The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Link Almighty? How the Link Stole Christmas? Ace Ventura: Link Detective?
Towleroad Jim Carrey Black Swans himself for Saturday Night Live
In Contention is Jim Carrey on the rise again? It's a good question.
My Life as a Blog interesting piece on great acting and how we (generally) define it. Plus more praise for Jeon Do-yeon in Secret Sunshine (2007) and that's always worth rubber-stamping.
Cinema Blend Trent Reznor to score The Girl With the Dragon Tattoo. The Fincher collaboration continues.
EW the Coen Bros pick their favorite westerns on such criteria as "good hat brims"
Scanners best shots, opening and ending of the year
/FilmWicked film in the works. But not the one we were waiting for, damnit.
Brown Okinawa Assault Incident has a list of indelible fashion moments in 2010 films from The Runaways to I Am Love to Never Let Me Go. Fun/interesting.
Roger Ebert a little more detail on the NSFC awards as well as an official statement about the MPAA and the Blue Valentine controversy and such.
Finally, you should check out StinkyLulu's 5th annual Supporting Actress Blog-a-thon if you haven't yet. Each year, Stinky's enthusiams for "actressing at the edges" provides an interesting eclectic look at a broad swath of performances from their passionate fans. The blog-a-thon often feels quite personal so I respond to it that way in turn. Thus, it was most interesting to read about roles and performances that I...
Regarding the latter, you know I'm talking about Black Swan which as you can imagine hogs quite a bit of the blog-a-thon being an actressy effort. Mila Kunis gets more writeups than I've ever seen anyone get in these parties and Julian at Movies and Other Things made me giggle with this bit on Barbara Hershey.
She refrains from extremes, ...never dipping into Mommie Dearest-like histrionics. I don’t think she cares if Nina uses wire hangers for her clothes...
Hee. True enough, Julian. But she sure does care if Nina eats cake. "WELL, IT'S GARBAGE NOW!"
Tangled begins as so many Disney fairy tales do, with literal storytelling. But rather than opening a book --are they too antiquated for the kiddies *sniffle* ? -- it's simple narration as Flynn Rider begins to tell us the tale of Rapunzel. The first character he introduces us to is Mother Gothel, obsessing over the healing power of a golden flower.
Oh, you see that old woman over there? You might want to remember her. She's kind of important.
No joke. That's true of character and actress. Gothel's voice belongs to Donna Murphy, one of Broadway's most formidable stars. She seizes the richest opportunity of her sparse screen career as forcefully as Mother Gothel grabs at her chance at immortality.
"blah blah blah blah blah"
In the first seconds of this introduction when we see the hunched crone-like woman with darting eyes, the animators are doing the heavy lifting. But soon enough Donna Murphy's spectacular voice creeps into the picture and we have one of the all-time best villains in Disney's already estimable rogues gallery.
"Flower gleam and glow, let your power shine," she sings with ancient cracked weariness. As her magic flower does its healing work, Murphy's more familiar superstar pipes emerge, newly coated in honey "Make the clock reverse, bring back what once was mine, what once was mine." No wonder she can't let go of this power once it's in the human form or Rapunzel. Who'd want that voice to whither, never mind the beauty.
Murphy's enormous gift for musical comedy is a huge assett in crafting Disney's most disturbing parent/child relationship without alienating its intended audience. Tangled isn't a horror film after all. We have to understand that Mother Gothel is dangerous for her adopted daughter, but we also have to enjoy the emotional games which are played at Rapunzel's expense. Little "Flower", as Gothel calls Rapunzel, doesn't even understand the rules.
Murphy's quickfire comic delivery is filled with florid theatricality (perfect for both the stage and the animated film) but the actress can ground it just as quickly with softer tones. So when she teases Rapunzel in the mirror. "I see a confident beautiful young woman. [beat] Oh look you're here too!" and then laughs at her own mean joke, you're both giggling and apalled. Then you want to forgive her when she hugs her daughter because she's funny and vibrant and she sounds like she means it whenever she drops the teasing. She cushions those blows with kisses and endearments "I love you most" and though not all of them sound 100% genuine, moments of emotional authenticity pop up to catch you unawares. What kind of woman is this? Murphy flips Gothel's switch constantly: loving mother, flamboyant diva, charming confidante, dangerous villain, exhausted single parent, selfish bitch; who can keep up? Certainly not Rapunzel!
a dramatic pose in "Mother Knows Best"
Even better, whether she's working the book scenes or singing, you can hear in Murphy's delivery both the anticipatory manipulations (when she doesn't want to deal with her daughter's neediness) and the lags in response time (when Rapunzel surprises her).
Though it's not the least bit surprising if you've ever seen her on stage, Murphy absolutely nails Mother Gothel's big number "Mother Knows Best" which is a character song, an illustration of emotional backstory (you know she's sung this song before and you can imagine how it's shaped her "daughter"), a comic interlude and dramatic showstopper. At least it is with Murphy playing it. The most hilariously self-aware moment is in the climax. She sings
Skip the drama Stay with Mama Moooooooooother Knows Best.
"Skip the drama," sings the drama queen with total flamboyance. That's rich. Mother Gothel is laughing at her own killing joke even while sliding into the next witty lyric.
Later while bargaining with her daughter about a trip, she drops the comedy for more earthbound familiar parent/child friction but Murphy's still working it like it's her big showstopping song and the spotlight is on. "Enough with the lights," she yells with scary force at her persistent daughter (Dangerous Villain) having reached her breaking point. "Great now I'm the bad guy" she sighs, collapsing with self-deluding comedy (Selfish Bitch). Rapunzel switches gears herself in response and wants a different gift. "And what is that?" Murphy says with genuine inquisitiveness peaking through her annoyance (Exhaustive Single Parent). Murphy doesn't oversell this last line at all, though she might have. The actress is softening with the character so your attention can flow back to Rapunzel, who is trying her hand at the manipulation game from her mother who knows it best.
Murphy's spoken dialogue is as musically fluid and emotionally incisive as her singing is dramatically and comedically assured. This is why you cast already great musical stars in musicals, Hollywood! They sing beautifully even when they're just acting and they act dramatically even when their voices are carrying a melody.
WHOA! a.k.a. Weekly History of Oscar / Awardage New series? Maybe. Why do I need gimmicky acronyms? I know not.
Jan 9th the first flight of the Avro Lancaster (no relation to Burt) took place in World War II in 1941. This famous plane, the most successful of British bombers, later had a starring role in The Dam Busters (1955) with Richard Todd in the cockpit. The film was Oscar nominated for Best Visual Effects and supposedly inspired the Death Star climax of Star Wars (see video comparison below). Peter Jackson was prepping a remake in 2009 but obvsThe Hobbit (2012) has taken over his life.
Jan 10th Youth sensation Sal Mineo, the youngest two-time Oscar nominated male actor (honored for Rebel Without a Cause (1955) and Exodus (1960) by the time he was 22), was born on this day in in 1939. You can see his Rebel screen test with James Dean and Natalie Wood above (such amazing trio chemistry). Love that movie.
After the jump, the first Oscars, Cate Blanchett and Pixar...
Consider this a reboot. A retooled second (third?) season, if you will. With a brand new website, awesome technical support (aside from blog import issues -- still working on it -- Squarespace has been a dream thus far), and the countdown to Oscar, it's time for the lost podcast to return home.
Katey, Joe and Nick have returned to help me kick off this year's audio Oscar-madness. Having been quiet for too long, our conversation spilleth over. Second part coming up shortly.
Monday, January 10, 2011 at 8:23AM 
Link Almighty?
a) didn't personally care for (Patricia Clarkson in Shutter Island) 
