"True Blood" Witches. True Blood Watchers?

I've been on a True Blood tear, catching up with Season 3. I haven't enjoyed it nearly as much as Season 2 (the peak) partially because the Big Bad "Russell, King of Mississippi" (Denis O'Hare) wasn't half as interesting, dynamic or amusing as immortal maenad "MaryAnn" (Michelle Forbes) from Season 2. Plus, I've missed the comedy gold that sprung up in the religious cult satire subplot which starred Jason Stackhouse (Ryan Kwanten), the ensemble's undersung hero. Yes, everyone loves his body. But he's arguably the most gifted comic in the cast.

Here's the new teaser for the fourth season of True Blood. If Fiona Shaw, the sensational stage actress, Harry Potter's Aunt Petunia, and our favorite batshit crazy sociopathic rich lady (The Black Dahlia) is this season's Big Bad, maybe Season 4 will rival Season 2?

Here's the teaser.

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Beauty Break: Tang Wei & Takeshi

Tang Wei! We're just so happy the Lust, Caution star is working again. Here she is in Cannes for her Wu Xia (2011) photoshoot.

Photographed by Andreaz Rentz for Getty

She also walked the red carpet and hit the parties with another of our favorite Asian actors, Takeshi Kaneshiro.

He's the man Hollywood SHOULD be calling if they really want to skew older for the live action version of Akira as all of the casting reports indicate that they do.

46 year-old Keanu Reeves recently turned down the lead role in the live-action version of the classic anime. We've already griped about the casting, but mostly due to the white washing. That they're ignoring the film being about teenagers doesn't bother us as much since it's so rare that Hollywood decides to go older instead of younger. Takeshi is half Japanese, a decade younger than Keanu, has movie star appeal, and looks superb in action sequences (see House of Flying Daggers among others) so why not him?

Team Experience: "Maleficent" and More

I'm always curious about your film experiences out there in the dark. That curiousity extends to the contributors here at TFE, not all of whom I know in real life given that they're spread across the globe. You know them, virtually speaking. Hopefully you love them. But I thought we'd ask them a couple of questions each week. Feel free to answer yourself in the comments and join the conversation.

WHAT'S THE BEST THING YOU SAW THIS WEEK?

JA: A tie between every single second of Emmanuel Lubeszki's photography for The Tree of Life (it's a gorgeous film that left me cold), and that probably photoshopped image of Jake Gyllenhaal doing the Grace Jones pose in his underpants. I see beautiful things!

Andreas: John Carpenter's The Thing -- after several viewings, it retains all of its original power.

Robert: Ramin Bahrani's short film Plastic Bag. I stumbled upon it while attempting to keep my Herzog high going after being enthralled by Cave of Forgotten Dreams. Bahrani's film follows and anthropomorphized plastic bag (shades of American Beauty are minimal) and finds itself spiraling into themes of life, death, and meaning and best of all, it's narrated by Werner Herzog himself... as the plastic bag of course!

Michael (Unsung Heroes). The best thing I saw this week was, without question, the montage of drunk cast members from the latest episode of Parks and Recreation. I want an episode length edit of all the improv that went into that scene.

Jose: Since theaters here are only playing four movies (Rio, Fast and Furious 5, Thor and Priest) I re-watched Gone With the Wind in HD. Mind blowing!  Sure gives any new movie a run for its money. It also felt much shorter than Thor.

WHAT'S THE WORST?

Michael : the worst thing I saw, or rather didn't see, was screen time for Rene Russo in Thor. It's been forever since Russo had a high-profile gig and she gets 30 measly seconds of screen time? You can't tease me like that Thor.

Andreas: The first 10 minutes of I Know Who Killed Me. (Nonetheless, I may revisit it later; I'm a glutton for punishment.)

JA: The worst thing I saw was the original ending to Alexander Payne's Election. Truly, stupefyingly awful.

TIM BURTON HAS OFFICIALLY LEFT DISNEY'S "MALEFICENT".

Robert: The marriage between Tim Burton and Disney makes me so sad. They're like two people who were really sexy back in high school, still trying to fit into their cheerleading and football uniforms, telling each other how great they still look, and wondering how that dorky kid Quentin got so popular (this metaphor has gotten away from me). But I still want to like them very much. So I guess what I'm saying is I wish they'd split and find new partners who could convince them to hit the gym... cinematically speaking.

JA: Never much loved Sleeping Beauty as a kid - I was all up in Alice in Wonderland and Fantasia - so I was never attached, beyond really liking the way the word "Maleficent" rolls off the tongue. Maaaalefahcint! I don't understand why people didn't take it up as a name for their children. Little Maleficent would rule pre-school with an iron fist.

Jose:  Maleficent would serve itself better from a director with an eye for actual Gothic, I say call Jane Campion or Catherine Breillat!

YOUR TURN...

• Who do you think should direct MALEFICENT with Burton gone? 
• What's the best & worst anything you saw this week? I've been enjoying True Blood and Ishtar (more on the later in a bit.)

Cannes Check: A Fine Finnish

Robert (author of Distant Relatives) here with more info from Cannes. The Palme found another strong competitor with Aki Kaurismaki's La Havre. Probably the highest profile director from Finland (if you know him from anything it would probably be 2002's The Man Without a Past), Kaurismaki has been off the scene for five years. His return takes him to the French town of the films' title and a couple who attempt to help an illegal immigrant who's being pursued by a tough cop. The Playlist's Kevin Jagernauth notes the rapturous applause that greeted the film and says it "now matches The Artist for the biggest, most rousing crowd-pleaser of the festival."

Meanwhile director Bertrand Bonello had perhaps the least desired spot in the fest. His film House of Tolerance about the comraderie in a brothel mixed in with heaping helpings of violence and sex opened the same day as The Tree of Life. But having little attention payed to it, may turn out to be a good deal for him. MUBI has a good rundown of the mixed critical response to the film.

Maureen O'Sullivan. She Jane!

10|25|50|75|100 in celebration of major film anniversaries

One hundred years ago on this very day, Maureen O'Sullivan was born in Ireland. She went on to become Hollywood's first major female Irish movie star. Though she appeared in The Thin Man (1934) and an early version of Pride and Prejudice (1940) she is best remembered as Jane from six Tarzan adventures. Tomorrow on "Hit Me With Your Best Shot" we'll be looking at Tarzan the Ape Man (1932). The Weismuller and O'Sullivan pairing is basically what people think of when they think of Tarzan at the movies though the character had plentiful interpretations before and since.

Here she is talking about how the controversies that swirled around "Jane" for her skimpy wardrobe.

O'Sullivan retired for most of the 1940s (her thirtysomething years) and in that time she gave us what might have been her greatest gift to the cinema, the incomparable Mia Farrow.

Before her death in 1998 she was even graced with a wonderful elegiac exit from the movies 25 years ago playing both Kathleen Turner's dearly departed grandmother in Peggy Sue Got Married (1986) and Mia's screen mother (art imitating life) in Woody Allen's masterpiece Hannah and Her Sisters (1986).

Maureen & Mia

So here's to Maureen O'Sullivan on her 100th birthday!