Grammy Nominees... As They Relate to Movies, Theater, and TV

Nominations have been announced for the 59th annual Grammy Awards honoring the year in music (sort of.. their timelines can be very confusing). More than any of the other big 4 awards shows (Tonys, Emmys, Oscars) Grammy nods are largely based on financial success so it's usually the superstars in the major categories and that's true again this year with Beyoncé leading with 9 nominations and other superstars not far behind. The surprise this year was country star Sturgill Simpson (A Sailor's Guide to Earth) sharing the most coveted category "Album of the Year" category with Beyoncé (Lemonade), Adele (25), Justin Beiber (Purpose), and Drake (Views).

Adele's "25" is so great. But if she loses everything she can console herself with her 10 previous Grammys

But since the Grammys have over 80 categories (we are not exaggerating) here at TFE we just focus on those in which film, tv, or stage types are in play. i.e. the ones that can  sometimes lead to EGOTing are after the jump.

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Doc Corner: 'Mavis!' and 'We Are X' Spotlight the Music

Every year there are so many documentaries about musicians that it sometimes feels as if we will surely run out. We of course all know that will never be the case, and in this landscape of film distribution, documentaries like these are the easiest sells so it’s hard to blame the makers. In 2016 alone we’ve see films about The Beatles, Nick Cave, Oasis, Frank Zappa, and the late Sharon Jones. Jim Jarmusch has released Gimme Danger about Iggy Pop and The Stooges and there has even been yet another Rolling Stones doc called The Rolling Stones Ole Ole Ole!: A Trip Across Latin America that I never knew existed.

This week we’re looking at two more that are on this year’s Oscar eligibility long-list and which focus on polar-opposite worlds of music: rhythm and blues icon Mavis Staple and Japanese hard-rock phenomenon X.

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Jimmy Kimmel Is Your Oscar Host

Chris here with a long-awaited announcement. After months of waiting we finally have our Oscar host: comedian Jimmy Kimmel. The choice is somewhat expected considering The Oscars will be on ABC and he's their current flagship late-nighter. If Kimmel is either overly safe or uninspired, remember things could be even worse: Jimmy Fallon is hosting the Golden Globes and James Corden is hosting the Grammys. Maybe we should find hosting options beyond the James/Jimmys of the world?

The next concern is what a Kimmel-hosted Oscarcast will look and sound like. Oscar hosts typically have at least nine months to prepare, so might he just rely on his standard late-night schtick? One shudders to think what a Mean Tweets segment might look like with our favorites like Viola Davis being potential victims. However, wouldn't it be something to see Isabelle Huppert lead one of those "I ate all of your Halloween candy" pranks - like duping the eventual nominees into believing their nomination has been revoked?

Kimmel pulled off some good notices for hosting the Emmys, but he doesn't have much of a film background. We'll see if he does enough catch up on this year's films to make the smooth transition. What do you think of Kimmel as a host?

Interview: Director Juho Kuosmanen on Finnish Oscar Entry 'The Happiest Day in The Life Of Olli Mäki'

By Jose Solís.


In 1962, a young Finnish boxer faced featherweight champion of the world Davey Moore in a match that would go down in sports history as one of the most bittersweet for the tiny European country. Director Juho Kuosmanen has captured the event from the perspective of the challenger (played by Jarkko Lahti in a breakthrough) who finds himself vanishing among the excitement and pressure of the fight. The Happiest Day In The Life Of Olli Mäki is a bittersweet tale about our need to create larger than life personalities that help us fulfill our desires, but fail to fulfill those who are actually participating in the experience. We see the sensitive, but quiet, Olli light up when he’s with his girlfriend Raija (Oona Airola), even though his manager Eelis (Eero Milonoff) suggests she will only make him lose the fight. Despite that the film is about a boxer, it has more in common with melancholy romances like Jules and Jim and Roman Holiday, than with Raging Bull. The film premiered at the 2016 Cannes Film Festival where it picked up the Prize Un Certain Regard, since then it went on to become the Finnish Oscar entry, so I spoke to director Kuosmanen about the parallels between the film and his life, shooting in black and white, and entering the craze of awards season.

Read the interview after the jump.

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Beauty vs Beast: Grassy Knoll Ethics

Jason from MNPP here with an under-the-weather edition of "Beauty vs Beast" - apologies if I am brief and lacking some spark today, I'm staring at my computer screen from the business end of a box of kleenex and with one too many sudafed capsules dotting my system. I bring up my sickness not to be (entirely) self-indulgent but to explain why I didn't make it out to see Jackie this weekend as I'd planned - every cough feels like a cinematic betrayal right now.

So until me and Natalie can rendezvous with our matching pink pillboxes I will ask you today to look backwards at the previous biggest Kennedy assassination movie on the books, Oliver Stone's JFK. I don't remember the Oscar race that year but I'm kind of surprised Costner wasn't nominated for the film - maybe they'd had their fill with Dances With Wolves the year before? Tommy Lee Jones was nominated for the movie though, for the poodle-mopped conspiracy sissy at the center of the mystery, and so I ask you...

PREVIOUSLY We're on an Almodovar kick thanks to the retrospective at MoMA right now so last week we climbed into bed and slipped our hands into the sex ropes for Antonio Banderas in Tie Me Up! Tie Me Down! - he took 56% of the vote over Victoria Abril's 44. Said thefilmjunkie:

"If I were voting with my head I'd probably go for Marina, but my vote for Ricky was guided by more, um, prurient interests. I have no shame. I regret nothing."