it means the prestige film season and another round of Oscar madness is about to begin. For the first time TIFF has allowed The Film Experience two press passes so Chris Feil and Nathaniel R (that's me) will both be covering in real time for the whole fest from September 6th through the 16th. Today TIFF has announced the 47 films that will be featured in their Galas and Special Presentations sections. These are the two sections wherein you'll usually find the mainstream awards hopefuls shoulder-to-shoulder with more traditional festival fare and world cinema premieres. TIFF usually has hundreds of films so this is just the first announcement. 

The full list containing masterpieces and duds and everything inbetween (though we won't know which-is-which-is-which until we see them) is after the jump!

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Tuesday
Jul242018

50 Kristins for Kristin's 50th

by Jorge Molina

Today, Tony, Emmy and Grammy-winner (that’s right, she only needs an Oscar to EGOT; get on it, Hollywood) and human ray of sunshine Kristin Chenoweth turns 50 years old. To honor her career, her legacy, and that impossibly high pitch matched only by her charisma, let’s take a look at 50 roles and appearances that she has gifted the world in almost three decades of work, in no particular order:

1) Her Broadway debut in an adaptation of Moliére’s Scapin as Hyacinth in 1996. 

2 & 3) Her two most iconic Broadway roles: A featured Tony-winning turn as Sally in You’re a Good Man, Charlie Brown in 1999, and the Best Actress Tony-nominated performance as Glinda, the Good Witch in the world phenomenon that was Wicked in 2003.

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Tuesday
Jul242018

We Got the Link

8 quick stories for you this morning

Towleroad Yes, it's true Golden Girls action figures are coming!
The Guardian Janeane Garofalo and Ethan Hawke share memories of Reality Bites (1994)
The Brag I like this piece on BPM, Queer as Folk and politics on dance floors
Playbill after four seasons Sutton Foster finally sings on Younger. On tonight's episode she's doing The Sound of Music's "Lonely Goatherd"
The Wrap Frances Conroy and Robert DeNiro are joining Joaquin Phoenix in that ill-advised Joker origin story movie
Filmmaker Magazine talks to Steven Soderbergh about his amazing debut sex lies and videotape (1989)
Awards Daily a tribute to Donald Sutherland, one of the greatest actors of Hollywood 

Exit Video
The Go-Gos appeared on CBS Sunday Morning to discuss their career for the launch of the Broadway musical "Head Over Heels". ♥️ this band so much. 

Monday
Jul232018

Sharp Objects: Episode 3 "Fix"

Previously: Episode 2 "Dirt"

by Ilich Mejía

In this week's installment of Let's Obscure Patricia Clarkson's Face To Visually Storytell, we barely get to make out Patty's moneymaker. In all fairness, while obscured, Patricia's unreasonable Adora still gets to crush common sense with pastels and Southern charm in front of characters outside her own family this week. Out of a familial context, her obsession with perception is amplified to a chilling perversity as she willfully obstructs her daughter Camille's attempts at finding the murderer of two young girls because *gasp* what will people say! We see how even at home, protected from the scrutiny of people outside of her circle, she prioritizes presentation: heels with nightgowns before bed, suede sandals while gardening, a maid never seen without her uniform. She’s no different with less familiar acquaintances, winning over the local police chief and the grieving father with her facetious attention and sweetened coffee...

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