Complete the Sentence

If I could have any object from any 2016 movie
it would be ____________  from __________ .

I would use it to ______________. 

Judy by the Numbers: "I Like Men Medley"

 Anne Marie has been chronicling Judy Garland's career chronologically through musical numbers...

So it may not look like it offhand, but today's episode marked another big shift in the rocky history of The Judy Garland Show. After producing seven episodes, firing most of the staff, kicking Jerry Van Dyke to the curb and reformatting the show, Norman Jewison exited as planned after the 13th taped episode. He would be replaced by Bill Colleran, a producer from Your Hit Parade.

The Show: The Judy Garland Show Episode 13
The Songwriters: Various, arrangement by Mel Torme
The Cast: Judy Garland, Peggy Lee, produced by Norman Jewison

The Story: (My favorite part is the surprise boas at 3:00.) Though Jewison wasn't able to improve the unsteady ratings of The Judy Garland Show, the episodes he produced would set the established characteristics of the show at its peak. More cinematic production, the movement away from sketch comedy, and an emphasis on music and a variety of guest stars all defined Jewison's tenure on the show. The Peggy Lee medley exemplifies all of these qualities, but also points towards the show under Colleran's stewardship: two cabaret singers belting standards. Colleran would transition the show towards a concert format. But before he could complete that transition, it was time for Christmas.

The Top Tens Begin... Neon Demon?

Everyone will have to have their say about which films are the "best" of the year and that starts, bizarrely, right now even though it's still November. First up is the famed Cahiers du Cinema, which is the oldest film publication still running stretching back to the early 1950s. 

Since they're in France, they have a different timetable on releases so TFE's primary 2015 obsession factors in -- Why Carol, it's so good to see you again! But because they are Cahiers du Cinema and generally choose at least one polarizing but largely hated picture, Neon Demon is up near the top. 

Their Top Ten List
1 Toni Erdmann (Maren Ade)
2 Elle (Paul Verhoeven)
3 The Neon Demon (Nicolas Winding Refn)
4 Aquarius (Kleber Mendonça Filho)
5 Slack Bay (Bruno Dumont)
6 Julieta (Pedro Almodóvar)
7 Staying Vertical (Alain Guiraudie)
8 La Loi de la jungle (Antonin Peretjatko)
9 Carol (Todd Haynes)
10 Le bois dont les rêves sont faits (Claire Simon)

What do you make of the list? The two I wasn't familiar with are both French and haven't played much elsewhere. Les bois... is a 2 hour plus documentary about people in the woods, cruising for sex, living there if homeless people, etcetera. Jungle is a comedy set in French Guiana which is in South America.

Interview: Maria Schrader on Directing Austrian Oscar Submission 'Stefan Zweig: Farewell to Europe'

By Jose Solis

Two years after The Grand Budapest Hotel put Stefan Zweig’s writing at the center of the Oscar race, the author himself now is the protagonist of Austria’s submission Stefan Zweig: Farewell to Europe. Directed by Maria Schrader, the film focuses on Zweig’s exile in South America after fleeing Nazi Germany in the mid-1930s, played with gravitas by Josef Hader, Zweig becomes one of the most powerful male characters of the year, in a performance that works on an intellectual as well as visceral level. Audiences who only know Schrader from her acting work, in films like Aimee & Jaguar, will be caught off guard by her elegant sense of framing, her impeccable pacing and the way she engages the viewer by avoiding going into any biopic stereotypes. I spoke to her about making the film, working with Hader, and what an Oscar nomination could mean for the film.

JOSE: This was a very hard movie to watch after the American election.

MARIA SCHRADER: Should I take that as a compliment?

JOSE: Yes!

MARIA SCHRADER: (Laughs)

Click to read more ...

NBR Loves Manchester by the Sea

The National Board of Review, the only non-industry and non-journalist/critic group of note that passes out awards each year have announced their winners. They are notoriously secretive and hard to predict apart from three things: their eternal love for Clint Eastwood (even when no one else is loving him as with titles like Hereafter) so we knew Sully would be on their list; their recency bias (they love December releases historically more than Oscar); and their magical not-at-all suspicious divvying up of prizes to make sure each studio must purchases a table at their banquet.

Their top winner this year were Kenneth Lonergan's Manchester by the Sea which won four awards and Moonlight which won two. No other film took multiple prizes though some received a prize plus a citation on one of their top five / top ten lists. Notable Oscar hopefuls that received no mentions whatsover: Jackie, Lion, Loving, Fences, Florence Foster Jenkins, Toni Erdmann and Love & Friendship.

The winners and list are after the jump...

Click to read more ...