Thursday, August 7, 2014 at 1:22PM I am aware that the site is having some loading problems the past couple of days. Scheduled posts malfunction as well so things aren't publishing well. Working on a solution. Thank you for your patience as you await for more bloggy goodness.
Wednesday, August 6, 2014 at 1:56PM Episode 32 of 52: In which Katharine Hepburn plays a woman named Bunny who starts a battle of wits with Spencer Tracy's computer. That's actually the plot.
Desk Set is a strange movie that feels both dated and ahead of its time. Its office setting, midcentury style, and technophobic slant are all signs of 1950s comedy. But in tone it stands apart. The 1930s screwball comedies and the 1940s battles of the sexes had given way to two subgenres in the 1950s: sex comedies (typically starring Marilyn Monroe), or romantic comedies (typically starring Doris Day or alternately Audrey Hepburn, depending on the ratio of laughs to romance).However, Desk Set fits into neither category comfortably. Nor is this second-to-last Tracy/Hepburn collaboration a throwback to their 40s battles.
So, where does Desk Set fit? Considering the flirty bickering over lunch, the playful bantering over dinner, the details about food, the major character revelations during holidays, and the amicable way the leads transition from friendship to romance, Desk Set resembles nothing so much as an Ephron romcom.
And that’s exactly what Desk Set is.
Wednesday, August 6, 2014 at 12:00PM For this week's Best Shot episode, the last 'detour' before the final three classics for the season, I wanted to introduce all of you to the short films of Jamie Travis. The Canadian filmmaker has only made one feature, the phone sex comedy For a Good Time, Call... (2012) and he's been making a living with commercials and the MTV series Faking It of late. His true claim to fame and the reason we should all root for bigger feature film things to come are his two short film trilogies.
Jamie Travis and the trilogy that hooked me
I first became obsessed with his work when I was on a festival jury and saw the first film in the Patterns trilogy, a trilogy which might be semi-accurately described as a fusion of Lynchian nightmare, oddball musical, and romantic dramedy. A few years ago I geeked out and embarrassed myself when I met him at a retrospective of his work at the Nashville Film Festival. It's not every short filmmaker who wins shamelessly adoring fans and festival retrospectives of their work!
For Best Shot, we're looking at his first trilogy 'the Saddest Children'. The films are only related by subject matter but they're worth watching in order because they get better and better and give you the opportunity to watch an artist perfect his original voice. What follows is my short write up on each film, followed by the Best Shot choices on other fine blogs. Click on those photos to be transported to the adjacent articles and make sure to watch the films themselves. As per usual reading other pieces makes me think "why didn't I see, respond to, or get that in that way?!" which is half the reason I love doing this series.
WHY THE ANDERSON CHILDREN DIDN'T COME TO DINNER (2003)
In which three morose seven year-olds long to escape the mother who keeps overfeeding them...
Tuesday, August 5, 2014 at 6:55PM 
"Groot" a walking fighting talking (well, sort of) tree is easily the best character within the #1 movie in the world right now. I didn't like Guardians of the Galaxy but I loved Groot. So here's a top ten devoted to his fellow upright leafy green characters. Trees have often played key roles in dramas, fairytales, and horror alike whether as fantastical homes, formidable characters or mysterious passageways to adventure.
So herewith...
TOP TEN: BEST TREES IN MOVIES
Honorable Mention: That tree Mowgli was hypnotized in in The Jungle Book, spooky 'Tree of the Dead' in Sleepy Hollow, the Christmas tree Gremlins wield like a weapon, the Swiss Family Robinson's main address, any tree that nimbly supports the weight of Crouching Tigers and Hidden Dragons on its delicate green branches, any tree that gives us opportunities to ogle various Tarzans or George of the Jungles from, uh, below (shush. You're no innocent of ogling!), or virtually any colorful tree in Disney's Alice In Wonderland but particularly the one she reads by and dozes on that dumps her into that trippy world of invisible cats, size-altering portions, and rodents having tea parties.
10 Holiday Trees in Nightmare Before Christmas (1993)
Located in The Hinterlands these seven trees lead you into your various Holiday towns. We only get to see Halloween Town and "what's this?" Christmas town. If only Jack Skellington could have tried them all out. Imagine him delivering Easter eggs or cupid's arrow. Imagine the production design and merchandising opportunities! For all I know these other worlds have already been exploited in bad straight to DVD follow ups but if so I am blissfully ignorant.
Nine more barking great characters / symbols after the jump...
Tuesday, August 5, 2014 at 12:00PM Yesterday Forbes published their annual list of the top-grossing actresses of the year. They figure in gross earnings and endorsement deals and everything. The list is as follows: 10. Kristen Stewart 9. Natalie Portman 8. Amy Adams 7. Scarlett Johansson 6. Cameron Diaz 5. Angelina Jolie 4. Gwyneth Paltrow 3. Jennifer Aniston 2. Jennifer Lawrence 1. Sandra Bullock. So here's Matthew Eng chasing our very tiny recent Sandra fest with this climactic love letter. - Nathaniel
Sandra at the Spike Awards this summer with two of her most important co-stars Hugh Grant and Keanu Reeves
I don’t particularly get people who don’t like Sandra Bullock.
Yes, the 82nd Best Actress statuette deserves to be sitting comfortably somewhere on Gabourey Sidibe’s mantelpiece and yes, The Blind Side is a pretty foul piece of limo-liberal fabling. Yes, she is a performer of some obvious limitations that are strikingly evident in even her strongest comedic performances. And yes, she has given us All About Steve and The Proposal and the Miss Congenialitys and Two Weeks Notice and all those other “duds” we love to roll our eyes at in public almost as much as we love to sheepishly watch them in private whenever they pop up on FX or Lifetime or HBO.
I’m more than happy to make couch potato time for Two Weeks Notice, a funny/frisky valentine to New York that’s patently flawed but genuinely sentimental, and even The Proposal, a ridiculous container of rom-com contrivances that would make Kate Hudson cringe, but which has plenty of good moments to spare. No, I haven’t yet laid an eye on All About Steve, which is likely for the better, but I do own While You Were Sleeping and Miss Congeniality, and I’ve sat through the latter’s sequel, um, three, maybe four times.
Why am I glued to these movies when I still have so many unseen Bergmans? [more...]
