"Brooklyn" Beyond Saoirse

Chris here. We're pleased as punch with all of the precursor love that's greeted Saoirse Ronan's timeless star turn in Brooklyn. Today though, in light of SAG's virtually female-free Outstanding Ensemble list, let's give some love to this film's unnominated but vibrant ensemble.

Yes, Saoirse Ronan is getting the majority of the prizes and praises for the film - heck, she could share an ensemble prize for the film with just herself and her multitude of emotions  in the film and you'd have no complaints from me. However, Eilis's journey in the film is more fully realized with the lived-in actors that surround Ronan's protagonist.

THE FAMILIAR FACES

• Emory Cohen as Tony Fiorello - I'll join those who were happily surprised with his performance, after ghastly work in The Place Beyond the Pines and elsewhere. Not just a pining lothario, he's also believably accepting of Eilis's need to be her own woman. Dreamboat of the Year.
• Domnhall Gleeson as Jim Farrell - A much more bland love interest to Eilis, but intentionally so. He really sells Jim's uncomplicated ambitions
• Julie Walters as Mrs. Kehoe - Archly hilarious as the matron of Eilis's boarding house for girls. She'd be a Supporting Actress contender if it weren't for competition with more screen time and *ahem* narrative focus
• Jim Broadbent as Father Flood - As charming as ever in a tiny role

And here's where it get's really good after the jump...

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Outstanding Achievement in Abs: Alexander Skarsgård

It's our first non fan-photoshopped look at Alexander Skarsgård as Tarzan, Lord of the Apes. It's apparently been retitled (?) The Legend of Tarzan and will open July 1st, 2016. Another image and the first poster after the jump...

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SAG Ensemble -- Everyone's Nominated... Except for You!

Happy SAG NOMINATION DAY! It's time for our glorious depressing tradition of trying to convince a UNION that they ought to look into slightly different rules that are less likely to devalue their dues paying members. Each year when the SAG ensemble nominees are announced the list of actual nominees from the films reveal that non-big name actors are routinely excluded. The problem is that the size of your fame doesn't always correlate with your role and the bulk of SAG's membership is non-famous actors.  If you're curious about why this happens it's due to the rules that you have to have your own title card to be considered part of the official ensemble. In other words you need to a) be famous or b) have a really good agent or c) have the leading role. The only exception to this rule is when the credits don't follow the normal rules. For example Woody Allen movies always list the cast alphabetically on a shared title card. In those cases, you have to be on the first title card to make it in which is why Corey Stoll, who gave the best performance in Midnight in Paris, was left out that year. He wasn't famous enough yet to be on the first page of credits. Now he tends to get his own title card. 

So let's look at who was honored and who was mistreated this morning by the group nominations.

BEASTS OF NO NATION
Nominated Cast: Abraham Attah, Idris Elba, Kurt Egyiawan (as "2nd I-C")

Who was left out: Just about everyone which makes it the strangest nomination of the group. Does three make an ensemble?  I have not yet seen the film -- child soldier dramas are a subgenre I avoid like the plague since they're mentally scarring -- but I hear that Emmanuel Nii Adom Quaye who plays "Strika" is quite good in the movie. 

more after the jump...

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Mad Max, Kate Winslet and Cate Blanchett Win Big at the Australian Academy

Glenn here. As expected, it was a big night for Oscar hopeful Mad Max: Fury Road at the AACTA Awards last night, while Cate Blanchett gave yet another wonderful speech upon winning the Longford Lyell Award for outstanding achievement to Australian screen. Split over two ceremonies in Sydney, this year’s “Australian Oscars” were honouring the most successful year for Australian film on record – yes, that means of all time (inflation not included) – as well as television. Miller’s film picked up eight trophies all up, bringing the total number of AFI/AACTA Awards won by the franchise to 16, while Miller has now amassed 8 career statues. Yes, eight!!

Jocelyn Moorhouse’s homegrown phenomenon The Dressmaker was also a hit winning five including for actors Kate Winslet, Judy Davis, and Hugo Weaving as well as the audience choice award, which goes to show just how popular that period western has been here and how much it's captured the public's attention (it has come within mere millions of Mad Max’s box office). The most sentimental win of the night was for lead actor Michael Caton, the industry legend whose first win finally came at age 72 in Last Cab to Darwin about a dying man driving cross-country. AIDS-era gay romance Holding the Man sadly went home empty-handed despite being one of the finest dramas this country has ever produced.

Best Film: Mad Max: Fury Road
People's Choice Award: The Dressmaker
Best Direction: George Miller, Mad Max: Fury Road
Best Lead Actor: Michael Caton, Last Cab to Darwin
Best Lead Actress: Kate Winslet, The Dressmaker
Best Supporting Actor: Hugo Weaving, The Dressmaker
Best Supporting Actress: Judy Davis, The Dressmaker
Best Original Screenplay: Robert Connolly and Steve Worland, Paper Planes
Best Adapted Screenplay: Reg Cribb and Jeremy Sims, Last Cab to Darwin
Best Documentary Feature: That Sugar Film

More winners + Cate Blanchett (!) after the jump...

No, we won't stop using this gif!

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SAG Award Nominations

Early this morning while waiting for the Screen Actors Guild Nominations to come i wondered out loud "what will be the insane 'Naomi Watts in St Vincent' nomination today?". No one could have expected that the answer would be "all of them".

Ladies and gentlemen the weirdest bunch of nominations ever for the SAG AWARDS which will be broadcast on Saturday January 30th on TBS/TNT. Many people will be rethinking their Oscar predictions this morning but it's important to remember that there is extremely little overlap between nominating committee members of SAG (chosen at random each year from their huge membership) and Oscar's acting branch (a few thousand elite people). 

In fact, Melodipopvision is correct when she suggests "Isn't SAG basically now an annual list of "prestige actors I've liked in some other stuff"?"

Normally we love surprises during awards season but when they're as unfortunate as so many of these surprises this morning, the terror begins to set in. What kind of Oscars are we going to get this year?

Nominations with commentary & statistics after the jump...

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